Suburban Mayhem is a 2006 Australian film directed by Paul Goldman, written by Alice Bell and produced by Leah Churchill-Brown, with Jan Chapman as executive producer. It features an ensemble cast including Emily Barclay, Michael Dorman, Anthony Hayes, Robert Morgan and Genevieve Lemon. It was filmed in Sydney and Newcastle, Australia.
Suburban Mayhem | |
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Directed by | Paul Goldman |
Written by | Alice Bell |
Produced by | Jan Chapman Leah Churchill-Brown |
Starring | Emily Barclay Genevieve Lemon |
Cinematography | Robert Humphreys |
Edited by | Stephen Evans |
Music by | Mick Harvey |
Distributed by | Icon Film Distribution (Australia) |
Release date | 26 October 2006 (2006-10-26) |
Running time | 95 minutes |
Country | Australia |
Language | English |
Budget | A$4,000,000 |
Suburban Mayhem had its world premiere at Cannes[1] and its North American premiere at the Toronto International Film Festival. It was released shortly after in Australia on October 26, 2006 with subsequent releases around the world.
This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. (July 2010) |
Katrina (Emily Barclay) is a 19-year-old single mother who is planning to get away with murder. Katrina lives in a world of petty crime, fast cars, manicures and fornication. A master manipulator of men, she lives at home with a deadbeat father in suburban Golden Grove. Katrina will stop at nothing, including murder, to get what she wants. When her father threatens to contact Social Services and take away her child, Katrina sets in motion a plan to wreak suburban mayhem that will leave a community in shock and make Katrina infamous in a way even she never dreamed of.
It is loosely based upon a series of notorious murders by Mark Valera, who killed Frank Arkell and David O'Hearn, and upon his sister Belinda van Krevel and her then-partner Keith Schreiber, who killed Jack van Krevel.
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Suburban Mayhem grossed $342,600 at the box office in Australia.[3]
Suburban Mayhem has received mixed reviews from critics. On Rotten Tomatoes, the film has a "rotten" rating of 20%, based on 5 reviews, with an average rating of 4/10.[4] Film scholar Bruno Starrs has critiqued the film with regard to Barbara Creed's notion of the "maternal feminine" monster.[5]
AACTA Award for Best Original Music Score | |
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