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Ghanashyam Das alias Ghanada (Bengali: ঘনাদা), the protagonist of the Ghanada series of science fiction novels written in Bengali, is a fictional character created by Premendra Mitra in 1945. In the novels, the character fights evil and stands against international terrorism. The far-fetched stories take place in multiple international locations, and across a historical timeline.[1] He is depicted regularly outwitting his fellow boarders of the mess-bari at 72, Banamali Naskar Lane, Kolkata (Calcutta).[2] Ghanada was a personification of Premendra Mitra's anti-fascist humanistic ideologies and moral universe. His stories were notably accurate from a historical, geographical and scientific standpoint.[3][4][5]

Ghanada
Ghanada character
Art by Ajit Gupta
First appearanceMosha (The Mosquito) (1945)
Last appearanceGhanada Samagra 3 (2014)
Created byPremendra Mitra
In-universe information
Full nameGhanashyam Das
Nicknames
  • Ghana
  • Ghanta
  • Dos
  • Das
Occupation
  • Storytelling
  • Adventurer
Relatives
  • Bachanram Das (16th gen.)
  • Ghanaram Das (22nd gen.)
ReligionHindu
NationalityIndian
Age35 - 55
Residence"Mess-bari" at 72, Banamali Naskar Lane, Calcutta, West Bengal, India
Friends
  • Shibu
  • Shishir
  • Gaur
  • Sudhir
  • Bipin
  • Bapi Datta
  • Ramsharan Babu
  • Shibapada Babu
  • Harisadhan Babu
  • Bhabataran Babu

First appearance


Ghanada's first appearance was in a story titled Mosha (The Mosquito), published in the Puja annual Alpana (Bengali: আলপনা) in 1945 published by Deb Sahitya Kutir, Kolkata, West Bengal, India.[6]

Ghanada was engaged by a company in Sakhalin to collect amber sometime during 1939, and in due course, he landed up to a scientific laboratory set by Mr Nishimara, an entomologist, in search of a Chinese labourer who went missing. It was later revealed that Mr. Nishamara was genetically converting the mosquitos into deadly agents of biological warfare. When the lone, genetically engineered mosquito landed on the face of Mr. Nishimara and sealed his fate by stinging him, Ghanada slapped Nishmara to kill the mosquito and eliminated a severe threat towards humanity. He declared he never intended to kill another mosquito ever after in his lifetime.

At the end of the story Ghanada took a deep breath as if he was so tired from killing that mosquito and said, "I never felt like killing a mosquito after that incident."[7]


Characterization



Ghanada


The character of Ghanashyam Das alias Ghanada was outlined as a bachelor, dark-complexioned male with a tall, boney and skeletal structure, aged "anywhere between thirty-five to fifty-five", as described by the author himself in Mosha- the first story of the Ghanada series. He stayed in the third-floor attic of a shared apartment called "Mess-bari" (Bengali: মেস-বাড়ি) at 72, Banamali Naskar Lane, Calcutta, West Bengal, India, along with other boarders, who called him Ghanada, while Ghana is the shortened form of his name Ghanasyam, and the term "da" is a suffix added to the name of an elder male in Bengal to convey reverence and affection. Though he was rarely found engaged in any activity or work other than telling fantastic tales to the boarders of the apartment, sitting in his armchair and cadging cigarettes from his fellow boarders, his tall tales engaged him with most of the major events that had happened in the world for last two hundred years and there was no place on earth which he didn't visit.[8]

Premendra Mitra, the creator, described Ghanada in an interview by A K Ganguly published in SPAN in 1974, as below:

Ghana~da is a teller of tall tales, but the tales always have a scientific basis. I try to keep them as factually correct and as authentic as possible.[9]


Reason and medium of arrival at "Mess-bari"


After forty years of publication of the first Ghanada story, the author revealed when and how Ghanada appeared for the first time at 72, Banamali Naskar Lane mess-bari, in the story Ghanada Elen (Ghanada Came) in 1985 at the request of the fans of Ghanada.

"It was the early days of this mess-bari many years ago, when the four friends just occupied this house and were trying to settle down, a strange person, whose age could be anywhere between thirty-five to fifty-five, with a thin and lanky structure like an axe having a deep baritone voice and carrying a small canvas bag, approached them for help.

He needed accommodation to get a confirmed postal address because seven years ago while he was working as an expert in guns, promised Bob Kenneth, a licensed hunter in Uganda, that if his help is needed Bob should put an advertisement in the Times (London) magazine with a symbol of Jerboa.

After watching for the last seven years at last he saw the advertisement in the Times at the Imperial Library of Calcutta while spending a few days in the city. He sent a letter to Bob asking for details in reply to the advertisement letting him know this house at 72 Banamali Naskar Lane as his present address. Now he should wait here only for a few days till the reply comes from Bob.

He himself had chosen a dilapidated rooftop attic room above the second floor and assured that he could manage with the broken bed which he already cleaned up, just for a few days.

The young four friends eagerly agreed to extend all the help to this distressed man, only in lieu of listening from him the interesting story involving Jerboa (no idea what it is), Times Magazine and Bob asked him to stay as long as the reply reaches him. The strange man settled in the attic with his canvas bag. The canvas bag had long gone but the reply from Bob Kenneth never reached in all these years. The man in distress, Ghanada, the fantastic teller of incredible tall tales, settled in the mess-bari rent-free for years to come."[10]


Other characters


The stories are broadly classified into two varieties:

Science-based stories

The Science-based stories were generally told in the common room of 72, Banamali Naskar Lane in front of the charmed boarders who consisted of four permanent young men - Shibu, Shishir, Gaur, and Sudhir, with some other members who appeared occasionally.

The character of Ghanada is believed to be based on Sri Bimal Ghosh, an acquaintance of Premendra Mitra whom he used to call "TenDa". He was a co-boarder during Mitra's stay in a shared apartment house at Gobinda Ghoshal Lane of Bhabanipur in his early years. The other four main characters were also believed to be based on real persons.[8]

There were two very important and essential characters, without whom, the Ghanada stories would have been incomplete. They were Banoary, the cook, and Rambhuj, the attendant. Some other staff of the mess-bari was also mentioned in various stories from time to time, such as Uddab, the water provider, and Lachhmania, the cleaner.

History based stories

The history-based stories were told in a completely different environment and the audience was also different. Almost every evening five persons, or at least four out of them, used to gather at a seating arrangement around a tree in Rabindra Sarobar by the side of a lake and discuss various matters ranging from health, imperialism, market rate to Vedanta, philosophy, etc. These five men were -


Works



Short stories


YearShort storyName (in English)Collection
1945MoshaThe MosquitoGhanadar Galpo
1947NuriThe PebbleGhanadar Galpo
1948GhoriThe ClockAwditiyo Ghanada
1948PokaThe InsectGhanadar Galpo
1949MachhThe FishGhanadar Galpo
1949ChhoriThe StickGhanadar Galpo
1950Robinson Crusoe Meye ChhilenRobinson Crusoe was a WomanPremendra Mitrar Sreshtho Galpo
1950KaanchGlassGhanadar Galpo
1952TupiThe CapGhanadar Galpo
1952LattuThe TopGhanadar Galpo
1953DadaBrotherAwdwitiyo Ghanada
1954PhutoThe HoleAwdwitiyo Ghanada
1955DnaatThe ToothAwdwitiyo Ghanada
1957HnashThe DuckAwdwitiyo Ghanada
1958SutoThreadAwdwitiyo Ghanada
1959ShishiThe PhialAbar Ghanada
1960DhilThe StoneAbar Ghanada
1961KnechoThe WormGhanadake Vote Din
1962ChhataThe UmbrellaGhanada Nityonotun
1963ChhnuchThe NeedleAbar Ghanada
1963MachhiThe FlyGhanadake Vote Din
1964Ghanadake Vote DinVote for GhanadaGhanadake Vote Din
1964Ghanada Kulfi Khan naGhanada doesn't eat Ice creamGhanada Nityonotun
1964JawlWaterGhanada Nityonotun
1965ChowkhThe EyesGhanada Nityonotun
1966BhashaLanguageGhanadar Juri Nei
1967TelOilGhanadar Juri Nei
1968MatiSoilGhanadar Juri Nei
1968DhuloDustJnar Naam Ghanada
1969MaapMeasureGhanadar Juri Nei
1969KadaMudJnar Naam Ghanada
1969NaachDanceJnar Naam Ghanada
1970MuloRadishJnar Naam Ghanada
1970TawlLike WaterJnar Naam Ghanada
1970Ghanadar DhonurbgangoGhanada's bow-breakingDuniyar Ghanada
1971KnataThornDuniyar Ghanada
1972BhelaThe RaftGhanadar Chingri Brittanto
1973Berajaale GhanadaGhanada in kiddleGhanadar Phnu
1973Prithibi Barlona KyanoWhy didn't the Earth ExpandDuniyar Ghanada
1974GaanThe SongDuniyar Ghanada
1974Shanti Porbe GhanadaGhanada in the Peace episodeGhanadar Hij Bij Bij
1975Keechak bodhe GhanadaGhanada in the killing of KeechakDuniyar Ghanada
1975Bharat Judhhe PnipreAnts in the Great Indian warGhanadar Phnu
1975Gul-e GhanadaGhanadar Hij Bij Bij
1975Timi Taran Ghanada / Ghanadar Hij Bij BijWhale rescuer GhanadaGhanadar Hij Bij Bij
1976Khandobdaahe GhanadaGhanada at burning KhandobGhanadar Phnu
1977Kurukshetre GhanadaGhanada at KurukshetraGhanadar Phnu
1978Ghanadar PhnuGhanada's PuffGhanadar Phnu
1980Jayadrath bodhe GhanadaGhanada at the Killing of JayadrathGhanadar Chingri Brittanto
1982Ghanadar Chithipatro o Mau-Ka-Sha-Bi-ShGhanada's letters and Mau-Ka-Sha-Bi-ShGhanada o Mau-Ka-Sha-Bi-Sh
1982Parashare GhanadayGhanada vs ParasharGhanada o Mau-Ka-Sha-Bi-Sh
1983Mau-Ka-Sha-Bi-Sh o GhanadaMau-Ka-Sha-Bi-Sh and GhanadaGhanada o Mau-Ka-Sha-Bi-Sh
1983Mau-Ka-Sha-Bi-Sh theke RasomalaiMau-Ka-Sha-Bi-Sh to RasomalaiGhanada o Mau-Ka-Sha-Bi-Sh
1983Ghanadar Shalyo SomacharGhanada's operation newsGhanada o Mau-Ka-Sha-Bi-Sh
1983Atharo noy UnishIt's Nineteen, not EighteenGhanada o Mau-Ka-Sha-Bi-Sh
1984Mau-Ka-Sha-Bi-Sh - Ekbachon na BahubachonIs Mau-Ka-Sha-Bi-Sh - Singular or Plural?Ghanada o Mau-Ka-Sha-Bi-Sh
1984Ghanada PhirlenGhanada ReturnsGhanada o Mau-Ka-Sha-Bi-Sh
1985Ghanadar BaghGhanada's TigerAwgronthito
1985Ghanada ElenGhanada ArrivesGhanadar Chingri Brittanto
1985Kalo phuto Sada phutoBlackhole white-holeAwgronthito
1986Halley-r BechalHalley's Wild BehaviourGhanadar Chingri Brittanto
1986Ghanadar Chingri BrittantoGhanada's Shrimp TaleGhanadar Chingri Brittanto
1987Mau-Ka-Sha-Bi-Sh bonam GhanadaMau-Ka-Sha-Bi-Sh vs. GhanadaAwgronthito

Novellas


YearNovellaName (in English)Collection
1966Agra Jakhon TalomolWhen Agra was unsteadyAgra Jakhon Talomol
1967Das Holen GhanadaThus the Title of 'Das'Agra Jakhon Talomol

Novels


YearNovelName (in English)
1967Shurjo Knadley SonaThe Sun cries Gold
1972Mongolgrohe GhanadaGhanada in Mars
1978Tel Deben GhanadaGhanada will pay for the Fuel
1986Mandhatar tope o GhanadaThe bait of Mandhata and Ghanada

Others


YearNameTypeName (in English)Published in
1956Ghanar Bachon / Ultohata Jabe ki?PoemGhana SaysJoyjatra
1979Tini NeiIncomplete short storyHe is MissingPokkhiraj
1981Prithibi Jodi BartoSkitGhanada Bichitra
1980Mahabharote GhanadaIncomplete novelGhanada in the MahabharataJhalmal
1987Awsawmpurno GhanadaIncomplete short storySharodiyo Kishore Gyan Bigyan

Published books and compendiums



Anthologies



Ghanada's World Tour


Ghanada traveled all over the world covering all the continents many times over. There is a Google Travelogue - "Ghanada's World Tour" (Map) showing all the places where Ghanada had traveled along with the routes of such travels, the references of the stories and other relevant information.


Legacy


During '80s 'Ghanada club' was founded with the participation of Premendra Mitra, Leela Majumdar and others. The club became defunct after a few years. Later, in August 2019, a club with the same name was formed commemorating Ghanada, which has undertaken the archival works pertaining to Ghana Da stories by Mitra involving translation, compilation, audio stories, publication etc.[11][12][13]


References


  1. JAMUNA, K. A. (1 June 2017). Children's Literature in Indian Languages. Publications Division Ministry of Information & Broadcasting. ISBN 978-81-230-2456-1.
  2. Bhattacharya, Atanu; Hiradhar, Preet (2018). "The Insectesimal tall tale: Historical catachresis and ethics in the science fiction of Premendra Mitra". Journal of Postcolonial Writing. 54 (2): 174–186. doi:10.1080/17449855.2017.1332676. S2CID 164349172. Retrieved 14 November 2020.
  3. Sengupta, Debjani (2010). "Sadhan Babu's friends: Science fictions in Bengali from 1882 to 1974". In Hoagland, Erica; Sarwal, Reema (eds.). Science fiction, Imperialism and the Third World - Essays on Post Colonial Literature and Film. North Carolina, USA: McFarland and Company Inc. Publishers. pp. 115–126. ISBN 978-0-7864-4789-3.
  4. Roy, Sandip (7 January 2018). "The furure in the past - Can Bengali science fiction grow up?". The Indian Express. Retrieved 17 November 2020.
  5. Mohan, Lal, ed. (1992). "Science fiction (Bengali)". Encyclopedia of Bengali Literature. Vol. V. New Delhi: Sahitya Academy. p. 3889. ISBN 81-260-1221-8.
  6. Roy, Biswajit (16 November 2014). "ঘনাদা". anandabazar.com. Retrieved 16 November 2020.
  7. Mitra, Premendra (2000). "মশা". In Dasgupta, Surajit (ed.). ঘনাদা সমগ্র - পর্ব ১. Ananda Publishers. pp. 21–29. ISBN 81-7215-395-3.
  8. Mitra, Premendra (2000). Dasgupta, Surajit (ed.). ঘনাদা সমগ্র - পর্ব ১. Ananda Publishers. ISBN 81-7215-395-3.
  9. Ganguly, A K (1974). "Premendra Mitra's science fiction". SPAN. {{cite journal}}: Cite journal requires |journal= (help)
  10. Mitra, Prenedra (2001). "ঘনাদা এলেন". In Dasgupta, Surajit (ed.). ঘনাদা সমগ্র - পর্ব ২. Ananda Publishers. p. 401. ISBN 81-7756-101-4.
  11. দত্ত, মধুমিতা. "ঘনাদা আবার ফিরে আসুন, উদ্যোগী মার্কিন প্রবাসী বাঙালি". anandabazar.com (in Bengali). Retrieved 27 January 2021.
  12. "Agenda – Ghanada Club". ghanada.com. Retrieved 27 January 2021.
  13. Prohor. "কলকাতার বুকেই লুকিয়ে 'ঘনাদা ক্লাব', আসতে চলেছে ৭৫ বছরের বিশেষ সংকলনও - Prohor". কলকাতার বুকেই লুকিয়ে 'ঘনাদা ক্লাব', আসতে চলেছে ৭৫ বছরের বিশেষ সংকলনও - Prohor (in Bengali). Retrieved 27 January 2021.





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