Death Takes a Holiday is a 1934 American pre-Code romantic drama starring Fredric March, Evelyn Venable and Guy Standing. It is based on the 1924 Italian play La morte in vacanza by Alberto Casella (1891–1957), as adapted in English for Broadway in 1929 by Walter Ferris.
1934 US pre-Code romantic drama film by Mitchell Leisen
For the Supernatural episode, see Death Takes a Holiday (Supernatural). For the TV film, see Death Takes a Holiday (1971 film). For the musical, see Death Takes a Holiday (musical).
After years of questioning why people fear him, Death takes on human form as Prince Sirki (Fredric March) for three days so that he can mingle among mortals and find an answer. He finds a host in Duke Lambert (Guy Standing) after revealing himself and his intentions to the Duke, and he takes up temporary residence in the Duke's villa. However, Death falls in love with the beautiful young Grazia (Evelyn Venable). As he does so, Duke Lambert, the father of Grazia's mortal lover Corrado (Kent Taylor), begs him to give Grazia up and leave her among the living.
Death is torn between seeking his own happiness or sacrificing it so that Grazia may live. After listening to the pleas from the Duke and his houseguests, Death finally decides to let Grazia live and returns to his true self, a black shadow. As he prepares to depart, Grazia chooses to go with him, telling him that she knew all along who he really was. Death then proclaims that love is greater than illusion and is as strong as death. He puts his arm around Grazia, and they both disappear in a flash of light.
The theatrical premiere of the film was on February 23, 1934, at the Paramount Theatre in New York City.[1] The home video releases have been:
Death Takes a Holiday (VHS). Universal Studios. March 8, 1999.
Death Takes a Holiday (DVD). Universal Studios. January 9, 2007. (as part of the Meet Joe Black Ultimate Edition)
Death Takes a Holiday (DVD). Universal Studios. January 11, 2010.
Death Takes a Holiday (Blu-Ray). Kino Lorber. July 23, 2019.[2]
Reception
The film was an enormous critical success.[3]Time called it "thoughtful and delicately morbid", while Mordaunt Hall for The New York Times wrote that "it is an impressive picture, each scene of which calls for close attention".
Richard Watts, Jr, for the New York Herald Tribune, described it as "An interesting, frequently striking and occasionally beautiful dramatic fantasy", while the Chicago Daily Tribune said that March was "completely submerged in probably the greatest role he has ever played."[4]Variety called it "the kind of story and picture that beckons the thinker, and for this reason is likely to have greater appeal among the intelligensia." It praised March's performance as "skillful".[5]John Mosher of The New Yorker wrote that the film was "nicely done", although he suggested it was "a little obnoxious with all its talk of being in love with death."[6]
The film was a box-office disappointment for Paramount.[7]
The American Film Institute recognized the film with a nomination in its 2002 list, AFI's 100 Years...100 Passions.[8]
Remakes and adaptations
A one-hour radio adaptation of the film aired on Cecil B. DeMille's Lux Radio Theatre on March 22, 1937, starring Fredric March reprising his role as Death and his wife, actress Florence Eldridge, as Grazia.[9]
Universal Studios, which acquired the rights to the film in 1962 following a merger with then-owners MCA, made a 1971 television production featuring Yvette Mimieux, Monte Markham, Myrna Loy, Melvyn Douglas and Bert Convy. Loy related in her biography that the production was marred by a decline in filming production standards; she described a frustrated Douglas storming off the set and returning to his home in New York when a tour guide interrupted the filming of one of his dramatic scenes to point out Rock Hudson's dressing room.
It was adapted into a musical by Maury Yeston with the book by Peter Stone and Thomas Meehan. It began previews Off-Broadway on June 10, and officially opened on July 21, 2011, in a limited engagement through September 4, 2011, at the Laura Pels Theatre at the Harold & Miriam Steinberg Center for Theatre in a production by Roundabout Theatre Company.[10]
A May 2006 episode of the television drama Medium also builds on the concept of death portrayed as a man. The season 2 episode is similarly titled, being called "Death Takes a Policy".
Churchill, Douglas W. (December 30, 1934). "The Year in Hollywood: 1934 May Be Remembered as the Beginning of the Sweetness-and-Light Era (gate locked);". The New York Times. p.X5.
Striner, Richard (2011). Supernatural Romance in Film: Tales of Love, Death and the Afterlife. McFarland and Company. pp.21–22. ISBN9780786484874.
"Death Takes a Holiday". Variety. February 27, 1934.
Mosher, John C. (March 3, 1934). "The Current Cinema". The New Yorker. p.66.
D. W. (Nov 25, 1934). "Taking a Look at the Record". The New York Times. ProQuest101193306.
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