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Interiors is a 1978 American drama film written and directed by Woody Allen. It stars Kristin Griffith, Mary Beth Hurt, Richard Jordan, Diane Keaton, E. G. Marshall, Geraldine Page, Maureen Stapleton, and Sam Waterston.

Interiors
Theatrical release poster
Directed by	Woody Allen
Written by	Woody Allen
Produced by	Charles H. Joffe
Starring	Kristin Griffith Mary Beth Hurt Richard Jordan Diane Keaton E. G. Marshall Geraldine Page Maureen Stapleton Sam Waterston
Cinematography	Gordon Willis
Edited by	Ralph Rosenblum
Distributed by	United Artists
Release date	August 2, 1978 (1978-08-02)[1]
Running time	92 minutes
Country	United States
Language	English
Budget	$3.1 million[2][3]
Box office	$10.4 million[1]

Allen's first fully-fledged film in the drama genre, it was met with acclaim from critics. It received five Academy Award nominations, including Best Director, Best Original Screenplay (both for Allen), Best Actress (Page), and Best Supporting Actress (Stapleton). Page also won the BAFTA Film Award for Best Supporting Actress.[4]

Plot

The film centers on the three children of Arthur (E. G. Marshall), a corporate attorney, and Eve (Geraldine Page), an interior decorator. Renata (Diane Keaton) is a poet whose husband Frederick (Richard Jordan), a struggling writer, feels eclipsed by her success. Flyn (Kristin Griffith) is an actress who is away most of the time filming; the low quality of her films is an object of ridicule behind her back. Joey (Mary Beth Hurt), who is in a relationship with Mike (Sam Waterston), cannot settle on a career, and resents her mother for favoring Renata, while Renata resents their father's concern over Joey's lack of direction.

One morning, Arthur unexpectedly announces that he wants a separation from his wife and would like to live alone. Eve, who is clinically depressed, attempts suicide. The shock of these two events causes a rift among the sisters. Arthur returns from a trip to Greece with Pearl (Maureen Stapleton), a high-spirited and more "normal" woman, whom he intends to marry. His daughters are disturbed that Arthur would disregard Eve's suicide attempt and find another woman, to whom Joey refers as a "vulgarian."

Arthur and Pearl marry at Arthur and Eve's former summer home, with Renata, Joey and Flyn in attendance. Later in the evening, Joey lashes out at Pearl when Pearl accidentally breaks one of Eve's vases. In the middle of the night, Frederick drunkenly attempts to rape Flyn. Meanwhile, Joey finds Eve in the house, and sadly explains how much she has given up for her mother, and how disdainfully she is treated. Eve walks out onto the beach and into the surf. Joey attempts unsuccessfully to save Eve, but almost drowns in the attempt. Mike rescues Joey, pulling her to shore, so that Pearl revives the drowned victim by tilting Joey's head back and pinching her nose to administer a cycle of two breaths.

The film ends with the family silently attending Eve's funeral, each placing a single white rose, Eve's favorite flower and a symbol of hope to her, on Eve's wooden, perfectly polished coffin, after which all three sisters look out at the sea from their former family beachfront home and comment on how 'peaceful' the sea looks.

Cast

Reception

Box office

Interiors grossed $10.4 million in the United States and Canada.[1]

Critical response

On Rotten Tomatoes, it has an approval rating of 81%, based on reviews from 16 critics, with an average score of 6.8/10.[5] On Metacritic, the film has a score of 67, based on reviews from 9 critics, indicating "generally favorable reviews".[6]

Vincent Canby of The New York Times called the film "beautiful" and complimented Gordon Willis on his "use of cool colors that suggest civilization's precarious control of natural forces", but noted:[7]

My problem with Interiors is that although I admire the performances and isolated moments...I haven't any real idea what the film is up to. It's almost as if Mr. Allen had set out to make someone else's movie, say a film in the manner of Mr. Bergman, without having any grasp of the material, or first-hand, gut feelings about the characters. They seem like other people's characters, known only through other people's art.

Richard Schickel of Time wrote that the film's "desperate sobriety...robs it of energy and passion"; Allen's "style is Bergmanesque, but his material is Mankiewiczian, and the discontinuity is fatal. Doubtless this was a necessary movie for Allen, but it is both unnecessary and a minor embarrassment for his well-wishers."[8]

Roger Ebert gave the film four stars and praised it highly, writing "Here we have a Woody Allen film, and we're talking about O'Neill and Bergman and traditions and influences? Yes, and correctly. Allen, whose comedies have been among the cheerful tonics of recent years, is astonishingly assured in his first drama."[9]

Gene Siskel awarded three stars out of four and wrote:

I thought the unremitting pain of the first half of the film was almost laughable, as if Allen had made a bad Bergman film. I thoroughly enjoyed the second half, in which the film's only bright, lively character (Maureen Stapleton as the father's new, romantic interest) makes her entrance. At the end, I left the theater thinking that the picture was painful and didn't have much applicability to my life, but that I would always remember its characters more for the superb acting than for Allen's script.[10]

Charles Champlin called the film "somber, intense and stunning," concluding "Like Cries and Whispers, Allen's Interiors is, for all the somberness of the material, in the end an affirmation of life and a transcendent piece of art. The film lovers will love it if joke-seekers do not.[11]

Penelope Gilliatt of The New Yorker wrote: "This droll piece of work is [Allen's] most majestic so far. The theme its characters express is very Chekhovian. It is pinned to the idea that the hardest, and most admirable thing to do is to act properly through a whole life."[12]

James Monaco, in his 1979 published book American Film Now, described Interiors as the most pretentious film by a major American filmmaker in the last 30 years.[13]

In 2016, Interiors was listed as Allen's 11th best film in an article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote that "the emotional effort being expended is cumulatively hard to shrug off" and praised Stapleton's performance.[14]

Woody Allen's response

Allen's own fears about the film's reception are recounted in a biography of Allen by Eric Lax, where he quotes Ralph Rosenblum, the film's editor:[15]

He [Allen] managed to rescue Interiors, much to his credit. He was against the wall. I think he was afraid. He was testy, he was slightly short-tempered. He was fearful. He thought he had a real bomb. But he managed to pull it out with his own work. The day the reviews came out, he said to me, 'Well, we pulled this one out by the short hairs, didn't we?'

Later, while watching the film with an acquaintance, Allen reportedly said "It's always been my fear. I think I'm writing Long Day's Journey into Night and it turns into Edge of Night."[15]

Looking back on the film in 1982, Allen said:

I should have brought Pearl, Maureen Stapleton's character, in earlier. I thought the audience would be entertained before the nub of conflict emerged. I thought that it was entertaining enough before Pearl entered, but it wasn't. It should have been. I should have started it with Pearl coming in right away and the whole thing would have flowered right from the start.[16]

Accolades

Award	Category	Recipient	Result
Academy Awards	Best Director	Woody Allen	Nominated
	Best Actress	Geraldine Page	Nominated
	Best Supporting Actress	Maureen Stapleton	Nominated
	Best Screenplay – Written Directly for the Screen	Woody Allen	Nominated
	Best Art Direction	Mel Bourne and Daniel Robert	Nominated
British Academy Film Awards	Best Actress in a Supporting Role	Geraldine Page	Won
	Most Promising Newcomer to Leading Film Roles	Mary Beth Hurt	Nominated
Fotogramas de Plata	Best Foreign Movie Performer	Diane Keaton (also for Looking for Mr. Goodbar)	Won
Golden Globe Awards	Best Actress in a Motion Picture – Drama	Geraldine Page	Nominated
	Best Supporting Actress – Motion Picture	Maureen Stapleton	Nominated
	Best Director – Motion Picture	Woody Allen	Nominated
	Best Screenplay – Motion Picture		Nominated
Jupiter Awards	Best International Actress	Diane Keaton	Nominated
Kansas City Film Critics Circle Awards	Best Film		Won
	Best Director	Woody Allen	Won
	Best Actress	Geraldine Page	Won
Los Angeles Film Critics Association Awards	Best Director	Woody Allen	Runner-up
	Best Supporting Actress	Geraldine Page	Nominated
		Maureen Stapleton	Won[lower-alpha 1]
	Best Screenplay	Woody Allen	Runner-up
National Board of Review Awards	Top Ten Films		3rd Place
National Society of Film Critics Awards	Best Supporting Actress	Maureen Stapleton	Runner-up
	Best Screenplay	Woody Allen	5th Place
New York Film Critics Circle Awards	Best Supporting Actress	Maureen Stapleton	Won
Sant Jordi Awards	Best Foreign Film	Woody Allen	Won
Writers Guild of America Awards	Best Drama Written Directly for the Screen		Nominated

Soundtrack

• "Keepin' Out of Mischief Now" (1932) - Written by Fats Waller & Andy Razaf - Performed by Tommy Dorsey & His Orchestra
• "Wolverine Blues" (1923) - Written by Ferdinand Morton - Performed by The World's Greatest Jazz Band[17]

Popular culture

The plot and characters of Interiors are alluded to in the Death Cab for Cutie song "Death of an Interior Decorator" (from Transatlanticism (2003)).[18]

References

External links

• Interiors at the American Film Institute Catalog
• Interiors at IMDb

На других языках

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[de] Innenleben (Film)

Innenleben ist der erste Spielfilm von Woody Allen, der als ernsthaftes Drama angelegt wurde. Der Film entstand in enger Anlehnung an die Werke des schwedischen Regisseurs Ingmar Bergman, der als der Lieblingsregisseur Woody Allens gilt. Innenleben kann als filmischer Wendepunkt in Woody Allens Schaffen bezeichnet werden.

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- [en] Interiors

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[es] Interiores

Interiors (en castellano, Interiores), es un giro en la carrera de Woody Allen, dejando la comedia a un lado y metiéndose de lleno al melodrama, en un claro ejercicio fílmico que emula a su ídolo, el cineasta sueco Ingmar Bergman con una gran elenco femenino a la usanza del director.

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[ru] Интерьеры

«Интерьеры» (англ. Interiors) — кинофильм режиссёра и сценариста Вуди Аллена, снятый в 1978 году. Пять номинаций на премию «Оскар».

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