Dobu (どぶ, lit. The Ditch) is a 1954 Japanese drama film directed by Kaneto Shindō and starring Nobuko Otowa.[1]
| Dobu | |
|---|---|
| Directed by | Kaneto Shindō |
| Written by |
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| Produced by | Kōzaburō Yoshimura[1] |
| Starring |
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| Cinematography | Takeo Itō |
| Edited by | Zenju Imaizumi |
| Music by | Akira Ifukube |
Production company | Kindai Eiga Kyokai |
| Distributed by | Shintoho |
Release date |
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Running time | 111 minutes |
| Country | Japan |
| Language | Japanese |
Toku shares a shack in a shanty village in Kawasaki with his friend Pin-chan. On his way to the steel factory where he works, Toku meets an exhausted, starving woman, Tsuru, whom he reluctantly gives some of his food. The factory is on strike, but instead of joining the unionists, who are attacked by strikebreakers, he spends his little money at the bicycle races. After returning home to his shack, he discovers that Tsuru followed him. The two men try to get rid of the seemingly disturbed woman, but let her stay after she gives them her money. Tsuru tells the people of the village her story: An expatriate from Manchuria, she lost her textile factory job due to a strike, then was robbed of her severance pay, raped, sold to a brothel in Tsuchiura, from which she escaped with a friend from Kawasaki. Toku and Pin-chan sell her to a local brothel, run by the landlord on whose territory the shanty town stands, telling the gullible Tsuru that Pin-cha needs the money for his education. After throwing Tsuru out for her whimsical behaviour, the landlord demands his money back, including compensation for broken goods. Tsuru earns the money by working as a prostitute outside the train station. Following a fight (and possible rape attempt), Pin-chan throws Tsuru out of the shack. Back at the station, the other prostitutes try to beat Tsuru up. She fends them off with a stolen policeman's revolver and is finally shot dead by the police. At her wake, a letter of Tsuru is read, encouraging the villagers to resist the landlord who wants to turn the territory into a motorcycle racetrack. Toku and Pin-chan mourn her death, admitting their guilt in her fate.
Japanese film scholar Alexander Jacoby describes Dobu as "a searing account of urban poverty".[3] Though critical of its sentimentality, film historian Donald Richie pointed out that the "images had a strength that made one remember them", comparing Dobu to Vittorio De Sica's Miracle in Milan.[4]
Films directed by Kaneto Shindo | |
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