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Anna: 6 - 18 or (Russian: Анна: от 6 до 18, romanized: Anna ot 6 do 18) is a documentary film by director Nikita Mikhalkov, which was shot during a period of thirteen years, from 1980 to 1993. The main heroine of the film is Anna, the eldest daughter of Mikhalkov. Anna herself has repeatedly said that she strongly disliked the picture, explaining that she considers it a "dissection of her private life" and "exhibitionism of the soul".[1]

Anna: 6 - 18
Directed by	Nikita Mikhalkov
Written by	Nikita Mikhalkov
Produced by	Nikita Mikhalkov
Starring	Anna Mikhalkova
Cinematography	Vadim Yusov Pavel Lebeshev Elizbar Karavaev Vadim Alisov
Music by	Eduard Artemyev
Production company	TriTe
Release date	1980-1993
Running time	98 minutes
Countries	USSR Russia France
Language	Russian

Plot

Over the years of her life (from 6 to 18 years) daughter of film director Anna answers the same questions about her father. The viewer has the opportunity to observe how Anna's point of view changes concerning her surrounding world. The girl's answers are edited with newsreel footage of those years during which the questions were asked. Through the prism of Anna's responses many key events are represented: the death of General Secretary Leonid Brezhnev, Yuri Andropov, Konstantin Chernenko, the restructuring, collapse of the Soviet Union, and the rise of Yeltsinism.

Cast

• Anna Mikhalkova – Nikita Mikhalkov's eldest daughter
• Nadezhda Mikhalkova – Nikita Mikhalkov's youngest daughter
• Artyom Mikhalkov – Nikita Mikhalkov's second son
• Nikita Mikhalkov – himself

Awards

• "Silver Dove" of the international documentary film festival in Leipzig (1994)
• Grand Prix of International Film Festival of Slavic and Orthodox peoples "Golden Knight" (1994)
• Prize for Best Documentary at the Hamptons International Film Festival (1996)

External links

• Anna ot 6 do 18 at IMDb

References

На других языках

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- [en] Anna: 6 - 18

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[ru] Анна: от 6 до 18

«Анна: от 6 до 18» — документальный фильм-эксперимент Никиты Михалкова, снимавшийся с 1980 по 1993 год и посвящённый взрослению дочери режиссёра, Анны. Сама Михалкова неоднократно заявляла, что картина ей категорически не нравится, объясняя это тем, что считает её «препарированием своей личной жизни» и «эксгибиционизмом души»[1].

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