Irréversible (French pronunciation: [iʁevɛʁsibl]) is a 2002 French experimental psychological thriller film written and directed by Gaspar Noé. Starring Monica Bellucci, Vincent Cassel and Albert Dupontel, the plot depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love. The film was edited as continuous shot[5][6] and is told in reverse order, with each scene taking place chronologically before the one that precedes it.
Irréversible | |
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Directed by | Gaspar Noé |
Written by | Gaspar Noé |
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Edited by | Gaspar Noé |
Music by | Thomas Bangalter |
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Distributed by | Mars Distribution |
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Running time | 97 minutes[1] |
Country | France |
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Budget | €4.6 million[2] |
Box office | €5.8 million[3][4] |
Theatrically released in France, the United Kingdom and the United States, Irréversible competed for the Palme d'Or at the 2002 Cannes Film Festival and won the Bronze Horse at the Stockholm International Film Festival. Critical reception was mixed, with praise towards the performances and Noé's direction, but criticism towards its graphic portrayal of violence and rape. American film critic Roger Ebert called Irréversible "a movie so violent and cruel that most people will find it unwatchable".[7]
During a night in Paris, emergency personnel respond to an altercation at the Rectum, a gay BDSM club. Two men are taken outside the club: Marcus, who's being carried out on a stretcher; and Pierre, who's being arrested by the police.
The next scene shows a volatile Marcus and reluctant Pierre enter the Rectum in search of a perverted psychopath known as Le Tenia. Marcus then proceeds to get into a fight with a man he suspects of being Le Tenia, who ends up breaking his arm before attempting to rape him. Pierre comes to his rescue and beats the man to death with a nearby fire extinguisher as the man's companion watches in amusement.
As the film progresses, it's revealed the two men are attempting to avenge a brutal attack on Alex, Marcus' girlfriend and Pierre's ex. In the proper chronology, Alex leaves a party attended by the two men due to Marcus' behavior and walks home alone through a pedestrian underpass when she notices a transgender prostitute getting attacked by Le Tenia, who turns out to be the companion of the man killed at the Rectum. Upon realizing he's been seen, Le Tenia immediately turns his attention to Alex, brutally raping her before savagely beating her into unconsciousness. After Marcus and Pierre discover Alex being taken away by paramedics, they encounter street criminals Mourad and Layde, who offer to help them find the culprit. The group tracks down Concha, the prostitute from before, through an ID she left at the scene. Concha identifies Le Tenia as Alex's rapist, setting up the events at the Rectum.
The last scenes of the film depict Alex, Marcus and Pierre earlier in the day where it's implied Alex left the more reserved Pierre for the uninhibited Marcus because he couldn't satisfy her sexually, which the former still holds frustration over. The film then reveals that Alex received a positive result on a pregnancy test she took at the start of the day. In the final scene, Alex is shown reading in a park before the film transitions to a strobe effect that ends with the message "Le Temps Detruit Tout", which is French for "Time Destroys Everything".
Director Gaspar Noé has a cameo as one of the patrons in the Rectum.
Irréversible was originally titled as Danger.[8] Gaspar Noé first found financing for the new title after he pitched the story to be told in reverse, in order to capitalize on the popularity of Christopher Nolan's film Memento (2000).[9]
Irréversible was shot using a widescreen lightweight Minima Super16 mm camera.[10] The film consists of about a dozen apparently unbroken shots[5] melded together from hundreds of shots.[11] This included a nine-minute-long rape and scene,[12] portrayed in a single, unbroken shot.[6] Noé said he had no idea how long the rape scene was going to last, as this was determined of Monica Bellucci, who essentially directed the scene, and Jo Prestia, who played her assailant.[13] Noé stated in interviews that during the production of the film he used cocaine in order to help him carry the large cameras needed to capture the rotating shots in the film.[14]
Computer-generated imagery was used in post-production for the penis in the rape scene.[15] Another example is the scene where Pierre beats a man's face and crushes his skull with a fire extinguisher.[16] CGI was used to augment the results, as initial footage using a conventional latex dummy proved unconvincing.[17] During the first sixty minutes of its running time, the film uses an extremely low-frequency sound of 27Hz to create a state of nausea and anxiety in the audience, as it is not immediately perceptible to the spectator, but enough to evoke a physical response.[18][19] This technique, called Sensurround, involves the intentional use of a sub-audible sound to enhance the spectator’s experience of a movie, in this case, deliberately making them uncomfortable.[20]
The film premiered in France on 22 May 2002 through Mars Distribution. It competed at the 2002 Cannes Film Festival.[21] It was released in the United Kingdom on 31 January 2003 through Metro Tartan Distribution, and the United States on 7 March 2003 through Lions Gate Films. Audience reactions to both the rape scene and the murder scene have ranged from appreciation of their artistic merits to leaving the theater in disgust.[22] Newsweek's David Ansen stated that "If outraged viewers (mostly women) at the Cannes Film Festival are any indication, this will be the most walked-out-of movie of 2003." In the same review, Ansen suggested that the film displayed "an adolescent pride in its own ugliness".[23]
Critical response to the film was divided, with some critics panning the film and others considering it one of the year's best. The film holds an approval rating of 58% based on 123 reviews at Rotten Tomatoes, with an average rating of 6.10/10. The website's critics' consensus states: "Though well-filmed, Irréversible feels gratuitous in its extreme violence."[24] The American film critic Roger Ebert argued that the film's structure makes it inherently moral; that by presenting vengeance before the acts that inspire it, we are forced to process the vengeance first, and therefore think more deeply about its implications.[7]
Irréversible won the top award, the Bronze Horse for best film, at the 2002 Stockholm International Film Festival. It was nominated for the Best Foreign Language Award by the Film Critics Circle of Australia. It was voted Best Foreign Language Film by the San Diego Film Critics Society, tied with The Barbarian Invasions (Les Invasions barbares).[citation needed] It grossed $792,200 from theatrical screenings.[3]
The film received three votes in the 2012 Sight & Sound critics' poll of the greatest films[25] and in 2016 was listed by critic Andreas Borcholte as one of the ten best films since 2000.[26]
Irréversible has been associated with a series of films defined as the cinéma du corps ("cinema of the body"), which according to Palmer[27] includes: an attenuated use of narrative, assaulting and often illegible cinematography, confrontational subject material, and a pervasive sense of social nihilism or despair. Irréversible has also been associated with the New French Extremity movement.[citation needed]
Film critic David Edelstein argued "Irréversible might be the most homophobic movie ever made."[28] Noé's depiction of gay criminal Le Tenia raping the female lead, Alex, remains the film's most controversial image. In his defense, Noé stated, "I'm not homophobic", noting "I also appear in Irréversible, masturbating at the gay club", as a means of showing "I didn't feel superior to gay people".[29]
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San Diego Film Critics Society Award for Best International Film | |
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