Scorpio Rising is a 1963 American experimental short film shot, edited, co-written and directed by Kenneth Anger, and starring Bruce Byron as Scorpio. Central themes include the occult, biker subculture, homosexuality, Christianity and Nazism. Scorpio Rising also explores the worship of rebel icons of the era, such as James Dean and Marlon Brando (referred to by Anger as Byron's "heroes").[2] Like many of Anger's films, Scorpio Rising does not contain any dialogue, but features a prominent soundtrack consisting of 1960s pop music, including songs by Ricky Nelson, The Angels, The Crystals, Bobby Vinton, Elvis Presley and Ray Charles.
Scorpio Rising | |
---|---|
Directed by | Kenneth Anger |
Written by | Ernest D. Glucksman Kenneth Anger (uncredited) |
Produced by | Ernest D. Glucksman Arthur P. Schmidt |
Starring | Bruce Byron |
Cinematography | Kenneth Anger (uncredited) |
Edited by | Kenneth Anger (uncredited) |
Production company | Puck Film Productions |
Release date |
|
Running time | 28 minutes[1] |
Country | United States |
Budget | $16,000 |
Scorpio Rising is considered by some to be the first drama film to feature a rock and roll soundtrack.[3]
The film premiered in October 1963 at the Gramercy Arts Theater in New York City.[4]
At an art theater in Los Angeles, a screening was protested by the American Nazi Party on the basis that it insulted their flag.[5] The police were ultimately called to the site and arrested the theater manager for public obscenity and canceled the film's run.[3] The case went to the California Supreme Court, where the case was settled in Anger's favor.[6] Anger explained in an interview:
When Scorpio Rising was – we've forgotten, in a sense, that it was a groundbreaker, legally. Because there are only a few flashes of nudity, genitalia, whatever in the film, I mean, they're very, very short and, if you blink, you won't even see them. At any rate, when it was shown, at the Cinema – it was called the Cinema on Western Avenue in Hollywood – the premiere run, someone denounced it to the Hollywood vice squad and they raided the theater and took the print. And the case had to go to the California Supreme Court to be freed and then it became, like, a landmark case of redeeming social merit. That was the phrase that was used to justify that it wasn't pornography. And, indeed, there's nothing pornographic about it. Somebody had to break the ice and have that kind of case at that time to establish the freedom, because, before then, the police could seize anything they wanted to. What I was doing on the West Coast, Jack Smith was doing on the East Coast with Flaming Creatures. The two films happened at about the same time."[6]
Scorpio Rising was praised by West Coast critics upon its initial release. When screened in New York City in 1964, Scorpio Rising garnered additional positive reviews from The New Yorker, Variety and Newsweek.[3]
Nora Sayre of The New York Times reviewed the film in 1975 stating, "Oddly enough, the references to the nineteen-fifties, which seemed dated and rather ponderous in 1965, don't make the film appear old-fashioned now. Admittedly, one then saw it in an unfortunate context – draped in the mystique of the underground, when a number of inferior films employed some similar imagery, such as the juxtaposition of Christ and hipsters, or close-ups of all-purpose skulls. But after a decade's education in put-ons, one can savor the impudent freshness of "Scorpio" today."[7]
Directors Gaspar Noé and Nicolas Winding Refn cited Scorpio Rising as an influence on their filmmaking.
| |
---|---|
Films directed |
|
Books written |
|