The Battle of the Sexes is a 1928 American comedy film directed by D. W. Griffith, starring Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil, and released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.[3]
The Battle of the Sexes | |
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Directed by | D. W. Griffith |
Written by | Gerrit J. Lloyd (adaptation & titles) |
Based on | The Single Standard by Daniel Carson Goodman |
Produced by | Joseph M. Schenck |
Starring | Jean Hersholt Phyllis Haver Belle Bennett Don Alvarado Sally O'Neil |
Cinematography | Karl Struss G.W. Bitzer |
Edited by | James Smith |
Music by | Hugo Riesenfeld Nathaniel Shilkret[1][2] |
Distributed by | United Artists |
Release date |
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Running time | 88 minutes |
Country | United States |
Language | Silent (English intertitles) |
The film was released as both a silent film, and in a sound version using the Movietone sound-on-film system. In 2004, the film was released on DVD by Image Entertainment. The theme song of the motion picture, "Just a Sweetheart", by Dave Dryer, Josef Pasternack, and Nathaniel Shilkret (recorded versions of which are available, for example, on a commercially issued Paul Whiteman CD[4]) was omitted from the DVD.
Marie Skinner (Phyllis Haver) is a gold digger with her hooks out for devoted middle-aged family man J.C. Judson (Jean Hersholt), a portly real estate tycoon, who falls for her when she contrives to meet him. When his wife (Belle Bennett) and grown children, Ruth (Sally O'Neil) and Billy (William Bakewell) discover him dancing with Marie at a nightclub, J.C. leaves home the next day. Ruth seeks out Marie to shoot her, but is interrupted by Marie's boyfriend, jazz hound Babe Winsor (Don Alvarado), who takes a shine to her. When Judson walks in on them he condemns her licentiousness, but is forced to face his double standard when he witnesses a violent argument between Marie and Babe. Full of contrition, J.C. returns to home and hearth and the bosom of his loving family.[5][6][7]