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The Opry House is a 1929 Mickey Mouse short animated film released by Celebrity Pictures, as part of the Mickey Mouse film series.[2] It was the fifth Mickey Mouse short to be released, the second of that year.[3] It cast Mickey as the owner of a small theater (or opera house according to the title). Mickey performs a vaudeville show all by himself. Acts include his impersonation of a snake charmer, his dressing in drag and performing a belly dance, his caricature of a Hasidic Jew and, for the finale, a piano performance of Hungarian Rhapsody No. 2 by Franz Liszt.

The Opry House
Directed by	Walt Disney Ub Iwerks
Produced by	Walt Disney
Music by	Carl Stalling
Animation by	Ub Iwerks
Production companies	Walt Disney Studios Celebrity Productions
Distributed by	Columbia Pictures
Release date	March 20, 1929[1]
Running time	7:25 min.
Country	United States
Language	English

Plot

The cartoon starts with the opening of a theater and Mickey Mouse sweeping and using the broom as an instrument and a dance partner. Mickey is then faced with a large show goer, who must be deflated in order to fit through the doorway. The band takes over, with a large variety of short gags occurring throughout. Following, Mickey becomes the star of the show, taking on the multiple roles of a vaudeville star. The cartoon ends with a humorous fight between himself and a piano and a stool.[4] Mickey's interactions are highly stylized in order to capture the essence of what a vaudeville performance should be.[5]

Production

The Opry House was the fifth Mickey Mouse cartoon released by Walt Disney Productions. It appears in black and white, and the audio was recorded using Pat Powers's cinephone system.[6] It was animated mostly by Ub Iwerks, Walt Disney's first employee who later became known as a “Disney Legend”.[7] The short became the most expensive early Disney short, its negative cost being almost $2,500 more than the Steamboat Willie cartoon produced just a year prior.[5]

This short is an early example of how the Disney studio's animated shorts became more sophisticated. The short shows more realistic animating. The early Disney cartoons, like Steamboat Willie show many similarities to the Oswald the Lucky Rabbit cartoons that preceded them. However, as Mickey Mouse evolved from the silent film era, the cartoons became more intricate. Mickey Mouse began interacting within his space in his cartoon world to create a more realist feel.[8]

Walt Disney himself reinforces this idea:

“...Our characters were beginning to act & behave like real persons. Because of this we could begin to put real feeling and charm into our characterization. After all you can't expect charm from animated sticks and that is what Mickey Mouse was in his first pictures”.[9]

Mickey's fight with the piano would be reused and extended seven months later in the cartoon The Jazz Fool.

Use of music

This short features no dialogue and consequently its humor relies on a long series of visual gags. The accompanying musical pieces include "Yankee Doodle", Rachmaninoff's "Prelude in C# Minor (Op. 2/3)", Georges Bizet's Carmen, the Klezmer tune "Chusen Kala Mazel Tov", and "Goodnight, Ladies". It is also the first appearance of "Hungarian Rhapsody No. 2" by Franz Liszt in a cartoon,[2] and its use heavily influenced later cartoons including the Merrie Melodies short Rhapsody in Rivets (1941), Bugs Bunny's Rhapsody Rabbit (1946), Tom and Jerry's The Cat Concerto (1947) and Woody Woodpecker's Convict Concerto.

The sound for the short was recorded in February 1929 in New York by Walt Disney and Carl Stalling. Because there is no dialogue; the music aids in telling the story. The music not only matches the actions being animated but the two are deeply connected. In one sequence a drummer pulls the tails of three different cats; those cat's meows become notes in the music sequence. Notable dialogue did not come until 1934, when Walt Disney voiced Mickey Mouse using a falsetto. Therefore, the comedy of the short comes in large parts to the use of music.[9]

Mickey's gloves

This short also introduced Mickey's gloves; Mickey can be seen wearing them in most of his subsequent appearances.[1] Reportedly, one reason for adding the white gloves was to allow audiences to distinguish the characters' hands when they appeared against their bodies, as both were black. (Mickey didn't appear in color until The Band Concert in 1935.)

Other characters

Mickey Mouse takes on multiple roles within the story of his vaudeville show. The short holds true to the early structure of Mickey Mouse cartoons. They are short, with less emphasis on storytelling and more focus on adventure and comedy.[5] A variety of additional animals make up the crowd and the band members. In addition, the instruments, especially the piano and stool take on human qualities, making them integral characters.

Minnie Mouse does not appear in person in this short. Instead, a poster of her can be seen which introduces her as a member of the Yankee Doodle Girls, apparently a group of female performers. The only other recurring character to appear in the short is known as Kat Nipp (apparently a play on the word catnip). This would be his debut; he would appear in two more shorts during the year as a minor antagonist.

Trivia

There is "ASBESTOS" Written on the curtain, and the explanation is: When electric light was not yet available, theatre fires were very common and often had multiple fatalities. It was often seen, that at intermission time, they would lower and raise the "asbestos curtain" and thus, assured the audience they were safe and protected in case of a fire. If a fire would occur on stage, they would drop the curtain down and shield the audience. Asbestos was very resistant to heat and fire, plus it is very good for sound dampening.

The cartoon was very much liked by composer Sergej Rachmaninov, who also praised Mickey for having played his Prelude perfectly and who personally met Disney in 1942 together with pianist Vladimir Horowitz to also talk about the cartoon itself and considering Disney himself: "I have heard my piece beautifully done by some of the best pianists and cruelly murdered by amateurs, but I have never been more moved than by the performance of the great maestro Mickey Mouse."

Reception

Variety (April 10, 1929): "Another of the Mickey Mouse series captioned "The Opery House", [sic] from Walt Disney's cartoonistic shop. The opery idea provides for a stage presentment of vaude bits effectively sounded. Sound accompaniment has made the cartoon strips much more valuable. And the comedy point intended is more decided in the building. Some funny stuff here, especially the piano number which has the instrument given the real planner synchronization, surprising in comparison with former silent strips."[10]

The Film Daily (July 28, 1929): "Perfectly Swell. Even the piano takes on life in this Mickey Mouse release. Walt Disney is maintaining the high standard established with Steamboat Willie. The Op'ry House demonstrates this fact in view of the amusing kinks injected into the animation and the funny situations thereby created. One of the best sound shorts on the market, this release merits attention as a laugh-provoker."[11]

Home media

The short was released on December 7, 2004 on Walt Disney Treasures: Mickey Mouse in Black and White, Volume Two: 1929-1935.[12]

See also

• Mickey Mouse (film series)

References

External links

• The Opry House at IMDb 
• The Opry House at Disney A to Z
• The Opry House at The Big Cartoon DataBase

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