fiction.wikisort.org - Movie

The Last Seduction is a 1994 American neo-noir erotic thriller film directed by John Dahl, and features Linda Fiorentino, Peter Berg, and Bill Pullman.[3] The film was produced by ITC Entertainment and distributed by October Films. Fiorentino's performance gained widespread critical praise and generated talk of an Oscar nomination, but she was deemed ineligible because the film was shown on HBO before it was released to theatres. October Films and ITC Entertainment sued the Academy, but were unable to make Fiorentino eligible for a nomination.[4][5]

The Last Seduction
Original theatrical poster
Directed by	John Dahl
Written by	Steve Barancik
Produced by	Jonathan Shestack
Starring	Linda Fiorentino Peter Berg Bill Pullman
Cinematography	Jeff Jur
Edited by	Eric L. Beason
Music by	Joseph Vitarelli
Production company	ITC Entertainment
Distributed by	October Films
Release date	October 26, 1994 (1994-10-26)
Running time	110 minutes
Country	United States
Language	English
Budget	$2.5 million (estimated)[1]
Box office	$5,842,603[2]

Plot

Bridget Gregory works as a telemarketing manager in New York City. Her husband, Clay, is training to be a doctor and is heavily in debt to a loan shark. He arranges to sell stolen pharmaceutical cocaine to two drug dealers. The transaction becomes tense when the buyers pull a gun, but to Clay's surprise, they eventually pay him $700,000. Clay is left shaken, and on his return home he slaps Bridget after she insults him. She then flees their apartment with the cash while he is in the shower.

On her way to Chicago, she stops in Beston, a small town near Buffalo. There she meets Mike Swale, a local man back from a whirlwind marriage in Buffalo that he refuses to talk about. He tries to pick Bridget up, and she proceeds to use him for mere sexual gratification during her stay in town. Adept at word games and mirror writing, and with an imminent return to her hometown in mind, Bridget changes her name to Wendy Kroy (as a reversal of 'New York') and gets a job at the insurance company where, coincidentally, Mike works. Their relationship is strained by her manipulative behavior and the fact he is falling for her.

When Mike tells her how to find out if a man is cheating on his wife by reading his credit reports, Bridget invents a plan based on selling murders to cheated wives. She suggests they start with Lance Collier, a cheating, wife-beating husband residing in Florida. This proves to be the last straw for Mike, and he leaves her alone in his place after an argument. Meanwhile, Clay's thumb is broken by the loan shark for not repaying his loan. Fearing for his health and in dire financial straits, he hires a private detective, Harlan, to retrieve the money from his wife.

Harlan traces her phone area code, travels to Beston, and accosts Bridget at gunpoint right after her argument with Mike. Bridget purposely crashes her car after tricking Harlan into removing his seat belt, resulting in his death. Because Harlan was black, she uses local racial prejudice to persuade the police to close the case without further investigation. Bridget then resumes her manipulation of Mike and pretends to travel to Florida to kill Lance Collier. Instead, she goes to Buffalo to meet Mike's ex-wife, Trish. Upon returning, Bridget shows Mike the money she stole from Clay, claiming it is her cut of the life insurance payout from the new widow.

Bridget claims to have done it so they can live together, then tries to persuade him that he must also commit a similar murder so they will be even and to prove that he loves her. She tries to talk Mike into killing a tax lawyer in New York City who is cheating old ladies out of their homes. At first he refuses, but later agrees after receiving a letter from Trish saying she is moving to Beston. The letter was forged by Bridget to change his mind.

Mike goes to New York and breaks into the apartment of the supposed attorney, who turns out to be Clay. After Mike hand cuffs Clay, Clay realizes what is happening when Mike mentions Bridget's alias, and convinces Mike of the truth by showing him a photo of himself and Bridget together. They then hatch a plot to double-cross her, unaware that the tables will be turned on them. Bridget arrives and the still-immobilized Clay, who has been clever enough to predict most of Bridget's actions but fails to understand her sociopathy, tries to make amends with her. Instead, she empties a pepper spray bottle down his throat, killing him. She tells a stunned Mike to rape her. When he refuses, she tells him she knows the truth about Trish, who is transgender, and goads him by calling him a homophobic slur. This causes Mike to have rough sex with her while acting out a rape fantasy. Unbeknownst to Mike, Bridget has dialed 9-1-1 and she coaxes him into "confessing" to Clay's murder as part of the role play. Mike is arrested for rape and murder, while she escapes with the cash, later calmly destroying the only evidence that could have been used in Mike's defense.

Cast

• Linda Fiorentino as Bridget Gregory
• Peter Berg as Mike Swale
• Bill Pullman as Clay Gregory
• Bill Nunn as Harlan
• J. T. Walsh as Frank Griffith
• Dean Norris as Shep
• Herb Mitchell as Bob Trotter

Production

Screenwriter Steve Barancik said he believed the film was originally pitched as a "standard skin-e-max" low-budget movie to ITC Entertainment even though the filmmakers had "an under-the-radar intention to make a good movie".[4] Of accepting the role, Linda Fiorentino said, "After I read that script, I was in Arizona and I got in a car and drove six hours to get to the meeting because I had never read anything so unique in terms of a female character. And I walked in the meeting with John Dahl, the director, and I said, 'John, you are not allowed to hire anyone but me for this film.' And I wasn't kidding."[6]

ITC Entertainment executives were upset with a scene in which Linda Fiorentino is dressed as a cheerleader and wears suspenders over her breasts. Barancik recalled, "Apparently, a guy from the company who was monitoring things and watching the dailies, saw the suspenders over Linda's nipples, and shouted out, 'Are we making an art movie?!' He shut down production and called the principals of the movie on the carpet and they all had to pledge that they had no artistic pretensions".[4] The scene was cut and the sexual roleplaying theme was lost.[4]

Peter Berg said it was a Linda Fiorentino's idea to shoot the chain-link-fence sex scene in that way. "She said, 'John, get a camera,' and she climbed up on me against that fence and told John Dahl to shoot it, and that was the scene. She thought of it, she conceived it, she executed it. It was awesome."[7]

Reception

The Last Seduction received critical acclaim. It holds a 94% rating on Rotten Tomatoes based on 51 reviews.[8] On Metacritic it has a score of 85 out of 100 based on 12 reviews, indicating "universal acclaim".[9] Roger Ebert gave the film four out of four stars, highlighting Fiorentino's ability to project her character with dry humor and a freedom from Hollywood conventions typically surrounding a female antagonist.[10] He wrote in the Chicago Sun-Times:

John Dahl's The Last Seduction knows how much we enjoy seeing a character work boldly outside the rules. It gives us a diabolical, evil woman, and goes the distance with her. We keep waiting for the movie to lose its nerve, and it never does: This woman is bad from beginning to end, she never reforms, she never compromises, and the movie doesn't tack on one of those contrived conclusions where the morals squad comes in and tidies up.[10]

Ebert later ranked the film fifth on his year-end list of 1994's best movies.[11]

Year-end lists

• 5th – Roger Ebert, Chicago Sun Times[11]
• 6th – Janet Maslin, The New York Times[12]
• 8th – Bob Strauss, Los Angeles Daily News[13]
• 8th – Glenn Lovell, San Jose Mercury News[14]
• 9th – Todd Anthony, Miami New Times[15]
• 10th – Michael Mills, The Palm Beach Post[16]
• Top 10 (listed alphabetically, not ranked) – Eleanor Ringel, The Atlanta Journal-Constitution[17]
• Top 10 (listed alphabetically, not ranked) – Jeff Simon, The Buffalo News[18]
• Honorable mention – Michael MacCambridge, Austin American-Statesman[19]
• Honorable mention – Betsy Pickle, Knoxville News-Sentinel[20]
• Honorable mention – William Arnold, Seattle Post-Intelligencer[21]

Awards and nominations

Year	Award	Category	Recipient	Result
1995	BAFTA Awards[22]	Best Actress	Linda Fiorentino	Nominated
1994	Chicago Film Critics Awards[23]	Best Actress	Linda Fiorentino	Nominated
1994	Cognac Festival du Film Policier[24]	Critics Award	John Dahl	Won
1995	Directors Guild of America Awards[25]	Outstanding Achievement in Dramatic Specials	John Dahl	Nominated
1995	Edgar Allan Poe Awards	Best Motion Picture	Steve Barancik	Nominated
1995	Independent Spirit Awards[26]	Best Female Lead	Linda Fiorentino	Won
1995	London Film Critics Circle Awards	Actress of the Year	Linda Fiorentino	Won
1994	Mystfest	Best Film	John Dahl	Nominated
1994	National Board of Review Awards	Best TV Film		Won
1994	New York Film Critics Circle Awards[27]	Best Actress	Linda Fiorentino	Won
1994	Society of Texas Film Critics Awards	Best Actress	Linda Fiorentino	Won

Legacy

The film has become a cult classic over time and the character of Bridget Gregory has been cited as one of the iconic femme fatale characters in film.[28][29][30] In 2019, the film was included—alongside Gone Girl and Death Becomes Her—in a selection of films by the British Film Institute as part of a programme on "wickedly compelling female characters on screen."[31] It was also featured on The Criterion Channel's Neonoir series in July 2021.[32]

A sequel, The Last Seduction II, was released in 1999. It featured none of the original cast and starred Joan Severance as the character Fiorentino originated.[33]

Bibliography

• Williams, Linda Ruth (2005). The Erotic Thriller in Contemporary Cinema. Edinburgh University Press. ISBN 978-0-25-334713-8.

References

External links

• The Last Seduction at IMDb
• The Last Seduction at Rotten Tomatoes
• The Last Seduction at AllMovie
• The Last Seduction at Box Office Mojo
• The Last Seduction at Metacritic

На других языках

---

[de] Die letzte Verführung

Die letzte Verführung (Originaltitel: The Last Seduction) ist ein US-amerikanischer Erotikthriller von John Dahl aus dem Jahr 1994. Die Hauptrolle der Bridget Gregory wird von Linda Fiorentino gespielt.

---

- [en] The Last Seduction

---

[ru] Последнее соблазнение

«Последнее соблазнение» (англ. The Last Seduction) — американский кинофильм 1994 года выпуска в жанре неонуар.

---

---