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Satsuo Yamamoto (山本 薩夫, Yamamoto Satsuo, July 15, 1910 – August 11, 1983) was a Japanese film director.[1]

Satsuo Yamamoto
Satsuo Yamamoto in 1950.
Born(1910-07-15)July 15, 1910
Kagoshima City, Japan
DiedAugust 11, 1983(1983-08-11) (aged 73)
Tokyo
OccupationFilm director
RelativesKei Yamamoto (nephew)

Yamamoto was born in Kagoshima City. After leaving Waseda University, where he had become affiliated with left-wing groups, he joined the Shochiku film studios in 1933, where he worked as an assistant director to Mikio Naruse.[2][3] He followed Naruse when the latter moved to P.C.L. film studios (later Toho) and debuted as a director in 1937 with Ojōsan.[2][3] During World War II he directed the propaganda films Winged Victory and Hot Winds[1][4] before being drafted and sent to China.[3]

After returning to Japan, Yamamoto's first film was the 1947 War and Peace (not based on the Leo Tolstoy novel),[5] co-directed with Fumio Kamei.[1][4] Being a communist and an active supporter of the union during the Toho labour strikes, he left the studio in 1948 after the strikes' forced ending and turned to independent filmmaking.[3][6] The left-wing production company Shinsei Eiga-sha, formed by former Toho unionists, produced his commercially successful Street of Violence (1950)[4][6] and the anti-war film Vacuum Zone (1953), which film historian Donald Richie called "the strongest anti-military film ever made in Japan" in 1959.[4] The 1959 Ballad of the Cart was produced by the National Rural Film Association.

In the 1960s, Yamamoto again worked for major companies like Daiei and Nikkatsu, directing films like Band of Assassins (1962), The Ivory Tower (1966) and Zatoichi the Outlaw (1967).[7] He died in Tokyo on August 11th 1983 at the age of 73.[2]


Selected filmography



Films


Title[8] Studio Release date
Ojosan
お嬢さん
PCL 1937
Konna Onnani Daregashita
こんな女に誰がした
Toyoko Film (Distributed by Daiei Film) July 4, 1949
Street of Violence
暴力の街
Boryoku no Machi
Daiei Film February 26, 1950
Hakone Fūunroku
箱根風雲録
Shinsei Film, Zenshin Za March 14, 1952
Vacuum Zone
真空地帯
Shinkūchitai
Hokuto Film December 15, 1952
Hi no Hate
日の果て
Shociku Film February 3, 1954
Taiyō no nai Machi
太陽のない街
Shinsei Film June 24, 1954
Taifu Sodoki
台風騒動記
Yamamoto Production December 19, 1956
Ballad of the Cart
荷車の歌
Niguruma no Uta
Zenkoku Noson Eiga Kyokai February 11, 1959
Ningen no Kabe
人間の壁
Yamamoto Production (Distributed by Shintoho) January 27, 1961
Matsukawa Jiken
松川事件
Matsukawa Jikengeki Eiga Seisakuiinkai January 27, 1961
Shinobi no Mono
忍びの者
Daiei Film December 1, 1962
Zoku Shinobi no Mono
続・忍びの者
Daiei Film August 10, 1963
Nippon Dorobō Monogatari
にっぽん泥棒物語
Daiei Film May 1, 1965
Ivory Tower
白い巨塔
Daiei Film October 15, 1966
Men and War
戦争と人間 第一部 運命の序曲
Senso to Ningen Daiichibu Unmei no Jyokyoku
Nikkatsu August 14, 1970
Karei-naru Ichizoku
華麗なる一族
Geiensha (Distributed by Toho) January 26, 1974
Kinkanshoku
金環蝕
Daiei (Distributed by Toho) September 6, 1975
Barren Land
不毛地帯
Geiensha (Distributed by Toho) August 14, 1976
Kōtei no Inai Hachigatsu
皇帝のいない八月
Shochiku September 23, 1978
Nomugi Pass
あゝ野麦峠
Ah Nomugi Toge
Shin Nihon Eiga (Distributed by Toho) June 30, 1979
Nomugi Pass Shinryokuhen
あゝ野麦峠 新緑篇
Ah Nomugi Toge Shinrokuhen
Toho February 6, 1982

Awards


Kinema Junpo Awards

Yamamoto received the Kinema Junpo Award for Best Director for Ivory Tower, which was also awarded Best Film.

Blue Ribbon Awards

Yamamoto won the Blue Ribbon Award for Best Director for Shōnin no isu and Nippon dorobō monogatari (both 1965).[9] Ivory Tower was awarded Best Film the following year.

Mainichi Fim Awards

Yamamoto was awarded Best Director at the Mainichi Film Awards for Ballad of the Cart and Ningen no kane (both 1959),[10] Ivory Tower,[11] Men and War[12] and Barren Land.[13] Ivory Tower, Barren Land and Nomugi Pass[14] were winners in the Best Film category.

Festival prizes

Ivory Tower was entered into the 5th Moscow International Film Festival where it was awarded the Silver Prize.[15]


References


  1. Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. ISBN 978-1-933330-53-2.
  2. "山本 薩夫 (Satsuo Yamamoto)". Kotobank (in Japanese). Retrieved 17 July 2021.
  3. "山本 薩夫 (Satsuo Yamamoto)". Kinenote (in Japanese). Retrieved 17 July 2021.
  4. Anderson, Joseph L.; Richie, Donald (1959). The Japanese Film – Art & Industry. Rutland, Vermont and Tokyo: Charles E. Tuttle Company.
  5. "戦争と平和 (War and Peace)". Kinenote (in Japanese). Retrieved 17 July 2021.
  6. Hirano, Kyoko (1992). Mr. Smith Goes to Tokyo: Japanese Cinema Under the American Occupation, 1945–1952. Washington and London: Smithsonian Institution Press. ISBN 978-1-56098157-2.
  7. "山本 薩夫 (Satsuo Yamamoto)". Japanese Movie Database (in Japanese). Retrieved 17 July 2021.
  8. Filmography from "satsuo Yamamoto" (in Japanese). kinenote. Retrieved 12 November 2021.
  9. "ブルーリボン賞ヒストリー (Blue Ribbon Award)" (in Japanese). Cinema Hochi. Archived from the original on 23 October 2008. Retrieved 17 July 2021.
  10. "14th Mainichi Film Awards 1959" (in Japanese). Retrieved 17 July 2021.
  11. "21st Mainichi Film Awards 1966" (in Japanese). Retrieved 17 July 2021.
  12. "25th Mainichi Film Awards 1970" (in Japanese). Retrieved 17 July 2021.
  13. "31st Mainichi Film Awards 1976" (in Japanese). Retrieved 17 July 2021.
  14. "34th Mainichi Film Awards 1979" (in Japanese). Retrieved 17 July 2021.
  15. "5th Moscow International Film Festival (1967)". MIFF. Archived from the original on 16 January 2013. Retrieved 17 July 2021.



Bibliography



На других языках


- [en] Satsuo Yamamoto

[ru] Ямамото, Сацуо

Сацуо Ямамото (яп. 山本薩夫 Ямамото Сацуо). (15 июля 1910, Кагосима, Япония — 11 августа 1983, Токио, Япония) — японский кинорежиссёр и сценарист. Общепризнанный социальный критик и полемист, длительное время связанный с японской компартией[1], считается ярким представителем так называемой «социалистической школы»[2]. Ямамото провёл предвоенные годы в прогрессивной, ориентированной на Запад студии PCL (впоследствии «Тохо»)[1]. В послевоенные годы был одним из зачинателей движения «независимых». С 1948 года был членом Коммунистической партии Японии[3]. В его фильмах зачастую изображена жестокость японской военщины до и во время Второй мировой войны. Он также обращался к теме послевоенной коррупции в японских корпорациях и больницах.



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