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The Rain People is a 1969 American film written and directed by Francis Ford Coppola, starring Shirley Knight, James Caan and Robert Duvall. Coppola's friend and fellow director George Lucas worked as an aide on this film, and made a short 1968 documentary titled Filmmaker about the making of the film. The film also won the Golden Shell at the 1969 San Sebastian Film Festival.

The Rain People
Theatrical release poster
Directed byFrancis Ford Coppola
Written byFrancis Ford Coppola
Produced byBart Patton
Ronald B Colby
StarringShirley Knight
James Caan
Robert Duvall
Marya Zimmet
CinematographyBill Butler
Edited byBlackie Malkin
Music byRonald Stein
Production
company
American Zoetrope
Distributed byWarner Bros.-Seven Arts
Release date
  • August 27, 1969 (1969-08-27)
Running time
101 minutes
CountryUnited States
LanguageEnglish
Budget$750,000[1]

The film received mixed reviews, but modern reception is more often positive.

The current DVD release from Warner Archive appears to be from a 16mm print.[citation needed]


Plot


Natalie Ravenna leaves her husband sleeping at home and sets off on a road trip in a family station wagon. She visits her parents who are quite upset with her.

At a gas station, Natalie makes a collect phone call to her husband and tells him she's pregnant. He is thrilled with the news, but she tells him that she's not ready to come back and needs time away from him.

She gives a ride to a strapping young man, Killer, who had been a college football star but had sustained a serious head injury and was given one thousand dollars to leave the school. On their first night together, in Natalie’s motel room, she orders Killer around and makes him show her his muscular body. She tells him she is pregnant and had given him the ride to have a one-night affair with him, but then she sends him to his own room.

Natalie drives Killer to the home of a one-time girlfriend of his whose father had once promised him a job, but that family wants nothing to do with him and Natalie takes him with her when she drives away. While they travel west she twice comes close to finding him work and a place to stay, only to decide that Killer would be taken advantage of. She also twice leaves him at the side of the road, only to change her mind.

During a subsequent collect call from a payphone days later her husband pleads with her to return home, saying he will do anything to make her happy. Killer angers her by destroying the phone cord, but they continue travelling together.

Natalie is stopped by a motorcycle highway patrolman, Gordon, and receives a speeding ticket. Gordon invites her back to his trailer, and she agrees. He proves to be an unstable widower and father who mistreats his young daughter. After sending her outside so he and Natalie can have sex, he reveals the death of his wife to Natalie. Meanwhile, his daughter and Killer talk and wander the trailer park together. When Natalie tries to leave, Gordon attempts to force her to stay and prepares to rape her. Killer tries to stop Gordon by beating him, which Natalie tries and fails to stop. Gordon's daughter shoots Killer dead, leaving Natalie holding his body, sobbing, as park residents arrive and watch.


Cast



Production


At the time, Duvall and Caan lived with each other and were doing a few films together. Later, they and Coppola teamed for the film The Godfather.

The film features about 2-minutes and 44 seconds of footage filmed on the streets of Chattanooga, Tennessee amid the city's annual Armed Forces Parade. A majority of the clips were shot near the main intersection of what is today Martin Luther King Boulevard and Market Street.[2]


Reception


Roger Ebert of the Chicago Sun-Times gave the film four stars out of four and compared Natalie Ravenna's quest to that of the Peter Fonda character in Easy Rider, and called them both "lineal descendants of the most typical American searcher of them all, Huckleberry Finn." He concluded: "It's difficult to say whether his film is successful or not. That's the beautiful thing about a lot of the new, experimental American directors. They'd rather do interesting things and make provocative observations than try to outflank John Ford on his way to the Great American Movie."[3]

According to TVGuide.com: "This odd odyssey was not a hit, even though over the years it has been regarded as one of Coppola's more personal pictures and has attained a limited following."[4] Margarita Landazuri writes on Turner Classic Movies: "It has acquired a cult status as an early feminist film for its provocative treatment of a woman seeking her own identity."[5] The work currently has an 82% approval rating on Rotten Tomatoes.[6] In 2015, David Canfield named The Rain People as one of Coppola's five best films, calling it "hypnotic".[7]


See also



References


  1. Gelmis, Joseph (1970). The Film Director as Superstar. Garden City, New York: Doubleday. p. 177.
  2. Phipps, Sean. "Video: Chattanooga's downtown featured in scenes from 1969 film "The Rain People"". Nooga Today. Retrieved 2 December 2019.
  3. Ebert, Roger (September 19, 1969). "The Rain People". Chicago Sun-Times. Retrieved November 1, 2022.
  4. "The Rain People". TV Guide. Retrieved November 1, 2022.
  5. Landazuri, Margarita. "The Rain People". TCM. Retrieved November 1, 2022.
  6. "The Rain People (1969)". Rotten Tomatoes. Retrieved February 2, 2017.
  7. Canfield, David (May 21, 2015). "The 5 Best Films of Francis Ford Coppola". IndieWire. Retrieved May 12, 2017.



На других языках


[de] Liebe niemals einen Fremden

Liebe niemals einen Fremden (Originaltitel: The Rain People) ist ein US-amerikanischer Spielfilm von Francis Ford Coppola aus dem Jahre 1968. Der Regisseur und Freund Coppolas George Lucas half ihm bei diesem Film. „Liebe niemals einen Fremden“ gewann 1969 den „Golden Shell“ Preis beim San Sebastian Film Festival in Amerika. Die deutschsprachige Erstaufführung erfolgte am 28. November 1969.
- [en] The Rain People

[ru] Люди дождя

«Люди дождя» (англ. The Rain People) — американский кинофильм, снятый в 1969 году режиссёром Фрэнсисом Фордом Копполой. Фильм получил приз «Золотая раковина» на фестивале в Сан-Себастьяне в 1969 году.



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