Alien Dead is an American horror film directed by Fred Olen Ray. Ray co-wrote the script with Martin Nicholas. The film involves a meteor hitting a houseboat, which causes the people on board to become zombies who eat alligators and eventually people.
Alien Dead | |
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Directed by | Fred Olen Ray |
Screenplay by |
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Produced by |
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Cinematography | Fred Olen Ray[1] |
Edited by | Mark Barrett[2] |
Music by | |
Production company | Firebird Pictures Production[2] |
Running time | 87 minutes |
Country | United States |
The film was one of the last films featuring actor Buster Crabbe among a cast of unknowns. It was filmed in 1980 and released to home video in 1985. Reviews from Variety, Kim Newman and other retrospective horror guides have been negative, noting low budget and bad acting.
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A meteor strikes a houseboat in the swamps near a southern town populated by Yankees with fake accents. The people on the houseboat become zombies who feed on the alligators in the swamp. Once they run out of alligators, they start going for the citizens. A local scientist tries to figure out what's happening to people once they start disappearing.
Alien Dead was made in Florida in 1980.[3] Buster Crabbe was paid $2,000 for his role in the film,[3]one-third less than his salary for the 1945 Western Prairie Rustlers.[3]
The film went direct-to-video in 1985.[2][3] The film has been released on VHS by both Academy Home Entertainment and Genesis Home Video with an 87-minute running time[1]
Variety reviewed the VHS release of the film, declaring it "an amateurish monster film.".[3]
Steven Puchalski describes the film a "third rate Night of the Living Dead" with laughable effects, though he calls it "eminently watchable for schlock fanatics".[4] In a negative review, David Johnson of DVD Verdict states that the gore is sparse and the story boring.[5] Kim Newman referred to the film as "cheap" and "unwatchable" and described it as part of a trend of "films made by rabid fans of Famous Monsters of Filmland" who "wind up choking on their own in-references and third-hand plots" and were stuck on "cutesy ideas like giving all the characters the names of Roger Corman 1950s repertory company".[6]