fiction.wikisort.org - MoviePoor Relations is a 1919 American silent drama film directed by King Vidor.[1] Produced by the Brentwood Corporation, the film starred Vidor’s wife Florence Vidor and featured comedienne Zasu Pitts.[2]
1919 film
For the novel by Compton Mackenzie, see Poor Relations (novel).
| Poor Relations |
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| Directed by | King Vidor |
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| Written by | King Vidor |
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| Starring | Florence Vidor |
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| Cinematography | Ira H. Morgan |
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| Distributed by | Robertson-Cole |
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Release date |
- November 1, 1919 (1919-11-01)
|
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Running time | 50 minutes |
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| Country | United States |
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| Language | Silent with English intertitles |
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The picture is the final of four Christian Science precept films that represent a brief phase in Vidor’s output championing the superiority of self-healing through moral strength and supplemented by the benefits of rural living.[3]
Plot
Country girl Dorothy Perkins succeeds as an architect in the city, but then is scorned by her old-money in-laws.[4]
Cast
Reception
The reviews were "poor". Exhibitor’s Trade Review observed that “the slender, fragile story has just about all it can do to make its way through the new-mown hay atmosphere.” [5]
Theme
Poor Relations provides an early example of Vidor’s “feminist” presentation of professional and independent women, emphasizing reciprocal exchanges between the sexes.[6]
- "Progressive Silent Film List: Poor Relations". Silent Era. Retrieved November 5, 2010.
- Baxter 1976 p. 9
- (Gustafssson 2016: “The film “advocated views associated with Christian Science (not to be confused with Scientology, a then relatively new religious movement that came about towards the end of the 19th century and to which Vidor claimed allegiance.”
Durgnat and Simmons, 1988 p. 26
Baxter 1976 p. 9 - Durgnat and Simmons, 1988 p. 337
- Durgnat and Simmons, 1988 p. 337: ETR 25 Octorber 1919.
- Durgnat and Simmons, 1988 p. 15: Vidor a “natural feminist” in that his female protagonists “drive men crazy, or inspire them, and do what they want, without becoming superior beings.” and the “reciprocity [between men and women] constitute its mainspring.”
Baxter 1976 p. 14: Baxter identifies The Real Adventure and Woman, Wake Up, both 1922, as early feminist cinema by Vidor.
References
External links
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