Bulaklak sa City Jail is a 1984 Filipino drama film written by Lualhati Bautista and directed by Mario O'Hara and it depicts the situation of women in the city jail.[1]
Bulaklak sa City Jail | |
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![]() Official movie poster, released in 1984. | |
Directed by | Mario O'Hara |
Written by | Lualhati Bautista |
Based on | Bulaklak sa City Jail by Lualhati Bautista |
Produced by |
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Starring |
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Cinematography | Johnny Araojo |
Edited by | Efren Jarlego |
Music by | Tony Aguilar |
Production company | Cherubim Films |
Release date | December 25, 1984 |
Country | Philippines |
Language | Filipino |
The film stars Nora Aunor, Gina Alajar, Celia Rodriguez, Perla Bautista, Maya Valdez, Zenaida Amador, and Maritess Gutierrez as the women who were incarcerated inside the Manila City Jail due to their crimes they commit and the crimes that were framed by the others.
A pregnant woman is arrested for attempted murder is sent to the Manila City Jail where she meets several women with shocking pasts.
The film was released by Cherubim Films on December 25, 1984, and it is one of the following entries for the 1984 Metro Manila Film Festival. It won six awards including Best Picture, Best Actress and Best Director.
The restored version of the film was premiered on November 11, 2019, at the Ayala Malls Manila Bay in Parañaque City as part of the Cinema One Originals film festival. It was attended by the film's surviving cast and staff members: actors Ricky Davao and Tom Olivar, film producer Cherry Cobarubbias and former actress and now chef Maritess Gutierrez (she also represented her mother Gloria Romero) as well as the staff and crew of the ABS-CBN Film Archives and the channel head of Cinema One, Ronald Arguelles. Actress Pinky Amador (niece of the late Zenaida Amador, who died in 2008), actress-producer Ruby Flores-Arcilla (daughter of Bella Flores, who died in 2013), and director Denise O'Hara (niece of Mario O'Hara, who died in 2012) also attended the premiere as the representatives of the cast and staff members who were deceased or unable to attend.[2][3]
In a review by Engelbert Rafferty for Film Police Reviews, the film is considered "a classic, no questions asked". Lualhati Bautista, the film's writer, was praised for the screenplay that made it alive and fascinated by the viewers as well as the exhibited dramatic performances of the cast members. Nora Aunor was also praised for her widely accepted and realized performance as Angela, whose character was described as "a woman maltreated by society".[4]
Year | Group | Category | Nominee | Result |
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1984 | Metro Manila Film Festival | Best Picture | Won | |
Best Director | Mario O'Hara | Won | ||
Best Actress | Nora Aunor | Won | ||
Best Supporting Actress | Celia Rodriguez | Won | ||
Best Screenplay | Lualhati Bautista | Won | ||
Best Story | Lualhati Bautista | Won | ||
1985 | 33rd FAMAS Awards | Best Actress | Nora Aunor | Won |
Best Supporting Actress | Perla Bautista | Won | ||
Best Picture | Nominated | |||
Best Director | Mario O'Hara | Nominated | ||
Best Screenplay | Lualhati Bautista | Nominated | ||
Gawad Urian Awards (Manunuri ng Pelikulang Pilipino) | Best Actress | Nora Aunor | Nominated | |
Best Picture | Nominated | |||
Best Director | Mario O'Hara | Nominated | ||
Best Supporting Actress | Perla Bautista | Nominated | ||
Best Supporting Actress | Celia Rodriguez | Nominated | ||
Best Screenplay | Lualhati Bautista | Nominated | ||
Best Editing | Efren Jarlego | Nominated | ||
Best Production Design | Tony Aguilar | Nominated | ||
Film Academy of the Philippines (Luna Awards) | Best Story Adaptation | Luhalhati Bautista | Won | |
Best Actress | Nora Aunor | Nominated | ||
Catholic Mass Media Awards | Best Actress | Nora Aunor | Won |
Metro Manila Film Festival | |||||||
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