Mathilukal (transl. Walls) is a 1990 Indian Malayalam-language film written, directed and produced by Adoor Gopalakrishnan based on the autobiographical novel of the same name by Vaikom Muhammad Basheer.[1] The film focuses on the prison life of Vaikom Muhammad Basheer and the love between him and Narayani, a female inmate of the prison, who remains unseen throughout the film.[2] Mammootty plays the role of Vaikom Muhammad Basheer while K. P. A. C. Lalitha gives voice to Narayani. The film was screened at the Venice Film Festival. it won four awards at the National Film Awards in 1990 making it the third Malayalam film to win 4 National awards after Swayamvaram (1972) and Oru Vadakkan Veeragatha (1989).
Mathilukal | |
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Directed by | Adoor Gopalakrishnan |
Written by | Adoor Gopalakrishnan |
Based on | Mathilukal by Vaikom Muhammad Basheer |
Produced by | Adoor Gopalakrishnan |
Starring | Mammootty |
Cinematography | Mankada Ravi Varma |
Edited by | M. Mani |
Music by | Vijaya Raman |
Distributed by | Jubilee Productions |
Release date |
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Running time | 120 minutes |
Country | India |
Language | Malayalam |
On the centenary of Indian cinema in April 2013, Forbes included Mammootty's performance in the film on its list, "25 Greatest Acting Performances of Indian Cinema".[3]
Vaikom Muhammed Basheer is imprisoned on charges of sedition. He is unlike the other prisoners, very inquisitive and armed with sardonic wit. Everyone takes a liking to him and even turns to him in times of distress. He strikes up a friendship with the Warden(Thilakan) and an enthusiastic jailor (Sreenath). Due to his unique charisma and popularity as an author, he is afforded privileges the other prisoners don't have. His written works are greatly appreciated by the policemen, who supply him papers to finish his work. One day, Basheer is informed that he will be released soon as all political prisoners are pardoned. But unexpectedly, Basheer's name was missing from the list. His enthusiasm and happiness takes a hit and he becomes filled with uneasiness and worry. Due to the eerie solitude of the prison complex, Basheer starts to get depressed, but the other inmates try to encourage him to accompany them in making a vegetable garden in front of the neighbouring women's prison compound.
Bashir falls in love with a woman in the neighbouring prison compound. They are separated by a high wall, thus they never see each other and have to devise ingenious ways for communicating. They exchange gifts with each other by throwing the packages up high so that it crosses the wall. Narayani, Bashir's love is presented as a female voice and never appears in person in the film. Their exchanges are raw, unhinged, and unfiltered. Narayani then comes up with a plan for a meeting and they decide to meet at the hospital a few days later. But before that, Basheer is released, unexpectedly. For once, he does not want the freedom he had craved for. Bashir is released and isn't able to convey it to Narayani. Bashir helplessly looks at the walls and leaves the jail in tears.[4]
The film has won the following awards since its release:
Feature films directed by Adoor Gopalakrishnan | |
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Novels |
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Stories |
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Others |
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National Film Award for Best Feature Film in Malayalam | |||||
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1954–1960 |
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1961–1980 |
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1981–2000 |
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2001–present |
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