Centuries and continents intertwine in an intricate tapestry in Dust, an epic written and directed by the Academy-award nominated Milcho Manchevski. The UK-Italian-German-Spanish-Macedonian co-production, photographed by the Academy nominee Barry Ackroyd, stars Joseph Fiennes, David Wenham, Adrian Lester, Rosemary Murphy, Nikolna Kujaca, Anne Brochet, and Vera Farmiga. It was the opening-night film of the 2001 Venice Film Festival and was later released in a number of countries, including the United States.
Dust | |
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![]() Theatrical release poster | |
Directed by | Milcho Manchevski |
Written by | Milcho Manchevski |
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Starring |
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Cinematography | Barry Ackroyd |
Edited by | Nicolas Gaster |
Music by | Kiril Džajkovski |
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Distributed by |
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Release dates |
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Running time | 127 minutes |
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Dust caused quite a lot of stir; some of the reactions:
(The Globe and Mail)
(Village Voice)
(Elvis Mitchell, The New York Times)
(What’s On in London)
(Roderick Coover, Film Quarterly)
(Maitland McDonagh, TV Guide)
(stopklatka.pl)
Where Does Your Voice Go When You’re No More?
A New York thief (Edge), a tough-as-nails hundred-year-old woman (Angela), two brothers from the Wild West (Luke and Elijah), a revolutionary hell-bent on liberating Macedonia from the Ottoman Empire (The Teacher), and a beautiful pregnant woman (Neda), all cross paths in a tale that spans two continents and three centuries. Its fractured narrative resembles a Cubist painting.
The film was written and directed by Milcho Manchevski. The music for the film was composed by Kiril Džajkovski. Principal photography took place across three countries and two continents: Cologne, New York City, Mariovo, Shtip and Bitola.[1]
After the international success of his debut Before the Rain, in 1995 Manchevski announced his next project, Dust. South Fork Pictures was producing, with Robert Redford and Michael Nozik as producers and Miramax as distributor. After a falling out between Manchevski and Miramax's Harvey Weinstein, the film was eventually made as a British-Italian-German-Spanish-Macedonian co-production with the Film Consortium's Chris Auty and Fandango Films' Domenico Procacci leading the charge.
Filming took part between April 2000 (New York) and October 2000 (Cologne and Macedonia). The film was edited in London in the fall/winter/spring 2000/2001. Moving Picture Company provided visual effects and animation.
Dust opened at the Venice Film Festival on 29 August 2001 and was later released in Italy on 5 April 2002.[2] Pathé distributed the film in the United Kingdom on 3 May 2002. In Spain, the film was released on 12 July 2002 by Alta Classics. It was given a limited release in the United States on 22 August 2003, where it was distributed by Lionsgate.
Golden Reel Award Nomination (Best Sound Editing), 2002
The film caused controversy when it premiered as the opening film of the 2001 Venice Film Festival. A number of critics accused Manchevski of having a political agenda and using the film to express it. The Evening Standard critic Alexander Walker claimed the film was portraying the Turkish army in an unflattering light and even called it racist. Several other critics saw the film as taking sides in the current armed conflict in Macedonia, in spite of the fact that the film was filmed before the hostilities began. Charges were nevertheless leveled that Manchevski's film was anti-Moslem, anti-Albanian and anti-Turkish. He did not respond to the accusations in Venice, presumably hoping the film would speak for itself. He, however, did respond later, explaining that the film is even-handed in its portrayal of brutal killers – it does not spare the Macedonians, Albanians, Turks, Greeks – or the Americans, for that matter. Even though the reviews (and even some of the original reviewers) were much more favorable and nuanced once the film moved from Venice to the regular theaters, the damage was done, and Dust never achieved the wide distribution expected from the follow-up to the phenomenally successful Before the Rain.[3][4]
Later, however, the film was reassessed in a number of essays focusing on its complex fractured narrative.
Year | Award | Category | Recipient(s) | Result |
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2004 | Golden Reel Award | Best Sound Editing in a Foreign Feature Film | Peter Baldock, Jack Whittaker, Philip Alton, Tim Hands, Daniel Laurie, Richard Todman | Nominated |
Films directed by Milcho Manchevski | |
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