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The Bakery Girl of Monceau (French: La Boulangère de Monceau) is a 1962 short film written and directed by Éric Rohmer.[1] The film was the first of Rohmer's Six Moral Tales (Contes moraux), which consisted of two shorts and four feature films.

The Bakery Girl of Monceau
DVD cover
Directed byÉric Rohmer
Written byÉric Rohmer
Produced byGeorges Derocles
Barbet Schroeder
StarringBarbet Schroeder
Claudine Soubrier
Michèle Girardon
Cinematography
  • Bruno Barbey
  • Jean-Michel Meurice
Release date
  • 1962 (1962)
Running time
23 minutes
LanguageFrench

Plot


A man who sees and falls in love with a woman he passes in the street, but he does not know how to talk to her. When he finally speaks to her, she disappears and he conducts a daily search for her in the same area. During his search, he acquires a habit of visiting a bakery for a snack. Over time, the "girl" in the bakery becomes interested in him and he starts flirting with her and eventually convinces her to go on a date with him. Before the date begins, he runs into the woman that he was searching for and is forced to choose between them.


Cast



Narrative structure


The narrative structure of The Girl at the Monceau Bakery and the other five "Moral Tales" begins with the main character (a man), who is committed to a woman, meeting and being tempted by a second woman, but renouncing her for the first woman.


Meaning of "Moral"


According to Rohmer:

My intention was not to film raw events, but the narrative that someone makes of them. The story, the choice of facts, their organization... not the treatment that I could have made them submit to. One of the reasons that these Tales are called "Moral" is that physical actions are almost completely absent: everything happens in the head of the narrator.

Most of the film is told through the narrator. The main character is played by Barbet Schroeder, but was dubbed by Bertrand Tavernier, whose voice Rohmer judged more appropriate for the very literary voice-over.

Using the word "moral" does not mean that there is a moral in the story. According to Rohmer:

So Contes Moraux doesn't really mean that there's a moral contained in them, even though there might be one and all the characters in these films act according to certain moral ideas that are fairly clearly worked out.[2]

Also, Rohmer said:

They are films which a particular feeling is analyzed and where even the characters themselves analyze their feelings and are very introspective. That's what Conte Moral means.


Themes



Setting


In each of the Six Moral Tales, Rohmer only filmed during the time and in the place that the film was set. There was no use of sets.


Sound


There is no nondiegetic music, only what is played in the background as part of the setting (i.e., cars, people walking by, music playing in the background at a party). Also, there is an emphasis on dialogue and frequent use of voice-over narration. The Girl at the Monceau Bakery contains no music, and the only sound that interrupts the sounds in the background is that of the narrator.


References


  1. "La Boulangère de Monceau (1962)". BFI. Retrieved 2021-03-28.
  2. Eric Rohmer: An Interview (in Interview)Graham Petrie; Eric Rohmer, Film Quarterly, Vol. 24, No. 4. (Summer, 1971), pp. 34-41.



На других языках


[de] Die Bäckerin von Monceau

Die Bäckerin von Monceau (Originaltitel: La Boulangère de Monceau) ist ein französischer Kurzfilm aus dem Jahr 1962 und der erste Teil aus dem Zyklus Sechs moralische Erzählungen von Éric Rohmer. Der Kurzfilm wurde in Schwarzweiß und im 16-mm-Format gedreht und nach dem Schnitt vertont und mit einem Kommentar (Sprecher: Bertrand Tavernier) versehen.
- [en] The Bakery Girl of Monceau

[ru] Булочница из Монсо

«Булочница из Монсо» (фр. La Boulangère de Monceau) — короткометражный фильм режиссёра Эрика Ромера, вышедший на экраны 27 февраля 1963 года.



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