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Laurent Cantet ([lɔʁɑ̃ kɑ̃tɛ]; born 11 April 1961) is a French director, cinematographer and screenwriter. His film Entre les murs (The Class) won the top prize at the Cannes Film Festival in 2008.

Laurent Cantet
Cantet in 2007
Born (1961-04-11) 11 April 1961 (age 61)
Melle, Deux-Sèvres, France
OccupationFilm director, screenwriter, cinematographer
Years active1987–present

Biography


Laurent Cantet was born in 1961[1] in the town of Melle, Deux-Sèvres in western France; his parents were schoolteachers. He went to university in Marseille to study photography, and then entered the Institut des Hautes Études Cinématographiques (IDHEC) in Paris where he graduated in 1986 His colleagues at IDHEC included Dominik Moll, Gilles Marchand and Robin Campillo. After initially working in television, he became assistant director to Marcel Ophuls for Veillées d'armes (1994), a documentary about the siege of Sarajevo. He went on to make some short films, often in collaboration with colleagues from film school. In 1998 Cantet was one of several young directors invited to make films for the European TV company Arte to mark the forthcoming year 2000, and he completed the mid-length film Les Sanguinaires (1999), about a group of friends who travel to an uninhabited island to escape the millennial celebrations.[2][3]

His first feature film, with a screenplay written jointly with Gilles Marchand, was Ressources humaines (Human Resources, 1999) about a management trainee working in his father's factory. This achieved both critical and popular success, and it won two César awards. His next film L'Emploi du temps (Time Out, 2001) continued his interest in employment issues, drawing upon a real-life case about a professional man who concealed his redundancy from his family. The screenplay was written jointly with Robin Campillo, who also worked on several of Cantet's later films. Social and political issues took on a more international perspective in Vers le sud (Heading South, 2005) about sexual tourism in Haiti. In Entre les murs (The Class, 2008) Cantet made a film which blended fiction and documentary exploring the daily life of a class of students in a Parisian school. The cast was composed entirely of non-professionals, including the teacher on whose book the film was based. The film won the Palme d'Or at the Cannes film festival. Subsequent projects have taken Cantet to Canada for Foxfire: Confessions of a Girl Gang (2012) and to Havana for Retour à Ithaque (Return to Ithaca, 2014), working in English and Spanish respectively. [4][5][3]

In France Cantet has demonstrated a long-standing concern for illegal migrant workers (the sans-papiers) and has supported a collective of French film-makers (the Collectif des cinéastes pour les sans-papiers) who have made a number of short films to bring wider attention to the risks faced by migrant workers. Another aspect of Cantet's interest in social issues is reflected in his preferred method for developing a film, particularly those which feature non-professional actors. He has said that he likes to give a lot of attention and time to the casting, seeking people who will play not themselves but a role similar to their own in real life of which they have a natural understanding (e.g. a factory manager and a trade unionist in Ressources humaines, the pupils in Entre les murs), and then to involve his actors in developing not only their own characters but sometimes the script as well, in a process of workshops and rehearsals.[6]

This method was used by Cantet for Entre les murs, and he returned to it in L'Atelier (The Workshop, 2017) in which he worked with a group of young people from La Ciotat on the Mediterranean coast, exploring their present-day problems in a former shipbuilding town which has been radically transformed since its industrial past. Their fictional project in the film shows them collaborating in a workshop to write a novel about their town and drawing on their own experiences to enrich it, mirroring aspects of Cantet's own method in making the film.[7]


Filmography


Year Title Credited as Notes
Director Screenwriter Other
1987 L'Étendu Yes Short film; cinematographer
1990 Un été à Beyrouth Yes Documentary film
1994 Veillées d'armes : histoire du journalisme en temps de guerre Yes Documentary film; assistant director
1994 Joyeux Noël Yes Short film; cinematographer
1994 Tous à la manif Yes Yes Short film
Prix Jean Vigo
1995 Jeux de plage Yes Yes Short film
1997 Les Sanguinaires Yes Yes Telefilm
1998 Cette nuit Yes Cinematographer
1999 Ressources humaines (Human Resources) Yes Yes 7 d'Or for Best Screenwriting
Amiens International Film Festival - Prize of the City of Amiens
Amiens International Film Festival - OCIC Award
Buenos Aires International Festival of Independent Cinema - Best Film
Buenos Aires International Festival of Independent Cinema - People's Choice Award
César Award for Best First Feature Film
European Film Award for European Discovery of the Year
French Syndicate of Cinema Critics - Best First French Film
Louis Delluc Prize for Best First Film
San Sebastián International Film Festival - Best New Director
Seattle International Film Festival - New Director's Showcase Award
Thessaloniki International Film Festival - Best Screenplay
Torino Film Festival - Best First Feature Film
Torino Film Festival - Cipputi Award
Nominated—César Award for Best Writing
Nominated—Silver Condor Award for Best Foreign Film
2001 L'Emploi du temps (Time Out) Yes Yes Venice Film Festival - Don Quixote Award
Vienna International Film Festival - FIPRESCI Prize
Nominated—Boston Society of Film Critics Award for Best Foreign Language Film (2nd place)
Nominated—European Film Award for Best Screenwriter
Nominated—Independent Spirit Award for Best International Film
Nominated—National Society of Film Critics Award for Best Foreign Language Film (3rd place)
Nominated—New York Film Critics Circle Award for Best Foreign Language Film (runner-up)
2005 Vers le sud (Heading South) Yes Yes Venice Film Festival - CinemAvvenire Award
Nominated—Venice Film Festival - Golden Lion
2008 Entre les murs (The Class) Yes Yes Argentine Academy of Cinematography Arts and Sciences Award for Best Foreign Film
Cannes Film Festival - Palme d'Or
César Award for Best Adaptation
Independent Spirit Award for Best International Film
Lumières Award for Best Film
Lumières World Audience Award
Munich Film Festival - One Future Prize
Silver Condor Award for Best Foreign Film
Nominated—Academy Award for Best Foreign Language Film
Nominated—Bodil Award for Best Non-American Film
Nominated—César Award for Best Film
Nominated—César Award for Best Director
Nominated—David di Donatello for Best European Film
Nominated—European Film Award for Best Director
Nominated—European Film Award for Best Film
Nominated—Film Critics Circle of Australia Award for Best Foreign Language Film
Globes de Cristal Award for Best Film
Nominated—Gopo Award for Best European Film
Nominated—Goya Award for Best European Film
Nominated—Los Angeles Film Critics Association Award for Best Foreign Language Film (2nd place)
Nominated—Lumières Award for Best Director
Nominated—Lumières Award for Best Screenplay
Nominated—Nastro d'Argento for Best European Director
Nominated—Prix Jacques Prévert du Scénario for Best Adaptation
Nominated—Toronto Film Critics Association Award for Best Foreign Language Film
2012 7 días en La Habana (7 Days in Havana) Yes Yes Segment: "La Fuente"
Nominated—Cannes Film Festival - Prix Un certain regard
2012 Foxfire: Confessions of a Girl Gang Yes Yes Nominated—San Sebastián International Film Festival - Golden Shell
2014 Retour à Ithaque (Return to Ithaca) Yes Yes Venice Film Festival - Venice Days Award
2017 L'Atelier (The Workshop) Yes Yes
2021 Arthur Rambo Yes Yes

Other accolades


The 2001 film L'Emploi du temps was placed at 99 on Slant Magazine's best films of the 2000s,[8] number 9 of The Guardian's Best Films of the Noughties,[9] and number 11 at The A.V. Club's top 50 films of the 2000s (decade).[10]

In 2015 Cantet received the Volta Career Achievement Award at the Dublin International Film Festival.


References


  1. Birth certificate 50/1961, at Les Gens du cinéma.
  2. Martin O'Shaughnessy. Laurent Cantet. (Manchester University Press, 2015.) pp. 3-4.
  3. Biography of Laurent Cantet at LaCinetek. Retrieved 10 May 2021. Archived at the Wayback Machine.
  4. Martin O'Shaughnessy. Laurent Cantet. (Manchester University Press, 2015.) pp. 5-7.
  5. Laurent Cantet at Ciné-Ressources. Retrieved 10 May 2021.
  6. Martin O'Shaughnessy. Laurent Cantet. (Manchester University Press, 2015.) pp. 7-10.
  7. Press dossier for L'Atelier at unifrance.org. Retrieved 10 May 2021. Archived at the Wayback Machine.
  8. "Best of the Aughts: Film". Slant Magazine. Retrieved February 10, 2010.
  9. "100 Best Films of the Noughties". The Guardian. London. 17 December 2009. Retrieved December 20, 2010.
  10. "The best films of the 00s". The A.V. Club. Retrieved October 8, 2011.



На других языках


- [en] Laurent Cantet

[es] Laurent Cantet

Laurent Cantet (Melle, 15 de junio de 1961) es un director de cine, guionista y director de fotografía francés.

[ru] Канте, Лоран

Лора́н Канте́ (фр. Laurent Cantet; род. 15 июня 1961, Мелль (фр. Melle), Дё-Севр, Франция) — французский кинорежиссёр.



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