Alberto De Martino (12 June 1929 – 2 June 2015) was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in wellcrafted knock-offs of Hollywood hit films.[1] These films were specifically created films in Western, horror and mythology genres which were developed for the international market.[1] The Telegraph stated that his best known of these film was probably The Antichrist.[1] The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.[1]
Alberto De Martino | |
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Born | (1929-06-12)12 June 1929 Rome, Italy |
Died | 2 June 2015(2015-06-02) (aged 85) Rome, Italy |
Occupation | Film director, screenwriter |
Years active | 1959–1985 |
Alberto De Martino was born on 12 June 1929 in Rome.[1] De Martino was the son of a film make-up artist.[2] He started his career as a child actor.[2]
On attending University, De Martino studied law.[1] Martino returned to a career in cinema working as an editor, screenwriter and as an assistant director.[1] Martino stated he was encouraged to be a director by Federico Fellini for whom he supervised the dubbing for La Dolce Vita.[1] De Martino was also very active in the field of dubbing, and he was dubbing director for more than 1,500 films.[2]
De Martino was one of the active directors in the Italian genre cinema between 1960s and mid-1980s; his films spanned different genres, including Spaghetti Western, poliziotteschi, Peplum films and horror.[2][3] A real life friend of Sergio Leone, he was second unit director in Duck, You Sucker![3] He was often credited as Martin Herbert.[2][3]
In 1980, De Martino nearly lost his home when his film The Pumaman failed at the box office.[1] Pumaman was followed by a few more films concluding his career with Miami Golem.[1]
He died in Rome on 2 June 2015 at the age of 85.[1][4][5]
Title | Year | Credited as | Notes | Ref(s) | |||
---|---|---|---|---|---|---|---|
Director | Screenwriter | Screen story writer | Other | ||||
Scipio Africanus: The Defeat of Hannibal | 1937 | Yes | Actor as "Son of Scipio" | [6] | |||
Minotaur, the Wild Beast of Crete | 1960 | Yes | Assistant director | [7] | |||
The Invincible Gladiator | 1961 | Yes | Yes | Yes | producer | [8][9] | |
Gladiators 7 | 1962 | Yes | Yes | [10][11] | |||
Medusa Against the Son of Hercules | 1963 | Yes | Yes | [12][13] | |||
The Blancheville Monster | Yes | [14] | |||||
Gli invincibili sette [it] | Yes | Yes | Yes | [12][15] | |||
Gladiators Seven | 1964 | Yes | Yes | [16] | |||
The Triumph of Hercules | — | Yes | [17] | ||||
100.000 dollari per Ringo | 1965 | Yes | Yes | Yes | [18][19] | ||
Heroes of Fort Worth | — | Yes | [20] | ||||
The Spy with Ten Faces | 1966 | Yes | Yes | [21] | |||
Special Mission Lady Chaplin | Yes | [22][23] | |||||
Django Shoots First | Yes | [24][25] | |||||
Dirty Heroes | 1967 | Yes | Yes | [26] | |||
O.K. Connery | Yes | [27] | |||||
Roma come Chicago | 1968 | Yes | Yes | [28] | |||
Carnal Circuit | 1969 | Yes | Yes | [29][30] | |||
The Man with Icy Eyes | — | Yes | [31] | ||||
Crime Boss | 1972 | Yes | [32] | ||||
The Killer Is on the Phone | — | Yes | Yes | Yes | [33][34] | ||
Ci risiamo, vero Provvidenza? | — | Yes | [35] | ||||
Counselor at Crime | 1973 | Yes | Yes | Yes | [36] | ||
The Antichrist | 1974 | Yes | Yes | Yes | [37][38] | ||
Strange Shadows in an Empty Room | 1976 | Yes | [39] | ||||
Holocaust 2000 | — | Yes | Yes | Yes | [40] | ||
The Pumaman | 1980 | Yes | Yes | [41][42] | |||
Formula for a Murder | — | Yes | Yes | Yes | [43] | ||
Miami Golem | — | Yes | [44] | ||||
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