Ship Ahoy is a 1942 American musical-comedy film directed by Edward Buzzell and starring Eleanor Powell and Red Skelton. It was produced by MGM.
Ship Ahoy | |
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![]() Theatrical poster | |
Directed by | Edward Buzzell |
Screenplay by | Harry Clork Irving Brecher (uncredited) Harry Kurnitz (uncredited) |
Story by | Matt Brooks Bradford Ropes Bert Kalmar |
Produced by | Jack Cummings |
Starring | Eleanor Powell Red Skelton Bert Lahr Virginia O'Brien |
Cinematography | Robert H. Planck Leonard Smith Clyde De Vinna |
Edited by | Blanche Sewell |
Music by | George Bassman George Stoll |
Production company | Metro-Goldwyn-Mayer |
Distributed by | Loew's Inc. |
Release date |
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Running time | 95 minutes |
Country | United States |
Language | English |
Budget | $1,037,000[1] |
Box office | $2,507,000[1] |
Ship Ahoy was the first of two films in which Powell and Skelton co-starred. It is considered a lesser effort on both actors' behalf, however the film is chiefly remembered today for including Frank Sinatra, who appears in an uncredited performance as a singer with the Tommy Dorsey Orchestra. The movie also is credited with one of the most unusual displays of dance on screen for a sequence in which Powell's character, needing to communicate a message to a (real) US agent in the audience of one of her shows, manages to tap out the message in morse code. (Reportedly, Powell taps genuine code during the performance.)
The film was to be called I'll Take Manila, but was renamed after the attack on Pearl Harbor.[2] Skelton and Powell next paired up in 1943's I Dood It. In that film, they appeared with Jimmy Dorsey, Tommy's brother.
Tallulah Winters is a dancing star who is hired to perform on an ocean liner. Before she leaves, she is recruited by what she believes is a branch of the American government and asked to smuggle a prototype explosive mine out of the country. In fact, she is unknowingly working for Nazi agents who have stolen the mine. Meanwhile, Merton Kibble, a writer of pulp fiction adventure stories but suffering from severe writer's block, is on the same ship and soon he finds himself embroiled in Tallulah's real-life adventure.
According to MGM records the film earned $1,831,000 at the US and Canadian box office and $676,000 elsewhere, making the studio a profit of $1,470,000.[1][3]
Films directed by Edward Buzzell | |
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