Steve James (born March 8, 1954)[1][2] is an American film producer and director of several documentaries, including Hoop Dreams (1994), Stevie (2002), and Abacus: Small Enough to Jail (2016).

Life and career

James was born in Hampton, Virginia.[2] He directed the 1997 feature film Prefontaine and the TV movies Passing Glory and Joe and Max. One of his more recent films, The Interrupters which is a portrayal of a year inside the lives of former gang members in Chicago who now intervene in violent conflicts, was released in January 2011. Earlier it premiered at the Sundance Film Festival. The film is his sixth feature length collaboration with his long-time filmmaking home, the non-profit Chicago production studio Kartemquin Films,. It is his fifth feature to be accepted into the Sundance Film Festival.

While working with Kartemquin Films, James has produced many films that pursue social inquiry and change. Their collaborations include the 1994 hit Hoop Dreams, which is one of James' best known works. Kartemquin films, a non-profit group that produces films promoting "social inquiry", is based in Chicago. Much of James' work is based in the area, predominantly the inner cities and impoverished areas. Their collaborations often involve the topics of sports and race, including the ESPN 30 for 30 film No Crossover: The Trial of Allen Iverson. On September 7, 2012, it was announced via social networking site Twitter that James would be involved in the making of a documentary on the life of film critic Roger Ebert which eventually became the 2014 effort Life Itself.[3]

He directed the documentary film Head Games which follows football player and wrestler Chris Nowinski's quest to uncover the truth about the consequences of sports related head injuries.

Influences

He is a graduate of James Madison University.[4] His work, he tells journalist Robert K. Elder in an interview for The Film That Changed My Life, was strongly influenced by the film Harlan County, USA:

There've been many documentaries over the years that have powerfully impacted me. I think this one came along at the time when I was more interested in being a feature filmmaker than a documentary filmmaker. So it came along at the beginning of a process of moving from an interest in feature film to documentaries, and that's where my career has taken me. It came along at the right time for me. It helped me see, "Ah, this is more what I want to do."[5]

James pulls influence from the original definition of the term cinéma vérité as it applies to the Rouch/Morin method of filmmaking. As with Rouch and Morin, the "people on camera and we in the audience are continually reminded that a film is being made, that we are watching a film." We are reminded through James' presence on screen as well as his cinematic editing techniques, in order to obtain what he believes is a more accurate depiction of truth.[6]

He also was influenced by Robert Altman's 1975 film Nashville.[7]

Filmography

• Stop Substance Abuse, 1986
• Grassroots Chicago, 1991 (with Kartemquin Films)
• Higher Goals, 1993 (with Kartemquin Films)
• Hoop Dreams, 1994 (with Kartemquin Films)
• Prefontaine, 1997
• Passing Glory, 1999 (TV)
• Joe and Max, 2002 (TV)
• Stevie, 2003 (with Kartemquin Films)
• The New Americans, 2004 (executive producer, Nigerian story director) (with Kartemquin Films)
• Reel Paradise, 2005
• The War Tapes, 2006 (producer)
• At the Death House Door, 2008 (with Kartemquin Films)
• No Crossover: The Trial of Allen Iverson, 2010 (ESPN 30 for 30 project) (with Kartemquin Films)
• The Interrupters, 2011 (with Kartemquin Films)
• Head Games, 2012
• Life Itself, 2014 (with Kartemquin Films)
• Lucky, 2014[8]
• Abacus: Small Enough to Jail, 2016 (with Kartemquin Films)
• America to Me, 2018 [9] (with Kartemquin Films)
• City So Real (2020)

References

External links

• Steve James at IMDb
• C-SPAN Q&A interview with James and Sgt. Zack Bazzi, about The War Tapes, July 16, 2006