Theodoros "Theo" Angelopoulos (/ˌændʒəˈlɒpəlɒs/; Greek: Θεόδωρος Αγγελόπουλος; 27 April 1935 – 24 January 2012) was a Greek filmmaker, screenwriter and film producer. He dominated the Greek art film industry from 1975 on,[1] and Angelopoulos was one of the most influential and widely respected filmmakers in the world.[2][3][4] He started making films in 1967. In the 1970s he made a series of political films about modern Greece.
Theo Angelopoulos | |
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Born | Theodoros Angelopoulos (1935-04-27)27 April 1935 Athens, Greece |
Died | 24 January 2012(2012-01-24) (aged 76) Piraeus, Greece |
Alma mater | National and Kapodistrian University of Athens IDHEC |
Occupation | Film director, screenwriter |
Years active | 1965–2012 |
Spouse | Phoebe Economopoulou (1980–2012; his death) |
Children | 3 |
Awards | Palme d'Or (1998) |
Website | Official website |
Angelopoulos' films, described by Martin Scorsese as that of "a masterful filmmaker", are characterized by the slightest movement, slightest change in distance, long takes, and complex, carefully composed scenes. His cinematic method is often described as "sweeping" and "hypnotic."[2][5]
In 1998 his film Eternity and a Day went on to win the Palme d'Or at the 51st edition of the Cannes Film Festival, and his films have been shown at many of the world's esteemed film festivals.[6]
Theodoros Angelopoulos was born in Athens on 27 April 1935. During the Greek Civil War, his father was taken hostage and returned when Angelopoulos was 9 years old; according to the director, the absence of his father and looking for him among the dead bodies (during the "Dekemvriana" in Athens) had a great impact on his cinematography.[7] He studied law at the National and Kapodistrian University of Athens, but after his military service went to Paris to attend the Sorbonne. He soon dropped out to study film at the Institut des hautes études cinématographiques (IDHEC) before returning to Greece. There, he worked as a journalist and film critic. Angelopoulos began making films after the 1967 coup that began the Regime of the Colonels. He made his first short film in 1968 and in the 1970s he began making a series of political feature films about modern Greece: Days of '36 (Meres Tou 36, 1972), The Travelling Players (O Thiassos, 1975) and The Hunters (I Kynighoi, 1977). In 1978, he was a member of the jury at the 28th Berlin International Film Festival.[8]
Theo Angelopoulos is a masterful filmmaker. He really understands how to control the frame. There are sequences in his work—the wedding scene in The Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene in The Traveling Players—where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly.
He quickly established a characteristic style, marked by slow, episodic and ambiguous narrative structures as well as long takes (The Travelling Players, for example, consists of only 80 shots in about four hours of film). These takes often include meticulously choreographed and complicated scenes involving many actors.
His regular collaborators include the cinematographer Giorgos Arvanitis, the screenwriter Tonino Guerra and the composer Eleni Karaindrou. One of the recurring themes of his work is immigration, the flight from homeland and the return, as well as the history of 20th century Greece. Angelopoulos was considered by British film critics Derek Malcolm[9] and David Thomson[10] as one of the world's greatest directors.
While critics have speculated on how he developed his style, Angelopoulos made clear in one interview that "The only specific influences I acknowledge are Orson Welles for his use of plan-sequence and deep focus, and Mizoguchi, for his use of time and off-camera space."[11] He had also cited Andrei Tarkovsky's 1979 work Stalker as an influence.[12]
Angelopoulos was awarded honorary doctorates by the Université libre de Bruxelles, Belgium in 1995, by Paris West University Nanterre La Défense, France, by the University of Essex, UK in July 2001,[13] by the University of Western Macedonia, Greece in December 2008,[14] and by the University of the Aegean, Greece in December 2009.[15]
Angelopoulos died late on Tuesday, 24 January 2012, several hours after being involved in an crash while shooting his latest film, The Other Sea in Athens. On that evening, the filmmaker had been with his crew in the area of Drapetsona, near Piraeus when he was hit by a motorcycle ridden by an off-duty police officer. The crash occurred when Angelopoulos, 76, attempted to cross a busy road. He was taken to hospital, where he was treated in an intensive care unit but succumbed to his serious injuries several hours later. Prior to death he suffered at least one heart attack.[16][17]
Year | Title Original title |
Contribution | Notes |
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1970 | Reconstitution (Anaparastasi) |
Director | |
1972 | Days of '36 (Meres tou '36) |
Director | Part 1 of the "Trilogy of History" |
1975 | The Travelling Players (O Thiassos) |
Director/writer | Part 2 of the "Trilogy of History" |
1977 | The Hunters (I Kinighi) |
Director/co-writer | Part 3 of the "Trilogy of History" |
1980 | Alexander the Great (O Megalexandros) |
Director | |
1984 | Voyage to Cythera (Taxidi sta Kythira) |
Director/co-writer | Part 1 of the "Trilogy of Silence" |
1986 | The Beekeeper (O Melissokomos) |
Director/co-writer | Part 2 of the "Trilogy of Silence" |
1988 | Landscape in the Mist (Topio stin Omichli) |
Director/co-writer | European Film Award for Best Film 1989 Part 3 of the "Trilogy of Silence" |
1991 | The Suspended Step of the Stork (To Meteoro Vima tou Pelargou) |
Director/writer | Part 1 of the "Trilogy of Borders" |
1995 | Ulysses' Gaze (To Vlemma tou Odyssea) |
Director/co-writer | Part 2 of the "Trilogy of Borders" |
1998 | Eternity and a Day (Mia aioniotita kai mia mera) |
Director/co-writer | Palme d'Or 1998 Part 3 of the "Trilogy of Borders" |
2004 | Trilogy: The Weeping Meadow (Trilogia I: To Livadi pou dakryzi) |
Director | Part 1 of the trilogy on modern Greece |
2008 | The Dust of Time (I skoni tou chronou) |
Director | Part 2 of the trilogy on modern Greece |
—[18] | The Other Sea (I alli thalassa) |
Director/writer | Part 3 of the trilogy on modern Greece |
Year | Title Original title |
Contribution | Notes |
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1968 | Broadcast (I Ekpombi) |
Director/writer | Short film |
1983 | Athens (Athina, epistrofi stin Akropoli) |
Director/writer | Television film |
1995 | Lumière and Company (Lumière et compagnie) |
Co-director/co-writer | Up to 52 seconds segment of portmanteau film, with contributions from 41 international film directors in which each made a short film using the original Cinématographe camera invented by the Lumière brothers. |
2007 | To Each His Own Cinema (Chacun son cinéma) |
Co-director/co-writer | Trois minutes (Three Minutes) segment of portmanteau film commissioned for the 60th anniversary of the Cannes Film Festival, with contributions from 36 directors. |
2011 | Invisible World (Mundo Invisivel) |
Co-director/co-writer | Short film Sky below The underworld of the center and of the underground of São Paulo and its almost imperceptible inhabitants. The colorful of street art of graffiti in the melancholy of the outside world without redemption, and the weight of divine consciousness. |
Angelopoulos won numerous awards, including the Palme d'Or at the 51st edition of the Cannes Film Festival in 1998 for Eternity and a Day (Mia aioniotita kai mia mera). His films have been shown at the most important film festivals around the world.[6]
Year | Issuer | Award | Film | Result |
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1968 | Thessaloniki | Hellenic Association of Film Critics – Best Short Fiction | The Broadcast | Won[19][lower-alpha 1] |
1970 | Thessaloniki | Best Greek Art Film | Reconstitution | Won[20][lower-alpha 2] |
1970 | Thessaloniki | Best Greek New Director | Reconstitution | Won[20][lower-alpha 2] |
1970 | Thessaloniki | Hellenic Association of Film Critics – Best Film | Reconstitution | Won[20][lower-alpha 2] |
1971 | Berlinale | FIPRESCI – Special Mention | Reconstitution | Won[21] |
1971 | Georges Sadoul | Best Film of the Year Shown in France | Reconstitution | Won |
1971 | Hyères | Best Foreign Film | Reconstitution | Won |
1972 | Thessaloniki | Best Greek Director | Days of '36 | Won[22][lower-alpha 3] |
1973 | Berlinale | FIPRESCI – Forum of New Cinema | Days of '36 | Won[23] |
1975 | Cannes | FIPRESCI (Parallel Sections) | The Travelling Players[lower-alpha 4] | Won[24][25] |
1975 | Berlinale | Interfilm Award – Forum of New Cinema | The Travelling Players[lower-alpha 4] | Won[24][26] |
1975 | Thessaloniki | Best Greek Film | The Travelling Players[lower-alpha 4] | Won[24][27][lower-alpha 5] |
1975 | Thessaloniki | Best Greek Director | The Travelling Players[lower-alpha 4] | Won[24][lower-alpha 5] |
1975 | Thessaloniki | Best Greek Screenplay | The Travelling Players[lower-alpha 4] | Won[24][lower-alpha 5] |
1975 | BFI | Sutherland Trophy | The Travelling Players[lower-alpha 4] | Won[24][28] |
1977 | Cannes | Palme d'Or | The Hunters | Nominated[29][30] |
1978 | Chicago | Golden Hugo for Best Film | The Hunters | Won |
1980 | Kinema Junpo | Best Foreign Language Film Director | The Travelling Players[lower-alpha 4] | Won[24][31] |
1980 | Japanese Academy | Best Foreign Language Film | The Travelling Players[lower-alpha 4] | Nominated[24][32] |
1980 | Venice | FIPRESCI | Alexander the Great | Won[33] |
1980 | Thessaloniki | Best Greek Film | Alexander the Great | Won[34] |
1980 | Thessaloniki | Hellenic Association of Film Critics – Best Film | Alexander the Great | Won[34] |
1984 | Cannes | Palme d'Or | Voyage to Cythera | Nominated[35][36][lower-alpha 6] |
1984 | Cannes | Best Screenplay | Voyage to Cythera | Won[35][36][lower-alpha 6] |
1984 | FIPRESCI | International Critic's Prize | Voyage to Cythera | Won[35][lower-alpha 6] |
1984 | Rio | Critics' Award | Voyage to Cythera | Won |
1986 | Venice | Golden Lion | The Beekeeper | Nominated[37] |
1988 | Venice | Silver Lion | Landscape in the Mist | Won[38][lower-alpha 7] |
1989 | Berlinale | Interfilm Award – Forum of New Cinema | Landscape in the Mist | Won[40] |
1989 | EFA | European Film Award for Best Film | Landscape in the Mist | Won[39][41] |
1991 | Cannes | Palme d'Or | The Suspended Step of the Stork | Nominated[42] |
1991 | Chicago | Golden Hugo for Best Director | Landscape in the Mist | Won[lower-alpha 8] |
1995 | Cannes | Palme d'Or | Ulysses' Gaze | Nominated[43][44] |
1995 | Cannes | Grand Jury Prize | Ulysses' Gaze | Won[42][43] |
1995 | Cannes | International Critics' Prize | Ulysses' Gaze | Won[42][43] |
1995 | EFA | FIPRESCI – FELIX of the Critics | Ulysses' Gaze | Won[45][46] |
1996 | FSCC | Prix Léon Moussinac – Best Foreign Film | Ulysses' Gaze | Won[47] |
1996 | INSFJ | Best Foreign Film Director | Ulysses' Gaze | Won[48] |
1997 | Goya | Best European Film | Ulysses' Gaze | Nominated[49] |
1997 | Mainichi | Best Foreign Language Film | Ulysses' Gaze | Won[50] |
1997 | Sant Jordi | Best Foreign Film | Ulysses' Gaze | Won[51] |
1997 | Turia | Best Foreign Film | Ulysses' Gaze | Won[52] |
1998 | Cannes | Palme d'Or | Eternity and a Day | Won[53][54] |
1998 | Cannes | Prize of the Ecumenical Jury | Eternity and a Day | Won[53][54] |
1998 | São Paulo | Audience Award – Best Feature | Ulysses' Gaze | 3[55] |
1998 | Thessaloniki | Best Greek Film | Eternity and a Day | Won[56] |
1998 | Thessaloniki | Best Greek Director | Eternity and a Day | Won[56] |
1998 | Thessaloniki | Best Greek Screenplay | Eternity and a Day | Won[56] |
1999 | ACCA | Silver Condor for Best Foreign Film | Ulysses' Gaze | Won[57] |
2001 | ACCA | Silver Condor for Best Foreign Film | Eternity and a Day | Won[58] |
2004 | Berlinale | Golden Bear | Trilogy: The Weeping Meadow | Nominated[59] |
2004 | EFA | European Film Award for Best Film | Trilogy: The Weeping Meadow | Nominated[60][61][lower-alpha 9] |
2004 | EFA | Audience Award | Trilogy: The Weeping Meadow | Nominated[60][61][lower-alpha 9] |
2004 | EFA | FIPRESCI – European Film Academy Critics | Trilogy: The Weeping Meadow | Won[60][61][62][lower-alpha 9] |
2005 | Fajr | Special Jury Prize – Spiritual Competition | Trilogy: The Weeping Meadow | Won[63] |
Theodoros Angelopoulos was also the recipient of many awards for his long standing career.[6]
Year | Provider | Award |
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1995 | Université libre de Bruxelles | Honorary Doctorate |
1996 | Italian National Syndicate of Film Journalists | European Silver Ribbon[48] |
2001 | University of Essex | Honorary Graduate[13] |
2003 | Copenhagen International Film Festival | Honorary Award[64][lower-alpha 10] |
2003 | Flaiano Film Festival | Honorary Award[65] |
2004 | Montreal World Film Festival | Grand Prix Special des Amériques[66] |
2004 | Busan International Film Festival | Hand Printing[67] |
2008 | University of Western Macedonia | Honorary Graduate[14] |
2010 | Yerevan International Film Festival | Lifetime Achievement Award[68] |
2009 | University of the Aegean | Honorary Graduate[15] |
2010 | Dokuz Eylül University | Honorary Doctorate |
— | Paris West University Nanterre La Défense | Honorary Doctorate |
We should realize, however, that Angelopoulos is an unusual paradox in the history of cinema: he is very clearly "Greek" as I have demonstrated, and yet he is an international filmmaker who has been influenced by filmmakers from around the globe. He has observed: "I draw techniques from everything I've seen .... I continue to love ... very much the films of Murnau, Mizoguchi, Antonioni. More recently: Tarkovsky's Stalker, Godard's Every Man for Himself and of course Ordet ....
Films directed by Theo Angelopoulos | |
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