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Machuca is a 2004 Chilean film written and directed by Andrés Wood.

Machuca
Chilean theatrical release poster
Directed by	Andrés Wood
Written by	Roberto Brodsky Mamoun Hassan Andrés Wood Eliseo Altunaga (consultant)
Produced by	Andrés Wood Mamoun Hassan Gerado Herrero
Starring	Matías Quer Ariel Mateluna Manuela Martelli
Cinematography	Miguel Ioann Littin Menz
Edited by	Fernando Pardo Soledad Salfate
Music by	Miguel Miranda José Miguel Tobar
Distributed by	Menemsha Entertainment
Release date	5 August 2004 (2004-08-05) (Chile)
Running time	121 minutes
Country	Chile
Language	Spanish
Box office	$3,187,700 (worldwide)[1]

Set in Santiago during the months leading up to the 1973 coup d'état led by General Augusto Pinochet – which overthrew Salvador Allende's socialist government – the film tells the story of two boys who attend an upper-class elementary school: Gonzalo Infante – who belongs to a rich family with a European background – and Pedro Machuca – who is poor and comes from an indigenous background. They are classmates and become friends at this English-language Catholic elite school, which Machuca attends thanks to the social integration project developed by its director, Father McEnroe.

The film is inspired by and dedicated to Father Gerardo Whelan, C.S.C. who from 1969 to 1973 was the director of Colegio Saint George (Saint George's College), the private school depicted in the movie, which the director himself attended as a boy.

Machuca was filmed in July 2003 and produced on a moderate budget of US$1,700,000[2] contributed by an international cooperation between Chile and Spain. The film was well received in theaters in Chile and a few other countries, but did not have notable box office success outside of Latin America.[3]

Plot

The story is presented from the perspective of Gonzalo Infante – the 11-year upper-class boy – and it takes place in an agitated time in Chile, when the working class was demanding social vindications and profound changes to the national socioeconomic structure, having elected a Socialist president. In that context, the higher classes grew fearful of the socialist movement and some of its most prominent members comploted against the government of Salvador Allende. Gonzalo's father, while sympathetic to the less favored and not part of the right-wing movement, wants to leave the country with his family for Italy, where he frequently travels due to his work at the UN FAO. Gonzalo's mother is rather hopeless with the state of things, and is having an affair with a wealthy and much older Argentinian.

Gonzalo attends a private school where the strong-willed school principal, Father McEnroe, has launched a social integration project, which is deemed by some of the parents as a 'lefty venture' rather than a Christian, charitable work. When five underprivileged students are admitted to Gonzalo's class, he makes friends with Pedro, for he feels compassion for him because some rich classmates pick on him.

Gonzalo accompanies Pedro and his neighbor Silvana to sell flags and cigarettes at demonstrations on the streets: first, nationalist flags at a right-wing demonstration; and later, socialist flags at a leftist rally in support of the government. Silvana calls Gonzalo a snob and names him 'strawberry-face', but eventually they grow fond of each other and even get to kiss.

Pedro visits Gonzalo's home and is impressed by Gonzalo having a room for himself, with toys and a closet full of clothing, but also witnesses the tensions and cruelty latent in Gonzalo's family. When Gonzalo visits the shantytown dwelling of Pedro, he is appalled by the extremely poor conditions he lives in. Their friendship mirrors the friendship between the Lone Ranger and the Native American Tonto in Gonzalo's favorite comic-book series. Gonzalo becomes aware that their friendship is against all odds when Silvana finds them reading an issue of the magazine and comments on the plot being implausible because "Has a white person ever been seen to be friends with an Indian?"

As the political unrest grows in Chile, the boys' friendship is put to the test. Pedro's drunk father taunts him, telling him that, while his alleged friend will grow up to be rich, he will be stuck in the lower class for good, most likely cleaning toilets for the rich. The wealthy parents of the students at St. Patrick's school have divided opinions on Father McEnroe's project. While some support Father McEnroe's new policies — Gonzalo's father among them — many others — including Gonzalo's mother — think that, for the country's sake, social classes are better off not mixed.

The vegetable garden that the students take care of at school turns out to be a failure, which jeopardizes the financing of Father McEnroe's project. At an anti-Communist demonstration, Gonzalo's mother snatches Silvana's merchandise when the latter is being threatened by other protesters, so Silvana retaliates spitting on Gonzalo's mother's car windshield and calls her a whore. This increases the tension between Gonzalo and Pedro, which leads them to get into a fight and be driven apart.

Then comes the coup and Father McEnroe is removed by the military, not even being allowed to perform mass at the school's chapel. So, when he attends the first mass performed by a new priest, he receives communion but does not swallow the sacramental bread to preserve it from desecration, and declares the place profane. Pedro leads the other students in honoring the priest and therefore is expelled from the school.

Gonzalo goes to visit the shantytown where Pedro and Silvana live but he arrives there only to see it being raid by soldiers, and he witnesses an unfortunate incident between the dwellers and the military that ends up with one of the later shooting Silvana, who dies right there. Spotted by a soldier and finding himself dragged into the incident, Gonzalo struggles to convince the soldier that he does not belong there, until he shows him his nice clothing and fair complexion. The soldier lets him go and warns him never to return, so Gonzalo is forced by the circumstances to forsake his friend.

Gonzalo returns to his family's new home – which is now even more opulent than before thanks to his mother's lover and the redistribution of wealth the new government has imposed – and is left distraught over the events he has just witnessed, remembering the last time he saw Pedro, staring at the ruins of their dwellings.

Cast

• Matías Quer as Gonzalo Infante
• Ariel Mateluna as Pedro Machuca
• Manuela Martelli as Silvana
• Ernesto Malbran as Father McEnroe
• Aline Küppenheim as María Luisa Infante, Gonzalo's mother
• Francisco Reyes as Patricio Infante
• Federico Luppi as Roberto Ochagavía, María Luisa Infante's affair
• Luis Dubó as Ismael Machuca, father of Pedro
• Tamara Acosta as Juana María, mother of Pedro
• Alejandro Trejo as Guillermo "Willy", father of Silvana
• Andrea García-Huidobro as Isabel Infante, Gonzalo's sister
• Tiago Correa as Pablo, Isabel's boyfriend
• Gabriela Medina as Lucy
• María Olga Matte as Miss Gilda
• Pablo Krögh as Coronel Sotomayor
• Aldo Parodi as Vendedor de Ropa
• Hugo Vásquez Stom as Apoderado #1
• Alejandro Goic as Apoderado #2
• Francisca Imboden as María Ignacia
• Carolina Sotomayor as Josefina

Awards and nominations

This film was nominated for the Ariel Award in 2005 in the category Best Iberoamerican Film. It won Most Popular International Film at the 2004 Vancouver International Film Festival.[4]

See also

• Cinema of Chile

References

External links

• Machuca at IMDb
• Machuca in Wood Producciones
• Kenneth Turan 2005. Youthful innocence sacrificed on the altar of politics
• Machuca in the Philadelphia Film Festival
• "Chilean movie recalls U.S. priest's presence amid turbulence of coup" 22 November 2005, www.georgiabulletin.org

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