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Gattaca is a 1997 American dystopian science fiction thriller film written and directed by Andrew Niccol in his filmmaking debut. It stars Ethan Hawke and Uma Thurman, with Jude Law, Loren Dean, Ernest Borgnine, Gore Vidal, and Alan Arkin appearing in supporting roles.[4] The film presents a biopunk vision of a future society driven by eugenics where potential children are conceived through genetic selection to ensure they possess the best hereditary traits of their parents.[5] The film centers on Vincent Freeman, played by Hawke, who was conceived outside the eugenics program and struggles to overcome genetic discrimination to realize his dream of going into space.

Gattaca
Theatrical release poster
Directed by	Andrew Niccol
Written by	Andrew Niccol
Produced by	Danny DeVito Michael Shamberg Stacey Sher Gail Lyon
Starring	Ethan Hawke Uma Thurman Alan Arkin Jude Law Loren Dean Ernest Borgnine
Cinematography	Sławomir Idziak
Edited by	Lisa Zeno Churgin
Music by	Michael Nyman
Production companies	Columbia Pictures Jersey Films
Distributed by	Sony Pictures Releasing
Release date	October 24, 1997 (1997-10-24) (United States)
Running time	112 minutes[1]
Country	United States
Languages	English Esperanto
Budget	$36 million[2]
Box office	$12.5 million (domestic only)[3]

The film draws on concerns over reproductive technologies that facilitate eugenics, and the possible consequences of such technological developments for society. It also explores the idea of destiny and the ways in which it can and does govern lives. Characters in Gattaca continually battle both with society and with themselves to find their place in the world and who they are destined to be according to their genes.

The film's title is based on the letters G, A, T, and C, which stand for guanine, adenine, thymine, and cytosine, the four nucleobases of DNA.[6] It was a 1997 nominee for the Academy Award for Best Art Direction and the Golden Globe Award for Best Original Score.

Plot

In the "not-too-distant" future, eugenics is common. A genetic registry database uses biometrics to classify those created as "Valids" while those conceived naturally and more susceptible to genetic disorders are known as "In-Valids". Genetic discrimination is illegal, but in practice genotype profiling is used to identify Valids to qualify for professional employment while In-Valids are relegated to menial jobs.

Vincent Freeman was conceived naturally and his genetic profile indicates a high probability of several disorders and an estimated lifespan of 30.2 years. His parents, regretting their decision, use IVF, PIGD, and genetic engineering in creating their second child, Anton. Growing up, the two brothers often play a game of "chicken" by swimming out to sea as far as possible, with the first one returning to shore considered the loser; Vincent always loses. Vincent dreams of a career in space travel but is always reminded of his genetic inferiority. One day, Vincent challenges Anton to a game of chicken and beats him. Anton starts to drown and is saved by Vincent. Shortly after, Vincent leaves home.

Years later, Vincent works as an In-Valid, cleaning office spaces including that of spaceflight conglomerate Gattaca Aerospace Corporation. He gets a chance to masquerade as a Valid by using donated hair, skin, blood and urine samples from former swimming star Jerome Eugene Morrow, who was paralyzed after being hit by a car. With Jerome's genetic makeup, Vincent gains employment at Gattaca, and is assigned as navigator for an upcoming mission to Saturn's moon Titan. To conceal his identity, Vincent must meticulously groom and scrub down daily to remove his own genetic material, pass daily DNA scanning and urine tests using Jerome's samples, and hide his heart defect.

When a Gattaca administrator is murdered a week before a possible launch, the police find one of Vincent's eyelashes near the crime scene. Recognizing it as from an In-Valid rather than an employee, they immediately assume the owner to be a suspect and launch an investigation. During this, Vincent becomes close to a co-worker, Irene Cassini, with whom he shares a mutual attraction. Though a Valid, Irene has an accidental higher risk of heart failure that will bar her from any space mission. Vincent also learns that Jerome's paralysis is self-inflicted; after placing silver in the Olympics, Jerome threw himself in front of a car. Jerome maintains that he was designed to be the best, yet still wasn't, and suffers under the 'burden of perfection'.

Vincent repeatedly evades the grasp of the investigators. It is finally revealed that one of Gattaca's directors (Josef) killed the mission director because he threatened to cancel the mission. Vincent learns that the detective who closed the case was his brother Anton, who consequently has discovered Vincent's presence at Gattaca. The brothers meet, and Anton warns Vincent about his illegal actions, but Vincent asserts that he has gotten to this position on his own merits. Anton, unwilling to believe this, challenges Vincent to a final game of chicken. As the two swim out at night, Vincent's stamina surprises Anton, and Vincent reveals that he won by not saving energy for the swim back. Anton turns back and begins to drown, but Vincent rescues him again and swims them both back to shore, proving to Anton that his status does not define him.

On the day of the launch, Jerome reveals that he has stored enough DNA samples for Vincent to last 'two lifetimes' upon his return, and gives him an envelope to open 'upstairs'. After saying goodbye to Irene, Vincent prepares to board but discovers there is a final urine test, and he currently lacks any of Jerome's samples. He is surprised when Dr. Lamar, who oversees health checks, reveals that he knows Vincent has been posing as a Valid. Lamar admits that his son looks up to Vincent and wonders whether he, genetically selected but "not all that they promised", could exceed his potential just as Vincent has. The doctor changes the test results, allowing Vincent to pass. As the rocket launches, Jerome dons his swimming medal and immolates himself in his home's incinerator; in space, Vincent opens the note from Jerome to find a lock of Jerome's hair. As the film ends, Vincent muses that "For someone who was never meant for this world, I must confess, I'm suddenly having a hard time leaving it. Of course, they say every atom in our bodies was once a part of a star. Maybe I'm not leaving; maybe I'm going home."

Cast

Production

This section needs additional citations for verification. (November 2013)

The film was shot under the working title The Eighth Day, a reference to the seven days of creation in the Bible. However, by the time its release was scheduled for the fall of 1997, the Belgian film Le huitième jour had already been released in the US under the title The Eighth Day. As a result, the film was retitled Gattaca.[7]

Filming

The exteriors (including the roof scene) and some of the interior shots of the Gattaca complex were filmed at Frank Lloyd Wright's 1960 Marin County Civic Center in San Rafael, California.[8] The speakers in the complex broadcast announcements both in Esperanto and English; Miko Sloper from the Esperanto League of North America went to the recording studio to handle the Esperanto part.[9] The parking lot scenes were shot at the Otis College of Art and Design, distinguished by its punch card-like windows, located near Los Angeles International Airport. The exterior of Vincent Freeman's house was shot at the CLA Building on the campus of California State Polytechnic University, Pomona. Other exterior shots were filmed at the bottom of the spillway of the Sepulveda Dam, Culver City High School, and outside The Forum in Inglewood. The solar power plant mirrors sequence was filmed at the Kramer Junction Solar Electric Generating Station.

The film is noted for its unique use of color. Cinematographer Slawomir Idziak employed vibrant gold, green, and electric blue tones throughout the film, and shot the film in Super 35mm format, which adds an enlarged layer of grain.

Design

The movie uses a swimming treadmill in the opening minutes to punctuate the swimming and futuristic themes.[10] The production design makes heavy use of retrofuturism; the futuristic electric cars[11] are based on 1960s car models like Rover P6, Citroën DS19 and Studebaker Avanti.[12]

Title sequence

The opening title sequence, created by Michael Riley, features closeups of body matter (fingernails and hair), which are later revealed to be from Vincent's daily bodily scourings, hitting the floor accompanied by loud sounds as the objects strike the ground. According to Riley, oversized models of the fingernails and hair were created for the effect.[13]

Music and soundtrack

Gattaca: Original Motion Picture Soundtrack
Soundtrack album by Michael Nyman
Released	October 21, 1997 (1997-10-21)
Genre	Contemporary classical music, film scores, minimalism
Length	54:55
Label	Virgin Records America
Producer	Michael Nyman
Michael Nyman chronology
Concertos (1997) Gattaca: Original Motion Picture Soundtrack (1997) The Suit and the Photograph (1998)

The score for Gattaca was composed by Michael Nyman, and the original soundtrack was released on October 21, 1997.[14]

Release

Box office

Gattaca was released in theaters on October 24, 1997 in the United States by Columbia Pictures and opened at number 5 at the box office; trailing I Know What You Did Last Summer, The Devil's Advocate, Kiss the Girls and Seven Years in Tibet.[15] Over the first weekend the film brought in $4.3 million. It ended its theatrical run with a domestic total of $12.5 million against a reported production budget of $36 million.[16]

Home media

Gattaca was released on DVD on July 1, 1998,[17] and was also released on Superbit DVD.[18] Special Edition DVD and Blu-ray versions were released on March 11, 2008.[19][20] Both editions contain a deleted scene featuring historical figures like Einstein, Lincoln, etc., who are described as having been genetically deficient.[16]

Gattaca was released on Ultra HD Blu-ray in 2021.[21]

Reception

Critical response

Gattaca received positive reviews from critics. On review aggregator Rotten Tomatoes the film received an approval rating of 81% based on 64 reviews, with a rating average of 7.1/10. The site's critical consensus states that "Intelligent and scientifically provocative, Gattaca is an absorbing sci-fi drama that poses important interesting ethical questions about the nature of science."[22] On Metacritic, the film received "generally favorable reviews" with a score of 64 out of 100, based on 20 reviews.[23] Roger Ebert stated, "This is one of the smartest and most provocative of science fiction films, a thriller with ideas."[24] James Berardinelli praised it for "energy and tautness" and its "thought-provoking script and thematic richness."[25]

Although critically acclaimed, Gattaca was not a box office success, but it is said to have crystallized the debate over the controversial topic of human genetic engineering.[26][27] The film's dystopian depiction of "genoism" has been cited by many bioethicists and laypeople in support of their hesitancy about, or opposition to, eugenics and the societal acceptance of the genetic-determinist ideology that may frame it.[28] In a 1997 review of the film for the journal Nature Genetics, molecular biologist Lee M. Silver stated that "Gattaca is a film that all geneticists should see if for no other reason than to understand the perception of our trade held by so many of the public-at-large".[29]

Accolades

Award	Category	Recipient	Result
Academy Awards	Best Art Direction	Jan Roelfs Nancy Nye	Nominated
Art Directors Guild Award	Excellence in Production Design	Jan Roelfs Sarah Knowles Natalie Richards	Nominated
Bogey Awards	Bogey Award		Won
Gérardmer Film Festival	Special Jury Prize	Andrew Niccol	Won
	Fun Trophy		Won
Golden Globe Awards	Best Original Score	Michael Nyman	Nominated
Hugo Awards	Best Dramatic Presentation	Andrew Niccol	Nominated
London Film Critics' Circle Awards	Best Screenwriter of the Year		Won
Paris Film Festival	Grand Prix		Nominated
Satellite Awards	Best Art Direction and Production Design	Jan Roelfs	Nominated
Saturn Awards	Best Costume	Colleen Atwood	Nominated
	Best Music	Michael Nyman	Nominated
	Best Home Video Release		Nominated
Sitges – Catalan International Film Festival	Best Motion Picture	Andrew Niccol	Won
	Best Original Soundtrack	Michael Nyman	Won

Legacy

Television series

On October 30, 2009, Variety reported that Sony Pictures Television was developing a television adaptation of the feature film as a one-hour police procedural set in the future. The show was to be written by Gil Grant, who has written for 24 and NCIS.[30]

Influence on In Time

Writer-director Andrew Niccol has called his 2011 film In Time a "bastard child of Gattaca".[31][32] Both films feature classic cars in a futuristic dystopia as well as a caste privilege schism which the protagonist challenges and which prejudices the authorities into neglecting a thorough investigation in favor of condemning the protagonist.

Political references

U.S. Senator Rand Paul used near-verbatim portions of the plot summary from the English Wikipedia entry on Gattaca in a speech at Liberty University on October 28, 2013 in support of Virginia Attorney General Ken Cuccinelli's campaign for Governor of Virginia. Paul accused pro-choice politicians of advocating eugenics in a manner similar to the events in Gattaca.[33][34]

Transhumanism

In the 2004 democratic transhumanist book Citizen Cyborg, bioethicist James Hughes criticized the premise and influence of the film as fear-mongering, arguing:

1. Astronaut-training programs are entirely justified in attempting to screen out people with heart problems for safety reasons;
2. In the United States, people are already screened by insurance companies on the basis of their propensities to disease, for actuarial purposes;
3. Rather than banning genetic testing or genetic enhancement, society should develop genetic information privacy laws such as the U.S. Genetic Information Nondiscrimination Act signed into law on May 21, 2008 that allow justified forms of genetic testing and data aggregation, but forbid those that are judged to result in genetic discrimination. Citizens should then be able to make a complaint to the appropriate authority if they believe they have been discriminated against because of their genotype.[35]

See also

• List of films featuring surveillance
• Gattaca argument
• Transhumanism § Genetic divide
• Germinal choice technology

References

Further reading

• Frauley, Jon (2010). "Biopolitics and the Governance of Genetic Capital in GATTACA". Criminology, Deviance and the Silver Screen: The Fictional Reality and the Criminological Imagination. New York: Palgrave Macmillan. pp. 195–216. doi:10.1057/9780230115361_7. ISBN 978-0230615168.
• Interview with Dr. Paul Durham, Director of Cell Biology and the Center for Biomedical and Life Sciences at Missouri State University, about Gattaca.

External links

• Official website
• Gattaca at IMDb
• Gattaca at AllMovie
• Gattaca at Box Office Mojo
• Gattaca at Rotten Tomatoes
• Gattaca at Metacritic
• Gattaca Screenplay
• Genetic Determinism in Gattaca

На других языках

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[de] Gattaca

Gattaca ist ein US-amerikanischer dystopischer Science-Fiction-Film aus dem Jahr 1997 mit Ethan Hawke, Uma Thurman und Jude Law in den Hauptrollen. Regie führte Andrew Niccol, der auch das Drehbuch verfasste. Der Cyberpunk-Film startete am 9. Juli 1998 in den deutschen Kinos.

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- [en] Gattaca

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[es] Gattaca

Gattaca (conocida como Gattaca: Experimento genético en Hispanoamérica) es una película estadounidense de ciencia ficción y drama de 1997, escrita y dirigida por Andrew Niccol y protagonizada por Ethan Hawke, Uma Thurman y Jude Law. Producida por Danny DeVito, Michael Shamberg y Stacey Sher, la cinta fue candidata ese año a un Óscar a la mejor dirección artística.

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[ru] Гаттака

«Га́ттака» (англ. Gattaca) — антиутопический триллер 1997 года[1], дебют новозеландского сценариста Эндрю Никкола в кинорежиссуре[2]. В фильме поднимаются вопросы будущего генетических технологий и их влияния на присущую человеку свободу выбора.

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