Shonibar Bikel (lit. 'Saturday afternoon') is a 2019 Bangladeshi-German-Russian co-production film directed by Mostofa Sarwar Farooki, a one shot political thriller, inspired from the July 2016 Dhaka attack.[1] The film had its world premiere at the Moscow International Film Festival 2019.
Shonibar Bikel | |
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Directed by | Mostofa Sarwar Farooki |
Written by | Mostofa Sarwar Farooki |
Produced by | Abdul Aziz Mostofa Sarwar Farooki Anna Katchko (Co-producer) |
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Cinematography | Aziz Zhambakiev |
Music by | Pavel Areen |
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Running time | 83 minutes |
Countries | Bangladesh Germany Russia |
Languages | Bengali English |
On a nice Saturday afternoon during Ramadan, citizens enjoy sleepy day time. Suddenly, a group of terrorists takes over a cafe in the city holding hostages of employees and customers. The police soon surround the building and demand negotiation and surrenders, the terrorists fortify the cafe with gas cylinders continuing their unfair tribunal. Foreigners, the disabled, women, businessmen, artists, non-Muslims, and even Muslims with different sect are subject to brutal hostility. The media streaming live news to attract more viewers doesn't care for the safety of the hostages. Each time a hostage is executed one by one, the nightmare of violence is amplified.
The film was premiered in 41st Moscow International Film Festival in April 2019.[2] Then it was screened for Sydney Film Festival in June 2019 in Australia.[3] On July, 2019, it was screened for Filmfest München and London Indian Film Festival. It became a nominee for CineCo Pro Award.[4][1] It was screened as official Selection in Busan International Film Festival in October 2019. It was also screened in 2019 Hong Kong Asian Film Festival.[5]
In January 2019, the Film Censor Board of Bangladesh banned the theatrical release of Saturday Afternoon which portrays the July 2016 terrorist attack at the Holey Artisan Bakery as it would "damage the country's reputation".[6] The censor board said that the film could "incite religious fervour in the Muslim-majority nation of 165 million".[6][7] In January, 2021, a group of artists lead by Farooki protested by many ways against the decision.[8] In August, 2022, netizens of Bangladesh protested online against the ban.[9] On 26 August 2022, a group of filmmakers and artists demanded clear explanation for ban the film.[10] On 28 August 2022, a television drama directors' organisation named Director's Guild protested against government and demanded censor clearance of the film.[11] On 29 August 2022, Hasan Mahmud, the information minister of the country, expressed the decision to give permission to release the film under the condition that the director should add extra scenes advised by appeal board. He also claimed that the film didn't show the whole fact.[12] In October 2022, Farooki said that some dialogues may be added to the film's ending to get clearance from the Censor Board.[13]
Deborah Young of The Hollywood Reporter said about the film, "As in most films that attempt to do everything in a one-shot single take, viewers soon forget technique in the heat of the evolving story. It doesn’t seem to faze either the professional cast or cinematographer Aziz Zhambakiyev (Harmony Lessons), as Valerii Petrov’s Steadicam goes flying around the airy restaurant with its picture windows onto a police stakeout and walls that seem to change color from blue to red to heighten the drama".[14] Calling it a modernised version of The Petrified Forest, Wally Adams of Easternkicks.com praised performance of its actors.[15]
Organization | Year | Category | Recipients & nominees | Result | Ref.(s) |
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Moscow International Film Festival | 2019 | Kommersant Prize | Won | [4] | |
Russian Federation of Film Critics Jury Prize | Won | ||||
Vesoul International Film Festival of Asian Cinema | 2020 | NETPAC Award | Won | [16] | |
High School Jury Award | Won | ||||
Fukuoka International Film Festival | Kumamoto City Award | Won | [17] |
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