fiction.wikisort.org - Movie

The Feminine Touch is a 1956 British drama film directed by Pat Jackson and starring George Baker, Belinda Lee and Delphi Lawrence. The film is based on the bestselling novel A Lamp Is Heavy by Canadian former nurse Sheila Mackay Russell,[1] and consequently it was released as A Lamp Is Heavy in Canada, while it was given the title The Gentle Touch in the United States, when it was released there in December 1957.[2]

The Feminine Touch
UK quad format cinema poster
Directed by	Pat Jackson
Screenplay by	W. P. Lipscomb (uncredited) Richard Mason (uncredited)
Based on	A Lamp Is Heavy by Sheila Mackay Russell
Produced by	Michael Balcon associate Jack Rix
Starring	George Baker Belinda Lee Delphi Lawrence
Cinematography	Paul Beeson
Edited by	Peter Bezencenet
Music by	Clifton Parker
Production company	Ealing Studios
Distributed by	J. Arthur Rank Film Distributors
Release date	27 March 1956 (1956-03-27) (UK)
Running time	91 minutes
Country	United Kingdom
Language	English

Plot

The film follows five very different student nurses during their first year of training at an NHS hospital in London called St. Augustine's Hospital (filmed at Guy's Hospital), where they live in a dormitory.

Susan (Belinda Lee) is reliable and sensible; Pat (Delphi Lawrence) is flighty and open; Maureen (Adrienne Corri) is Irish and loud; Ann (Henryetta Edwards) is a former public school girl; and Liz (Barbara Archer) comes from a working class background. As they get to know each other, they bond in spite of their differences.

Susan falls in love with Dr Jim Alcott. She is tempted to leave nursing to go with Jim to Canada but decides not to go after helping a patient who tried to commit suicide. However, after a talk with Matron, she decides to join Jim in Canada.

Main cast

Production

The film was based on a 1950 book, The Lamp is Heavy by Sheila Russell. Russell was from Canada, and worked as a nurse in Edmonton. She married a doctor in 1947. The novel was published in the Commonwealth in 1954.[3] It sold 75,000 copies over five years.[4] Russell later wrote another novel called The Living Earth (1954).[5]

Michael Balcon of Ealing wanted to make a hospital film but Sir John Davis of Rank was reluctant; eventually Balcon managed to get approval for this movie.[6]

It was the first Ealing movie directed by Pat Jackson, who had previously made an earlier film about nursing, White Corridors (1951). It was one of the last pair of films made at Ealing Studios, which had been sold to the BBC, and one of the last Ealing movies under the nine-year relationship between Rank and Ealing. (Ealing would move to MGM studios, make several more movies, then be wound up.)[7][8][9]

It was an early star role for Belinda Lee.[10] It was one of several "sensible girl" parts she played for Rank.[11] Dorothy Alison was an Australian actor.[12]

Film rights were bought by Rank in early 1955. Filming began in late June 1955 at Pinewood Studios.[13] There was location work at Guy's Hospital. "I'm not surprised that there is a change in title", said Russell. "After all, in England the 'lamp' is still pretty heavy for nurses."[14]

Reception

Variety called it "worthwhile, and as a piece of romantic entertainment, it is more than adequate. Pic has valuable exploitation angles which should help returns in the domestic market... yarn has few comedy touches as well as strong dramatic angles... Cast is competent .without being standout. Miss Lee, a handsome blonde, is rapidly improving as an actress."[15]

The Monthly Film Bulletin said "this latest example of nurse recruitment by film adds little to what has been said by previous productions of this kind."[16]

The Observer said it was "not very good drama, I'm afraid."[17]

References

External links

• The Feminine Touch at the British Film Institute
• The Feminine Touch at the British Board of Film Classification
• The Feminine Touch at IMDb 
• The Feminine Touch at Letterbox DVD
• The Feminine Touch at the British Film Institute
• Dr Keith M Johnston, 4 November 2011: The Feminine Touch (1956) – film review from a hospital staffer perspective

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