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Pygmalion is a 1938 British film based on the 1913 George Bernard Shaw play of the same name, and adapted by him for the screen. It stars Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle.

Pygmalion
Poster
Directed by	Anthony Asquith Leslie Howard
Screenplay by	George Bernard Shaw W. P. Lipscomb Cecil Lewis Ian Dalrymple
Based on	Pygmalion by George Bernard Shaw
Produced by	Gabriel Pascal
Starring	Leslie Howard Wendy Hiller Wilfrid Lawson Leueen MacGrath
Cinematography	Harry Stradling
Edited by	David Lean
Music by	Arthur Honegger
Distributed by	General Film Distributors (GFD) (UK) Metro-Goldwyn-Mayer (US)
Release date	6 October 1938 (1938-10-06)
Running time	96 minutes
Country	United Kingdom
Language	English
Budget	£87,000[1]
Box office	$1.4 million[2]

The film was a financial and critical success, and won an Oscar for Best Screenplay and three more nominations; Best Picture, Best Actor (Howard) and Best Actress (Hiller). The screenplay later was adapted into the 1956 theatrical musical My Fair Lady, which in turn led to the 1964 film of the same name.

Adaptation

The Hungarian producer Gabriel Pascal wished to create a set of films based on Shaw's works, beginning with Pygmalion, and went to see Shaw in person to gain permission to do so. Shaw was reluctant to allow a film adaptation of Pygmalion owing to the low quality of previous film adaptations of his works, but Pascal managed to convince him (on the condition Shaw retained constant personal supervision of the adaptation)[3] and later went on to adapt Major Barbara, Caesar and Cleopatra and Androcles and the Lion.

The resulting Pygmalion scenario by Cecil Lewis and W.P. Lipscomb removed exposition unnecessary outside a theatrical context and added new scenes and dialogue by Shaw. Ian Dalrymple, Anatole de Grunwald and Kay Walsh also made uncredited contributions to the screenplay. A long ballroom sequence was added, introducing an entirely new character, Count Aristid Karpathy (seen both here and in the musical My Fair Lady, named as Professor Zoltan Karpathy – mentioned in the final scene of the original play, but with no name or onstage appearance), written wholly by Shaw. He and his fellow writers also managed to retain the controversial line "Not bloody likely!" from the play's text, making Hiller possibly the first person to utter that swear word in a British film[3] and giving rise to adverts for the film reading "Miss Pygmalion? Not ****** likely!".^{[citation needed]}

Plot

While wandering around Covent Garden, transcribing the conversation of passers-by, linguist Professor Higgins is mistaken for a policeman, causing hysterical protests from the flower girl Eliza Doolittle. The incident is cleared up with the help of Colonel Pickering, also a scholar of languages and dialects, who has come from India in order to meet Higgins. Bragging before Pickering, Higgins argues that by teaching Eliza to speak correctly, she could have a better future; indeed, he would be able to pass her off as a duchess.

Next morning, Eliza arrives at Higgins' house to ask for elocution lessons. Colonel Pickering then makes a bet with Higgins, offering to pay all the expenses if the professor manages to fulfil his boast in the space of a few months. Eliza is then taken to have a bath by Mrs Pearce, the housekeeper, and all her clothes but her floral hat are burned. While this is taking place, Eliza's father, the dustman Alfred Doolittle, arrives to demand compensation for the loss of his daughter. Amused by his roguish attitude, Higgins offers him £10, but Doolittle will only accept £5, explaining that as one of the "undeserving poor" he only wants enough for a drunken weekend.

After the tiring internship to which she is subjected by an inflexible Higgins, Eliza is sent as an experiment to an at-home gathering held by Mrs Higgins, the professor’s mother. There, though speaking in a well-bred accent, Eliza scandalizes those present with her vulgar, slang-filled conversation and profanity. But one of the guests - young Freddy Eynsford Hill - is fascinated by the girl. After the guests leave, Mrs Higgins voices her disgust that Eliza's two protectors are treating her more like a plaything than a human being.

After weeks of further coaching, during which Freddy tries in vain to see her again, Eliza is finally accompanied by Higgins and Pickering to an embassy reception. There Higgins meets his former pupil, the Hungarian Count Aristid Karpathy, who has become famous for his ability to coach American heiresses in elocution and identify the origins of high society people from their way of speaking. Higgins and Pickering fear that Eliza will be exposed by him, but she manages to deceive him so successfully that he takes her for a princess.

Returning from the reception, Higgins and Pickering congratulate each other on their success, neglecting Eliza's important contribution and commitment. Wounded by their indifference, Eliza quarrels with the professor over this and because she has become unsuited to her former way of life. After he goes to bed, she leaves to take refuge at the home of Mrs Higgins.

Next morning Higgins visits his mother and is relieved to learn that Eliza is there. Before they can meet, however, Mr Doolittle arrives to complain of the way Higgins has disrupted his life. Higgins had mentioned to an American millionaire that the most original moralist in England was Doolittle, and when the millionaire died he had left Doolittle a fee of a few thousands to give six lectures a year, thus forcing respectability on the dustman. He is now on his way to a fashionable London church to marry his unwed partner and persuades Eliza, Pickering and Mrs Higgins to support him through the ordeal.

Higgins and Eliza are left alone for a while and he tries to persuade her to return home with him, but she objects that he simply takes her for granted. Instead she would prefer to marry Freddy, who is charming but has no income. When Higgins scoffs at this, Eliza horrifies him by threatening to use her newly-learned talents to give elocution lessons and so gain economic independence. The matter is left unresolved and the future uncertain as the party leaves for the wedding.

Cast and crew

Wendy Hiller was chosen by Shaw to play Eliza Doolittle after she had appeared in stage productions of Pygmalion and Saint Joan – though the film's initial credits stated that this movie was introducing her, she had in fact already appeared on film in 1937's Lancashire Luck. Shaw's choice for Higgins had been Charles Laughton. The movie also includes the very first film appearance (brief and uncredited) of Anthony Quayle, as an Italian wigmaker. Cathleen Nesbitt, credited here as Kathleen Nesbitt in the role of 'A Lady,' portrayed Mrs. Higgins in the original Broadway production of My Fair Lady 18 years later.

The film's crew included David Lean (on his first major editing job; he also directed the montage sequence of Higgins teaching Eliza), set designer Laurence Irving and the camera operator Jack Hildyard (who later photographed Lean's The Bridge on the River Kwai, The Sound Barrier and Hobson's Choice).

Cast

• Leslie Howard as Professor Henry Higgins
• Wendy Hiller as Eliza Doolittle
• Wilfrid Lawson as Alfred Doolittle
• Marie Lohr as Mrs. Higgins
• Scott Sunderland as Colonel George Pickering
• Jean Cadell as Mrs. Pearce
• David Tree as Freddy Eynsford-Hill
• Everley Gregg as Mrs. Eynsford-Hill
• Leueen MacGrath as Clara Eynsford-Hill
• Esme Percy as Count Aristid Karpathy
• Violet Vanbrugh as the Ambassadress
• Iris Hoey as Ysabel, Social Reporter
• Viola Tree as Perfide, Social Reporter
• Irene Browne as the Duchess
• Kate Cutler as The Grand Old Lady
• Cathleen Nesbitt as Old Lady
• O. B. Clarence as Mr. Birchwood, the Vicar
• Wally Patch as First Bystander
• H. F. Maltby as Second Bystander
• Ivor Barnard as Sarcastic Bystander
• Cecil Trouncer as First Policeman
• Stephen Murray as Second Policeman
• Eileen Beldon as Mrs Higgins’s Parlourmaid
• Frank Atkinson as Taxi Driver

Uncredited

• Leo Genn as a Prince
• Moyna Macgill as a Woman Bystander
• Patrick Macnee as an Extra
• Anthony Quayle as Eliza's Hairdresser

Reception

George Bernard Shaw, Cecil Lewis, Ian Dalrymple, and W.P. Lipscomb[4] won the 1938 Academy Award for Writing (Adapted Screenplay). The film also received nominations for Best Picture, Best Actor (Howard) and Best Actress (Hiller). Shaw's reaction to his award was: "It's an insult for them to offer me any honour, as if they had never heard of me before – and it's very likely they never have. They might as well send some honour to George for being King of England [sic]." However, his friend Mary Pickford later reported seeing the award on display in his home.

At the 1938 Venice Film Festival, Leslie Howard won the Volpi Cup and the film was nominated for the Mussolini Cup.

The copyright of the film Pygmalion lapsed in the United States in 1966 after its rights holder, Loew's Incorporated, failed to renew its copyright registration; as such, the film entered the public domain. However, in the 9th Circuit case Russell v. Price (1979), Shaw's estate was able to assert its rights in the underlying work (Shaw's play), and thus retain control over the film's distribution and public performance in the United States as a derivative work.[5] US copyright in Shaw's play ended in 1988, which also restored the film to public-domain status.

Bibliography

• The Great British Films, pp. 45–48, Jerry Vermilye, 1978, Citadel Press, ISBN 0-8065-0661-X

References

External links

• Pygmalion is available for free download at the Internet Archive
• Pygmalion at IMDb
• Pygmalion at AllMovie
• Pygmalion at the TCM Movie Database
• Pygmalion at Rotten Tomatoes
• Pygmalion at the BFI's Screenonline

На других языках

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- [en] Pygmalion (1938 film)

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[ru] Пигмалион (фильм, 1938)

«Пигмалион» (англ. Pygmalion) — британский чёрно-белый кинофильм 1938 года, экранизация одноимённой комедии Бернарда Шоу. В главных ролях снялись Уэнди Хиллер и Лесли Говард. Сценарий фильма создавался при деятельном участии самого Бернарда Шоу, который написал несколько дополнительных сцен и эпизодов. Позже на основе этого сценария в 1956 году были созданы мюзикл «Моя прекрасная леди» и одноимённый кинофильм 1964 года.

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