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On Dangerous Ground is a 1951 film noir-melodrama starring Robert Ryan and Ida Lupino, directed by Nicholas Ray, and produced by John Houseman. The screenplay was written by A. I. Bezzerides based on the 1945 novel Mad with Much Heart, by Gerald Butler.

On Dangerous Ground
Theatrical release poster
Directed byNicholas Ray
Ida Lupino (uncredited)
Screenplay byA. I. Bezzerides
Nicholas Ray
Based onMad with Much Heart
1945 novel
by Gerald Butler
Produced byJohn Houseman
StarringIda Lupino
Robert Ryan
Ward Bond
CinematographyGeorge E. Diskant
Edited byRoland Gross
Music byBernard Herrmann
Distributed byRKO Pictures
Release date
  • December 17, 1951 (1951-12-17) (United States)
[1][2]
Running time
82 minutes
CountryUnited States
LanguageEnglish

Co-star Ida Lupino made her uncredited directorial debut shooting scenes when Nicholas Ray was unavailable.[3]


Plot


Embittered inner-city police detective Jim Wilson is disgusted with his job and the night-crawling people it draws him into relentless contact with. Known for beating information out of suspects and witnesses alike, he is sharply warned to tone it down by his chief.

Immediately ignoring him, Wilson is then relegated to an up-state case to cool off. He joins it mid-manhunt, pursuing the murderer of a young girl across sunny snow covered fields and patches of forest. The chase is led by an unhinged Walter Brent, the father of the victim, who is determined to exact deadly vengeance. Stuck together, Wilson and Brent get separated from the posse and track the suspect to a remote house.

There they find Mary Malden, an attractive young woman, alone in the home. She relates she lives with her younger brother, Danny, who is somewhat "off". Slowly both men realize on their own that she is blind.

Mary appeals to Wilson on behalf of Danny's mental illness. Taken by her earnestness and lack of self-pity, he agrees to protect the boy from Brent and arrest him peacefully. The two men end up spending the night in front of Mary's fireplace.

At dawn Mary slips out of the house and goes to the storm cellar where Danny is hiding. She tells him that Wilson is a friend and will take him away to be helped. On her way back in, she and Wilson get into a confrontation and Danny flees the cellar.

Wilson trails him to a secluded shack and calmly engages him in conversation. Danny rambles about not wanting to kill the girl while Wilson slowly advances and prepares to seize him. Before he can, Brent bursts in and the two men brutally struggle. Brent's gun fires during the tumult and Danny escapes.

The men chase Danny up a rugged stone outcropping, where Danny loses his grip and falls to his death. Brent carries his body to the nearest home, remorseful upon discovering the teenage Danny's youth. Mary arrives, having heard the gunshot. She absolves Wilson of responsibility and they walk back to her house. Wilson indicates he would like to stay with her but she insists he leave.

As Wilson drives back to the city he cannot get the events of the past day – and Mary – out of his mind. Recognizing she is what he needs, and she him, he returns. Reluctantly, Mary reaches out her hand. They embrace, and emotionally kiss.


Cast



Reception



Critical response


Robert Ryan and Gus Schilling
Robert Ryan and Gus Schilling

Contemporary New York Times film critic Bosley Crowther was highly critical. He found the screenplay a failure that produced poor performances, writing, "the story is a shallow, uneven affair, as written by A. I. Bezzerides from Gerald Butler's Mad With Much Heart. The cause of the cop's sadism is only superficially explained, and certainly his happy redemption is easily and romantically achieved. And while a most galling performance of the farmer is given by Ward Bond, Ida Lupino is mawkishly stagey as the blind girl who melts the cop's heart. For all the sincere and shrewd direction and the striking outdoor photography, this R. K. O. melodrama fails to traverse its chosen ground."[4]

Modern critic Dennis Schwartz liked the film and acting in the drama and wrote in 2005, "Robert Ryan's fierce performance is superb, as he's able to convincingly assure us he has a real spiritual awakening; while Lupino's gentle character acts to humanize the crime fighter, who has walked on the "dangerous ground" of the city and has never realized before that there could be any other kind of turf until meeting someone as profound and tolerant as Mary."[5]

Fernando F. Croce, film critic for Slant magazine, admired the film and wrote in 2006, "Perched between late-'40s noir and mid-'50s crime drama, this is one of the great, forgotten works of the genre... Easily mushy, the material achieves a nearly transcendental beauty in the hands of Ray, a poet of anguished expression: The urban harshness of the city is contrasted with the austere snowy countryside for some of the most disconcertingly moving effects in all film noir. Despite the violence and the steady intensity, a remarkably pure film."[6]


Music


The film score was composed by Bernard Herrmann (1911–1975). His work is strongly evocative of his later, better-known score to Alfred Hitchcock's famed 1958 thriller North by Northwest. He also later reused a sequence that became the opening theme of the 1957 television series Have Gun Will Travel, as well as other fragments of incidental music later adapted for use in the TV show.

Herrmann wanted to use an obscure baroque instrument, the viola d'amore, to symbolize Mary Malden's isolation and loneliness. The sound of the instrument can be heard much of the time she is on-screen.[7]


References


  1. "Symphony and Concert -- Records: ". The Boston Globe. December 16, 1951. Last accessed: November 7, 2013.
  2. "Ida Lupino, Robert Ryan In Star Roles". The Christian Science Monitor. December 18, 1951. Last accessed: November 7, 2013.
  3. Hoberman, J. "Ida Lupino, a Woman of Spine on Both Sides of the Lens". New York Times. Retrieved February 4, 2022.
  4. Crowther, Bosley (February 13, 1952). "'On Dangerous Ground,' Story of Detective Turned Sadist, Opens at the Criterion". New York Times. Retrieved January 30, 2008.
  5. Schwartz, Dennis Archived June 9, 2008, at the Wayback Machine. Ozus' World Movie Reviews, film review, January 30, 2005. Last accessed: January 30, 2008.
  6. "B Noir". Slant Magazine. May 5, 2006. Retrieved November 7, 2022.
  7. Roland Kato, Interview with Virginia Majewski, Newsletter of the Viola d'amore Society of America, Volume 19, Number 2, 1995.



На других языках


- [en] On Dangerous Ground

[ru] На опасной земле

«На опасной земле» (англ. On Dangerous Ground) — фильм нуар режиссёра Николаса Рэя. Работа над фильмом была завершена в августе 1951 года, впервые фильм был показан в Бостоне в декабре 1951 года, а официальная премьера фильма состоялась в январе 1952 года в Лос-Анджелесе[1][2].



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