Safe in Hell is a 1931 American pre-Code thriller film directed by William A. Wellman and starring Dorothy Mackaill and Donald Cook, with featured performances by Morgan Wallace, Ralf Harolde, Nina Mae McKinney, Clarence Muse, and Noble Johnson. The screenplay by Joseph Jackson and Maude Fulton is based on a play by Houston Branch.[1]
Safe in Hell | |
---|---|
![]() Swedish theatrical release poster (the same graphics were used for the U.S. DVD release) | |
Directed by | William A. Wellman |
Written by | Adaptation & dialogue: Joseph Jackson Maude Fulton |
Based on | A play by Houston Branch |
Starring | Dorothy Mackaill Donald Cook |
Cinematography | Sidney Hickox |
Edited by | Owen Marks |
Production company | First National Pictures |
Distributed by | Warner Bros. |
Release date |
|
Running time | 73 minutes |
Country | United States |
Language | English |
Gilda Karlson (Dorothy Mackaill) is a New Orleans prostitute. She is accused of murdering Piet Van Saal (Ralf Harolde), the man responsible for ending her former job as a secretary and leading her into prostitution. Her old boyfriend, sailor Carl Erickson (Donald Cook), smuggles her to safety to Tortuga, an island in the Caribbean from which she cannot be extradited. On the island, Gilda and Carl get "married" without a clergyman to officiate, and she swears to be faithful to him. After Carl leaves on his ship, Gilda finds herself to be the only white woman in a hotel full of international criminals, all of whom try to seduce her. Especially persistent is Mr. Bruno (Morgan Wallace), who describes himself as "the jailer and executioner of this island". He arranges to intercept letters Carl sends to her and steals the support money he includes. Bruno's intention is to make Gilda think Carl has abandoned her, hoping she will seek his assistance once she becomes desperate for cash.
Later, Gilda is astonished and relieved when Van Saal suddenly arrives on the island. It turns out that he had not been killed by her. He instead had feigned his death and enlisted his wife to collect on his $50,000 life-insurance policy. Once he had gotten the money, Van Saal abandoned his wife and then fled after she "squealed" to the authorities about his fraud. Bruno, now pretending to be concerned for Gilda's safety, gives her a pistol to protect herself. When Van Saal comes to her room and attempts to rape her, Gilda shoots and kills him. She is tried for murder and seems destined for acquittal by a sympathetic jury. While awaiting the official verdict, Bruno tells her that even if she is found innocent, he will arrest her for possessing the "deadly weapon" he had given to her. The sentence will be at least six months in his prison camp, where he will provide her with very comfortable living conditions, although she will be expected to give him sexual favors in return. To foil Bruno's trap, Gilda rushes back to the judge and gives a false confession of killing Van Saal "in cold blood", preferring to be executed rather than break her vow to Carl. The film ends with Gilda, followed by two policemen and Bruno, slowly walking to the gallows.[2][3][4]
Cast notes
Filming of Safe in Hell began in mid-September 1931, under the working titles of Lady from New Orleans and Lost Lady, and was completed a month later, on October 18.[7][8]
The production was originally scheduled to be directed by Michael Curtiz, and the casting of some male roles in the film initially included David Manners, Boris Karloff, John Harrington, Montague Love, and Richard Bennett. First National Pictures also considered Lilian Bond and Barbara Stanwyck for the part of Gilda.[8]
At the time of its release, Safe in Hell was publicized as being "Not for Children".[8] Time magazine gave the film a mixed review, commenting: "Safe in Hell is crude, trite, sporadically exciting."[9] The Pittsburgh Post-Gazette derided the film as illogical and unintentionally humorous: "Miss Mackaill is too good for the likes of her role while the villains are acted with self-conscious bestiality and amusing indifference." It called McKinney's performance "the best thing in the picture."[10] Variety found the film's storyline implausible as well and its overall tone excessively dark. In its review, Variety also noted that McKinney and Muse's performances provided the few bright spots in an otherwise "depressing" production:
Picture's story is hardboiled and sordid. Too much so most of the time, which is "Safe in Hell's" chief deficiency. Dorothy Mackaill plays a bad lady all the way to the finish, when she reforms morally while on her way to the gallows ... A sad and unsatisfactory finish is obviously an attempt to lend credence to an impossible yarn. It doesn't help, for as long as the story is thoroughly unbelievable up to the finish, no ending could change that impression. Those who go for this sort of stuff won't care for the exit ... Nina Mae McKinney, with one song, and Clarence Muse are the colored comedy relief, but up against too much of a handicap in the form of a constantly depressing air of evil which prevails throughout the picture.[11]
A copy of Safe in Hell is held in the Library of Congress collection.[12] Warner Archive released it on DVD on November 8, 2011, and it occasionally airs on Turner Classic Movies.