Esther (Hebrew: אסתר) is a 97-minute 1986 Austrian-British-Dutch-Israeli Hebrew-language independent underground dramatic historical experimental art film directed by Amos Gitai, his directorial debut. The film tells the story of Esther from the Hebrew Bible's Book of Esther and stars Simone Benyamini, Zare Vartanian, Mohammad Bakri and Juliano Mer-Khamis.
For other uses, see Esther (disambiguation).
This article may contain an excessive number of citations. (October 2018)
When King Ahasuerus (Zare Vartanian) of Persia drives out of his court Queen Vashti for refusing to show up before him, a frantic search for young virgins is unleashed throughout the kingdom, extending from India to Ethiopia. Esther, an orphan who was raised by her Jewish uncle, Mordecai (Mohammad Bakri), has entered the King's harem, having chosen her as his wife without knowing she was Jewish. At court, she has thwarted an attack against the King thanks to information provided by her uncle. For the service rendered, Esther and Mordecai have become the only free court characters not to prostrate themselves in front of anyone. However, when Mordecai refuses to bow to Minister Haman (Juliano Mer-Khamis), the latter commands the death of all of the Jews of the kingdom under the seal of the King. This is discovered by Esther and Mordecai, who devise a plan to save their people. Mordecai acts in advance against Haman ordering the vengeful extermination of all of those who want the death of the Jews.[1][2][3]
The film marked the directorial debut of Amos Gitai,[4] who also wrote the screenplay.[5] It was shot by Henri Alekan and Nurith Aviv (with Ilan Yagoda[he] assisting), and cast by Levia Hon[he].
Developed at Herzliya Studios[he] and financed by Interkerkelijke Omroep Nederland and Film4 Productions, the film was distributed by Facets Multi-Media.
Release
The film was screened at the May 1986 Cannes Film Festival during the International Critics's Week, at the October 1986 Torino Film Festival where it also won several awards, and at the 36th Berlin International Film Festival on 21 February 1992. The film was released in Israel, where it premiered at the Tel Aviv Museum of Art, together with Berlin-Jerusalem (1989) as part of a DVD boxset in 2005.[6]
Critical response
Stephen Holden of The New York Times opined that "[t]hough not especially entertaining, it is quite handsome and bristling with ideas."[4] In Israel, however, some reviewers were more negative. Daniel Warth of Ha'ir, while noticing similarities to the works of Pier Paolo Pasolini, Bertolt Brecht, and Miklós Jancsó, stated that the film "is an artistic pretension which remains nothing but an aesthical drill with unsophisticated political declarations."[7]
References
Citations in article
Sources:
Kronish, Amy W. (1996). World Cinema: Israel. World Cinema, Volume 6, Series Editor: Frank Bren. Trowbridge and Cranbury, New Jersey: Flicks Books and Rosemont Publishing & Printing Corp.’s Associated University Presses. p.210. ISBN9780948911705. OCLC568122092. Retrieved 30 September 2018.
Gross, Natan[he; pl]. הסרט העברי – פרקים בתולדות הראינוע והקולנוע בישראל: 1896–1991[The Hebrew Film – Chapters in the Annals of Silent and Sound Cinema in Israel: 1896–1991] (in Hebrew). Jerusalem: Natan and Yaacov Gross[he]. 1991. p.441. OCLC27221790. Retrieved 30 September 2018.
Schnitzer, Meir[he]. הקולנוע הישראלי: כל העובדות, כל העלילות, כל הבמאים וגם ביקורות[Israeli Cinema: All Facts, All Plots, All Directors, and All Critiques] (in Hebrew). Or Yehuda and Jerusalem: Kinneret Zmora-Bitan Dvir, Jerusalem Cinematheque’s Israel Film Archive, and Ministry of Education’s Israel Film Institute[he]. 1994. p.278. ISBN9789652863782. OCLC31817606. Retrieved 30 September 2018.
Sources:
Schenkar, Guilhad Emilio (12 August 2014). חי בסרט – עמוס גיתאי[Living in Films – Amos Gitai] (in Hebrew). Jerusalem: Ministry of Education’s Israeli Educational Television. Retrieved 30 September 2018.
Ginsberg, Prof. Dr. Terri; Lippard, Prof. Dr. Chris (March 2010). Historical Dictionary of Middle Eastern Cinema. Historical Dictionaries of Literature and the Arts, Volume 36, Series Editor: Arthur Jon Woronoff. Lanham, Maryland, Toronto, Ontario, and Plymouth: Rowman & Littlefield’s The Scarecrow Press, Inc. p.137. ISBN9780810873643. OCLC718533076. Retrieved 30 September 2018.
Schweitzer, Dr. Ariel[he]. אסתר, או הפורים־שפיל של עמוס גיתאי [Esther, or the Pourim-Shpil of Amos Gitai]. Zmanim: A Historical Quarterly[he], Volume 75 (in Hebrew). Tel Aviv-Yafo, Jerusalem, and Ra’anana: The Zvi Yavetz School of Historical Studies, The Lester and Sally Entin Faculty of Humanities, Tel Aviv University, The Historical Society of Israel[he]’s Zalman Shazar Center[he], and The Department of History, Philosophy, and Judaic Studies, Open University of Israel. Summer 2001. pp.76–82. JSTOR23437280.
Sources:
Ehrich, Carl S. (September 2016). "Esther in film". In Burnette-Bletsch, Rhonda (ed.). The Bible in Motion: A Handbook of the Bible and Its Reception in Film. Handbooks of the Bible and Its Reception (HBR). Vol.2. Berlin and Boston, Massachusetts: Walter de Gruyter. pp.122–124. ISBN9781614513261. OCLC959149599. Retrieved 30 September 2018– via Google Books.
Fainaru, Edna; Fainaru, Dan (9 April 1986). אסתר – משוש האינטלקטואלים[Esther – The Opium of the Intellectuals](PDF). HaOlam HaZeh (in Hebrew). Tel Aviv-Yafo: HaOlam HaZeh. Retrieved 30 September 2018.
Pélisson, Olivier. 1986: Amos Gitaï – Esther Is Born (in French). Paris: Hildegarde Society[fr]’s Le Film français, 15 avril 2013. Retrieved 1 October 2018.
Schwartz, Dennis (26 July 2018). "Ably Tells the Purim Story of the Jews". Ozu’s World Movie Reviews. Bennington, Vermont: Online Film Critics Society. Retrieved 1 October 2018.
Gitai, Prof. Dr. Amos (2005). ברלין ירושלים[Berlin-Jerusalem](DVD) (in Hebrew). Ramat HaSharon: NMC Music’s Globus United King Films. OCLC920667873. Retrieved 30 September 2018.
Warth, Daniel (9 July 1986). תרגיל אסתטי[An Aesthetical Drill](PDF). Ha'ir (in Hebrew). Tel Aviv-Yafo: Haaretz Group's Schocken Group[he]. Retrieved 30 September 2018– via idea.cimema.co.il.
Sources used
Wacker, Prof. Dr. Marie-Theres[de]. Das biblische Estherbuch zwischen Palästina und Israel. Zum Film Esther von Amos Gitai (1986) und seiner Kontextualisierung [The Biblical Book of Esther Between Palestine and Israel: On the Film Esther By Amos Gitai (1986) and Its Contextualization]. In: Zwick, Prof. Dr. Reinhold, Hrsg. (2013). Religion und Gewalt im Bibelfilm [Religion and Violence in Bible Films]. Film & Theologie [Film & Theology], Band 20 (in German). Marburg: Schüren Verlag[de], Juli 2012, S. 39–59. ISBN9783894727604. OCLC818726511. Retrieved 1 October 2018.
Meroz, Tamar (27 March 1986). "Purim Now"(PDF). Haaretz, reprinted in: Esther: An Amos Gitai Film, Paris: Agav Films, 1986. Tel Aviv-Yafo: M. DuMont Schauberg and Haaretz Group[ar; de; he]. pp.19–21. OCLC745373991. Retrieved 1 October 2018. Reprinted as “Esther” in: Willemen, Paul, ed. (Autumn 1993). The Films of Amos Gitai: A Montage. BFI Film Classics. London: British Film Institute. pp.61ff. ISBN9780851704166. OCLC882549941. Retrieved 4 October 2018.
Neeman, Rachel (2 April 1986). תנ״ך עכשיו [The Bible Now] (PDF). Koteret Rashit[he] (in Hebrew). Tel Aviv-Yafo and Rishon LeZion: Histadrut’s Society of Workers[he]’s Davar, Klal[he], and Yedioth Ahronoth Group’s Yedioth Ahronoth. Retrieved 1 October 2018. English translation: Neeman, Rachel (2 April 1986). "The Bible Now"(PDF). Esther: An Amos Gitai Film. Paris: Agav Films, 1986. pp.22–23. OCLC745373991. Retrieved 1 October 2018. Reprinted as “Esther” in: Willemen, Paul, ed. (Autumn 1993). The Films of Amos Gitai: A Montage. BFI Film Classics. London: British Film Institute. pp.56–61. ISBN9780851704166. OCLC882549941. Retrieved 4 October 2018.
Willemen, Paul (1993). The Films of Amos Gitai: A Montage. BFI Film Classics. London: British Film Institute. pp.56–62. ISBN9780851704166. OCLC882549941. Retrieved 4 October 2018.
Privett, Ray (11 June 2009). Série Exil partie 1, Esther et Berlin Jérusalem [Exile Series Part 1, Esther and Berlin-Jerusalem]. Cinémaction: Revue trimestrielle Cinémaction (revue) (in French). Condé-sur-Noireau: Éditions Charles Corlet. pp.52–57. ISBN9782847062915. Retrieved 1 October 2018.
Pras, Sylvie, éd. (August 2003). Amos Gitai (in French). Paris: Centre Georges Pompidou. pp.116ff. ISBN9782844262264. OCLC54542427. Retrieved 1 October 2018.
Toubiana, Serge[ca; fr; it; ja]. Piégay, Baptiste (2003). Exils et territoires: Le cinéma d'Amos Gitaï [Exiles and Territories: The Cinema of Amos Gitai]. Collection Auteurs [Auteurs Collection] (in French). London, New York, New York, Strasbourg, et Paris: Phaidon Press’s Cahiers du cinéma et Arte éd., juillet 2003. pp.144ff. ISBN9782866422257. OCLC237852120. Retrieved 1 October 2018.
Variety's Film Reviews, Volume 19: 1985–1986. New York, New York: Cambridge Information Group’s R.R. Bowker and RELX Group’s Reed Publishing. February 1990. ISBN9780835227995. OCLC655330431. Retrieved 1 October 2018.
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