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Hoo (transl. Flower) is a 2010 Indian Kannada-language film written and directed by V. Ravichandran. The film stars V. Ravichandran in lead role whereas Meera Jasmine and Namitha play the female leads. Prakash Raj plays a very important role in the film.

Hoo
Directed by	V. Ravichandran
Story by	Vikraman
Based on	Priyamaana Thozhi (Tamil) Vasantam (Telugu)
Produced by	Dinesh Gandhi
Starring	V. Ravichandran Meera Jasmine Prakash Rai Namitha Rangayana Raghu Sadhu Kokila
Cinematography	GSV Seetharam
Edited by	V. Ravichandran
Music by	V. Harikrishna
Distributed by	SS Combines
Release date	4 June 2010 (2010-06-04)
Country	India
Language	Kannada
Budget	₹6.5 crore
Box office	₹10 Crore

The film is produced by Dinesh Gandhi. This film is a remake of Telugu hit movie Vasantham and Tamil film Priyamana Thozhi, both released in 2003.

Cast

• V. Ravichandran as Anand
• Meera Jasmine as Jasmine
• Namitha as Anju
• Prakash Raj as Michael
• Rangayana Raghu
• Sharan
• Lokanath
• Pavithra Lokesh
• Shankar Ashwath
• Chithra Shenoy

Track list

Reception

Critical response

Shruti Indira Lakshminarayana of Rediff scored the film at 2.5 out of 5 stars and says "Harikrishna's composition Sarigama.... will linger on for a while. Other songs picturised on Ravichandran and Namitha will appeal to the masses. There are also chances of a song that is picturised on Pavithra, Namita and the hero, leaving you with discomfort. Hoo is sure to appeal to Ravichandran's fans".[1] A critic from The Times of India wrote "Ravichandran looks dull, jaded and tired. Namitha is just fit to be Bullet Prakash's pair. Meera Jasmine is excellent. Prakash Raj impresses in a brief appearance. Rangayana Raghu shines. Music by V Harikrishna is average. Camera work by G S V Seetharam is mediocre".[2] BSS from Deccan Herald wrote "His abilities are instead limited to some heavy emotional scenes where his woebegone expression adds to the impact. Meera Jasmine is adequate; her expressive eyes and body language bring to life Jasmine effectively. Namitha as Anju, disappoints both critics and the front-benchers. Performance-wise she is restricted in a tiny role while the presentation of her ample assets leaves the seeti-wallahs panting for more".[3]

References

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