fiction.wikisort.org - Director

Dario Argento (Italian: [ˈdaːrjo arˈdʒɛnto]; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and critic. His influential work in the horror genre during the 1970s and 1980s, particularly in the subgenre known as giallo, has led him to being referred to as the "Master of the Thrill"[2] and the "Master of Horror".[3]

This article needs additional citations for verification. (April 2018)

Dario Argento
Argento in 2014
Born	(1940-09-07) 7 September 1940 (age 82) Rome, Kingdom of Italy
Other names	Sirio Bernadotte[1]
Occupation	Film director producer screenwriter
Style	Horror giallo
Spouse	Marisa Casale ​ ​ (m. 1968; div. 1972)​
Partner	Daria Nicolodi (1974–1985)
Children	2, including Asia Argento
Relatives	Claudio Argento (brother)

His films as director include his "Animal Trilogy", consisting of The Bird with the Crystal Plumage (1970), The Cat o' Nine Tails (1971) and Four Flies on Grey Velvet (1971); his "Three Mothers" trilogy, consisting of Suspiria (1977), Inferno (1980) and The Mother of Tears (2007); and his stand-alone films Deep Red (1975), Tenebrae (1982), Phenomena (1985) and Opera (1987). He co-wrote the screenplay for Sergio Leone's Once Upon a Time in the West (1968) and served as George A. Romero's script consultant on Dawn of the Dead (1978), for which he also composed the soundtrack with his long-time collaborators Goblin.

Early life

Argento was born in Rome, the son of a Sicilian film producer and executive Salvatore Argento (1914–1987) and a Brazilian photographer Elda Luxardo (1915–2013),[4] who was of Italian ancestry. While still attending a Catholic secondary school as a teenager, Argento began working as a film critic, writing for magazines and as a columnist for the Rome-based newspaper Paese Sera[5] While working at the newspaper, Argento also began working as a screenwriter. His most notable works were for Sergio Leone, Bernardo Bertolucci and his collaboration on the story for the Sergio Leone Spaghetti Western Once Upon a Time in the West in 1968.

Career

1970s

Argento began work on his directorial debut, the giallo film The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo, 1970), which was a major hit in Italy. Argento continued to concentrate largely on the giallo genre, directing two more successful thrillers, The Cat o' Nine Tails (Il gatto a nove code, 1971) and Four Flies on Grey Velvet (4 mosche di velluto grigio, 1972). Along with The Bird with the Crystal Plumage, these three films are frequently referred to as Argento's "Animal Trilogy". The director then turned his attention away from giallo movies, filming two Italian TV dramas and a period comedy, The Five Days (Le cinque giornate, 1973). Argento returned to thrillers with Deep Red (1975), frequently cited by many critics as the best giallo ever made.[6][7] The film made Argento known internationally and inspired other directors to work in the genre. John Carpenter has frequently referred to the influence Argento's early work had on Halloween (1978).[8]

Argento's next film was Suspiria (1977), a supernatural horror. Argento planned for Suspiria to be the first of a trilogy about "The Three Mothers", three ancient witches residing in three different modern cities. The second film of the trilogy was 1980's Inferno. The Mother of Tears (2007) concluded the trilogy.[9]

In 1978, Argento collaborated with George A. Romero on Dawn of the Dead, earning a producer credit and also providing soundtrack work for the zombie film. Argento oversaw the European release of the film, where it was titled Zombi, which was much shorter and featured more of the score written and performed by Goblin.[10]

1980s

After Inferno, Argento returned to the more conventional giallo style with Tenebrae (1982). He then attempted to combine giallo and supernatural fantasy in 1985's Phenomena, also known as Creepers, which was one of Jennifer Connelly's earliest movies.[11] Phenomena also showed Argento's predilection for using new technology, as evidenced by the film's several prowling Steadicam shots. Both films received a lukewarm reception upon their release (although each has been positively reappraised since).[12]

Argento subsequently took a break from directing to write two screenplays for Mario Bava's son, Lamberto Bava: Dèmoni (1985) and Dèmoni 2 (1986).

Opera followed in 1987. Set in Parma's Regio Theatre during a production of Verdi's Macbeth, the production was beset by real-life misfortunes that Argento suspected were caused by the supposed traditional "curse" on the Shakespearean play. Argento's father died during its production, Vanessa Redgrave quit the project before filming began, he had problems working with his former long-time girlfriend and collaborator Daria Nicolodi on-set, and the cast and crew were plagued by several minor accidents and mishaps.

In 1987–88, Argento produced a TV series called Turno di Notte, which had 15 episodes. Nine of the shows were directed by Luigi Cozzi, the other six by Lamberto Bava. Daria Nicolodi and Asia Argento starred in several of the episodes.

Argento later produced and wrote the screenplays for two horror films directed by Michele Soavi, The Church (1989) and The Sect (1991).

1990s

In 1990, Argento co-directed Two Evil Eyes with George Romero, a two-story anthology film inspired by the works of Edgar Allan Poe.

In 1992, Argento filmed Trauma, starring his daughter Asia Argento, in Minneapolis, MN. It is largely a traditional giallo, but in an American setting. Like many of Argento's films, it contains an optical illusion witnessed by a character stumbling upon a murder, but he or she, like the audience, misinterprets the nature of the crime. This cinematic sleight-of-hand is one of Argento's recurring motifs.

His 1996 film The Stendhal Syndrome, in which a policewoman (played by Argento's daughter, Asia) who suffers from Stendhal syndrome is trapped by a serial killer in an abandoned warehouse, was the first Italian film to use computer-generated imagery. Moreover, the film's opening scene was shot in Florence at Italy's famed Uffizi Gallery. Argento is the only director ever granted permission to shoot there. The Stendhal Syndrome was distributed in the U.S. by cult B-movie distribution company Troma Entertainment.

In the early 1990s, Argento was interested in collaborating with Italian director Lucio Fulci on a horror film. Due to financial setbacks, the project was repeatedly postponed. In 1996, Argento was able to gather the funding, but was unable at that point to collaborate with Fulci who died in March of that year. The film was later directed by Sergio Stivaletti as Wax Mask, with Argento and Fulci both receiving co-screenwriting credits.

Argento later directed 1998's The Phantom of the Opera and 2001's Sleepless.

2000s and 2010s

In 2004, Argento directs The Card Player, a giallo about a killer whose murders are conducted during Internet poker matches with the Rome police, earned a mixed reception; some fans appreciated the techno music score composed by ex-Goblin member Claudio Simonetti, but felt the film was too mainstream, with little of Argento's usual flourish.

In the 2005 TV broadcast of Argento's Do You Like Hitchcock?, the director paid homage to Alfred Hitchcock after decades of being compared to him by critics. Later that year, he directed an episode of Masters of Horror, a Showtime television series, called "Jenifer". For season two of the series, Argento directed "Pelts", an adaption of the F. Paul Wilson short story of the same name.

In 2007, Argento finished the final film of his Three Mothers trilogy, The Mother of Tears, which is set in Rome and centers on the titular "third mother", Mater Lacrimarum. Argento and Jace Anderson share writing credits for the film. Asia Argento was cast as the lead player, along with her mother and frequent Argento collaborator Daria Nicolodi in a supporting role. Udo Kier, who appeared in Argento's Suspiria, and Coralina Cataldi-Tassoni, who appeared in three of his previous films, both have pivotal roles in the final Mothers chapter.

On 26 June 2009, Giallo premiered at the Edinburgh Film Festival. The following month, he announced that he had started working on a 3D remake of Deep Red,[13] but subsequently this project was shelved due to the commercial failure of Giallo in Italian cinemas. He then announced his decision to write a new screenplay .[14] On 4 March 2011, it was announced that Rutger Hauer had signed on to play Van Helsing in Argento's Dracula 3D, which began shooting in Budapest later in the year.[15] It was released on 19 May 2012 to generally negative reviews.

2020s

In 2021, Argento returned to acting and portrayed as an unnamed father in 2021 psychological drama film Vortex, his first leading role without the other's involvement. The film premiered in the Cannes Premiere section at the 2021 Cannes Film Festival to critical acclaim for his performance.[16]

In 2022, Argento directs Dark Glasses, in his first directorial work since the 2012 film Dracula 3D.[17]

Unrelated projects

In 2014, Argento was slated to direct The Sandman, which had Iggy Pop attached to star and a script by David Tully. The film successfully raised over $195,000 from over 1,000 backers on Indiegogo in December 2014.[18] However, filming has not commenced as of 2019, and the project producers have not updated the film's status to backers since August 2017.[19]

Italian director Luca Guadagnino helmed Suspiria (2018), a remake of Argento's 1977 film. The American screenplay is based on the original script Argento wrote with Daria Nicolodi, his former long-term partner.

In 2019, Argento announced that he was developing a female-led serial movie, consisting of eight episodes, for a streaming service.[20]

Other work

He is involved in operating a horror memorabilia store located at Via dei Gracchi 260 in Rome named Profondo Rosso, after his classic film Deep Red. In the cellar is a collection of his movies. The store is managed by his long-time collaborator and friend Luigi Cozzi.[21][22][23][24]

He has contributed in the development of the survival horror video game Dead Space, and also in the dubbing of the Dr. Kyne character in the Italian version of the game.[25]

He is acting as an artistic director on Clod Studio's upcoming video game Dreadful Bond.[26]

Personal life

Between 1968 and 1972, Argento was married to Marisa Casale, the great-granddaughter of Italian composer, pianist and conductor Alfredo Casella. Argento and Casale had one child, actress and costume designer Fiore Argento (born in 1970).

Argento had a professional and romantic relationship with Italian actress and screenwriter Daria Nicolodi; they met in 1974 during casting for Deep Red, and their daughter Asia Argento was born in 1975. Nicolodi co-wrote Argento's Suspiria (1977) and appeared in Argento's Deep Red (1975), Inferno (1980), Tenebrae (1982), Phenomena (1985), Opera (1987), and The Mother of Tears (2007). Argento and Nicolodi separated in 1985.

An actress and director, Asia Argento's earliest screen appearances includes roles in her father's productions Demons 2 (1986) and The Church (1989) before being directed by her father in the films Trauma (1993), The Stendahl Syndrome (1996), The Phantom of the Opera (1998), The Mother of Tears (2007), and Dracula 3D (2012).

Works and criticism

Maitland McDonagh wrote about Argento in her book Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento (1991). Argento is also the subject of Art of Darkness, a collection of critical essays, reviews, promotional stills, and poster art edited by Chris Gallant. British journalist Alan Jones published Profondo Argento, a compendium of set reports, interviews, and biographical detail. English sound designer, writer, and musician Heather Emmett published Sounds to Die For: Speaking the Language of Horror Film Sound, which includes the first in-depth study of the use of sound in Argento's films.[27]

In 2012, Argento was highlighted in the retrospective Argento: Il Cinema Nel Sangue at the Museum of Arts and Design in New York City. The retrospective celebrated the influence of the Argento family on filmmaking in Italy and around the world. It highlighted Dario's contribution, as well as that of his father (Salvatore), brother (Claudio), ex-wife (Daria Nicolodi) and daughter (Asia).[28][29][30]

Critical decline

With the exceptions of The Stendhal Syndrome and Sleepless, all of Argento's films since the "golden age" of the 1970s and 1980s have been generally poorly received by critics and fans alike, including Argento scholars such as Maitland McDonagh. Fangoria wrote in 2010, "over the last decade, standards have slipped. For a filmmaker who was always so precise in his construction and cutting, his later films such as The Phantom of the Opera and The Card Player are sloppy, stitched together so carelessly that they leak vital fluid. Gradually, the kaleidoscopic style that once characterized his films has slowly blanched away."[31]

Filmography

Film

Title	Year	Credited as
		Director	Writer	Producer	Editor	Composer	Actor	Role
Scusi, lei è favorevole o contrario? English title: Pardon, Are You For or Against?	1966		Yes				Yes	Priest
Qualcuno ha tradito English title: Someone's a Traitor	1967		Yes
Oggi a me... domani a te! (Today It's Me... Tomorrow You!) English title: Today We Kill... Tomorrow We Die!	1968		Yes
Comandamenti per un gangster			Yes
Commandos			Yes
La rivoluzione sessuale			Yes
C'era una volta il West English title: Once Upon a Time in the West			Yes
Une corde, un Colt... (The Rope and the Colt...) aka Cemetery Without Crosses	1969		Yes
Metti, una sera a cena (One Night at Dinner) English title: The Love Circle			Yes
Probabilità zero			Yes
La legione dei dannati (Legion of the Damned) English title: Battle of the Commandos			Yes
Un esercito di cinque uomini English title: The Five Man Army			Yes
La stagione dei sensi English title: The Season of the Senses			Yes
L'uccello dalle piume di cristallo English title: The Bird with the Crystal Plumage a.k.a. The Gallery Murders	1970	Yes	Yes				Yes	Murderer's Hands (uncredited)
Il gatto a nove code English title: The Cat o' Nine Tails	1971	Yes	Yes
4 mosche di velluto grigio English title: Four Flies on Grey Velvet		Yes	Yes
Così sia (So Be It) English title: Man Called Amen	1973		Yes
Le cinque giornate English title: The Five Days of Milan		Yes	Yes				Yes	Bandaged man with Tranzunto (uncredited)
Profondo rosso English title: Deep Red	1975	Yes	Yes				Yes	Murderer's Hands (uncredited)
Suspiria	1977	Yes	Yes			Yes	Yes	Narrator (voice; uncredited)
Zombi English title: Dawn of the Dead	1978			European Cut	(Uncredited, European Cut)	Yes
Wampyr English title: Martin					(Uncredited, European Cut)	Yes
Inferno	1980	Yes	Yes				Yes	Narrator (voice; uncredited)
Tenebre English title: Tenebrae, a.k.a. Unsane	1982	Yes	Yes				Yes	Narrator; Murderer's Hands (voice; uncredited)
Phenomena English title: Creepers	1985	Yes	Yes	Yes			Yes	Narrator (voice; uncredited)
Dèmoni English title: Demons			Yes	Yes
Dèmoni 2 English title: Demons 2: The Nightmare Begins	1986		Yes	Yes
Opera English title: Terror at the Opera	1987	Yes	Yes	Yes			Yes	Narrator (voice; uncredited)
La chiesa English title: The Church, a.k.a. Demons III	1989		Yes	Yes
Due occhi diabolici (The Black Cat episode only) English title: Two Evil Eyes	1990	Yes	Yes	Yes
La Setta (The Sect) English title: The Devil's Daughter	1991		Yes	Yes
Innocent Blood	1992						Yes	Paramedic
Trauma English title: Dario Argento's Trauma	1993	Yes	Yes	Yes	(uncredited)
La sindrome di Stendhal English title: The Stendhal Syndrome	1996	Yes	Yes	Yes
Il cielo è sempre più blu (The Sky is Always Bluer) English title: Bits and Pieces							Yes	Man Confessing To Franciscan Monk
M.D.C. - Maschera di cera English title: Wax Mask	1997		Yes	Yes
Il fantasma dell'opera English title: The Phantom of the Opera	1998	Yes	Yes
Scarlet Diva	2000			Yes
Non ho sonno (I Can't Sleep) English title: Sleepless	2001	Yes	Yes	Yes
Il cartaio English title: The Card Player	2004	Yes	Yes	Yes
La Terza madre (The Third Mother) English title: Mother of Tears	2007	Yes	Yes	Yes
Giallo	2009	Yes	Yes
Dracula 3D	2012	Yes	Yes
Suspiria	2018		inspired by the 1977 film's script[32]
Vortex	2021						Yes [33]	Father
Occhiali neri (Black Glasses) English title: Dark Glasses	2022	Yes	Yes

Television

Title	Year	Credited as
		Director	Writer	Producer	Editor	Composer	Actor	Role
Door into Darkness Episodes: Il tram and Testimone oculare	1973	Yes	Yes	Yes
Turno di Notte	1987			Yes
Ti piace Hitchcock? English title: Do You Like Hitchcock?	2005	Yes	Yes
Masters of Horror Episodes: Jenifer and Pelts	2005–2006	Yes
Tutti pazzi per amore	2010						Yes	Ugo, presidente commissione d'esame
100 Bullets D'Argento	2012						Yes	D'Argento
Longinus	TBA	Yes

Documentary

1993 – The King of Ads (director)

Awards

Life time achievement award

• 2019 – David of Donatello
• 2021 – Lifetime Achievement Award at 74th Locarno Film Festival, Switzerland[34]

References

Further reading

• Waddell, Calum (2015). "The complete guide to Dario Argento". Timewarp. SciFiNow. 104: 106–113.
• Xavier Mendik. "From the Monstrous Mother to the 'Third' Sex: Female Abjection in the Films of Dario Argento" in Andy Black (ed), Necronomicon: The Journal of Horror and Erotic Cinema: Book Two, London: creation Books, 1998, pp. 110–133.
• "Fear: The Autobiography", October 2019, by Dario Argento. Fab Press Limited, ISBN 978-1913051051.

External links

• Dario Argento at IMDb

На других языках

---

[de] Dario Argento

Dario Argento (* 7. September 1940 in Rom) ist ein italienischer Filmregisseur, Drehbuchautor und Schauspieler. Er gilt als einer der prägenden Schöpfer des italienischen Giallo und hat den modernen Horror- und Slasher-Film stark beeinflusst.

---

- [en] Dario Argento

---

[ru] Ардженто, Дарио

Да́рио Ардже́нто (итал. Dario Argento; род. 7 сентября 1940, Рим, Италия) — итальянский кинорежиссёр, сценарист, продюсер и композитор. Наиболее известен работой в жанре джалло. Ардженто оказал особое влияние на фильмы ужасов, в особенности на жанр слэшер. Автор многих культовых фильмов-джалло таких как: «Суспирия», «Кроваво-красное», «Птица с хрустальным оперением», «Феномен», «Дрожь», «Инферно» и т.д.

---

---