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The Big Steal is a 1949 American black-and-white film noir reteaming Out of the Past stars Robert Mitchum and Jane Greer. The film was directed by Don Siegel, based on the short story "The Road to Carmichael's" by Richard Wormser.[3]

The Big Steal
Theatrical release poster
Directed byDon Siegel
Screenplay byGerald Drayson Adams
Daniel Mainwaring
Geoffrey Homes
Based on"The Road to Carmichael's"
1942 story in The Saturday Evening Post
by Richard Wormser
Produced byJack J. Gross
StarringRobert Mitchum
Jane Greer
William Bendix
Patric Knowles
Ramón Novarro
CinematographyHarry J. Wild
Edited bySamuel E. Beetley
Music byLeigh Harline
Distributed byRKO Pictures
Release date
  • July 1, 1949 (1949-07-01) (US)[1]
Running time
71 minutes
CountryUnited States
LanguageEnglish
Box office$1.6 million[2]

Plot


U.S. Army lieutenant Duke Halliday (Robert Mitchum) is robbed of a $300,000 payroll by Jim Fiske (Patric Knowles). When Halliday's superior, Captain Vincent Blake (William Bendix), suspects him of having taken part in the theft, Halliday pursues Fiske into Mexico. Along the way, he runs into Joan Graham (Jane Greer), who is after the $2000 she loaned to her boyfriend, Fiske. The two join forces, though they are not sure at first if they can trust each other. Fiske stays one step ahead of the couple, while they are in turn chased by Blake. When Halliday is knocked down trying to stop Fiske from getting away, he comes to the attention of Police Inspector General Ortega (Ramon Novarro). Halliday claims to be Blake, using identification he took from the captain after a brawl. Ortega lets him go after Fiske, but keeps an eye on him. His suspicions are confirmed when the real Blake shows up at his office for help.

Halliday and Graham track Fiske to an isolated house in the desert, where Fiske is meeting with Seton (John Qualen), a fence who offers Fiske $150,000 in untraceable bills in exchange for the payroll. The couple are captured by Seton's henchmen. When Blake shows up, Halliday is initially relieved to be rescued, until he learns that Blake is actually Fiske's partner in crime.

Fiske wants to take Graham with him, but Blake makes it clear that he intends to dispose of both her and Halliday. Fiske reluctantly gives in. However, when he starts to leave, Blake shoots him in the back, explaining that his ex-partner, apparently still at large, can take the blame for the missing payroll. Halliday then points out to Seton that if Blake gets rid of him too, he can give the stolen money back to the army and keep the $150,000 for himself. Taking no chances, Seton pulls a gun on Blake. When Graham creates a distraction, a fight breaks out, which Graham and Halliday win.

In the final scene, Graham and Holliday are talking about what they'll do now that their problems have been cleared up. Neither really wants to say goodbye. He has to go back to the army, but she's got other plans. Some Mexican children run up to them, laughing, while music plays. He smiles at her suggestively. She blushes. The film ends.


Cast


Mitchum, 1949
Mitchum, 1949

Production



Casting


Robert Mitchum's arrest for possession of marijuana on September 1, 1948, and his subsequent conviction and incarceration, had a large impact on the production of The Big Steal. RKO head Howard Hughes saw Mitchum's notoriety surrounding the arrest (the actor already seen as a 'bad boy' in Hollywood) as a positive that would boost attention for a rather low-rent - but hopefully profitable - production.

George Raft was originally cast, but was replaced by Mitchum after the arrest.[4] Beth Scott was slated for the female lead but quit three weeks prior to filming due to the arrest, and was replaced by Jane Greer (Mitchum and Greer had been earlier paired in the successful 1947 noir Out of the Past). Hughes had been keeping Greer, a former girlfriend, from appearing in any RKO films in an attempt to ruin her career, but finally conceded when no other actress would take the part.[5]


Filming


Filming (Los Angeles and Tehuacán, Puebla, Mexico) was rushed to capitalize on the situation, with some scenes shot while Mitchum was still incarcerated. Greer's pregnancy also added to the urgency and ensured that the schedule was kept tight. This was part of the reason for the film's relatively short 71 minute runtime.[6]


Release


Capitalizing on Michum's headlines was a proven scheme for Hughes, who, immediately following the arrest, had pushed for another of Mitchum's pictures, Rachel and the Stranger, to be released sooner than planned. Rachel was released on September 18, 1948, and became one of the year's biggest hits.[4]


Reception



Critical response


Channel 4 film reviews describes the movie as "Sparkling dialogues, fast-paced chases and the occasional twist make this an at first somewhat confusing but ultimately hugely entertaining film."[7]

Hal Erickson writing for AllMovie calls the film "tautly directed by Don Siegel, who manages to pack plenty of twists and turns into the film's crowded 71 minutes."[8]


References



Notes


  1. "The Big Steal: Detail View". American Film Institute. Retrieved September 23, 2022.
  2. "Top Grossers of 1949". Variety. January 4, 1950. p. 59.
  3. "Screenplay Info for The Big Steal (1949)". Turner Classic Movies.
  4. Richard B. Jewell, Fade to Black: The Decline of RKO Radio Pictures, Uni of California, 2016, pp.89-90
  5. Ware, William (2003). Early Film Noir: Greed, Lust and Murder. Jefferson: McFarland & Company. ISBN 0-7864-1629-7.
  6. Markiewicz, Ben. "TCM Comments on The Big Steal (1949)". You Tube. Tuner Classic Movies. Retrieved August 10, 2022.
  7. Channel 4 Film Reviews. Last accessed: March 11, 2008.
  8. Erikson, Hal. The Big Steal at AllMovie.



На других языках


- [en] The Big Steal

[ru] Большой обман

«Большой обман» (англ. The Big Steal) — фильм режиссёра Дона Сигела, вышедший на экраны в 1949 году. В жанровом плане фильм сочетает элементы фильма нуар, роуд-муви, триллера, мелодрамы и комедии. В его основу положен рассказ Ричарда Уормсера «Дорога в Кармайклз», впервые опубликованный в «Сатардэй ивнинг пост», сценарий написали Дэниэл Мэйнуоринг (под псевдонимом Джеффри Хоумс) и Джеральд Грейсон Адамс.



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