The Red Light Bandit (Portuguese: O Bandido da Luz Vermelha) is a 1968 Brazilian crime film directed by Rogério Sganzerla,[1] inspired by the crimes of the real-life burglar João Acácio Pereira da Costa, known as the "Red Light Bandit" (Bandido da Luz Vermelha).[2] The film is a representative work of cinema marginal, the Brazilian underground filmmaking movement of the 1960s. Sganzerla was 21 years old when he directed it.[3]
This article contains translated text and the factual accuracy of the translation should be checked by someone fluent in Portuguese and English. |
This article is missing information about the film's production, theatrical/home media releases, and reception. (December 2018) |
| The Red Light Bandit | |
|---|---|
Original Brazilian release poster | |
| Directed by | Rogério Sganzerla |
| Written by | Rogério Sganzerla |
| Produced by | José da Costa Cordeiro José Alberto Reis Rogério Sganzerla |
| Starring | Paulo Villaça Helena Ignez Luiz Linhares |
| Narrated by | Hélio Aguiar |
| Cinematography | Peter Overbeck |
| Edited by | Silvio Renoldi |
| Music by | Rogério Sganzerla |
Production company | Urano Filmes |
| Distributed by | Sagres Filmes (VHS release) |
Release dates |
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Running time | 92 minutes |
| Country | Brazil |
| Language | Portuguese |
Sganzerla called the film a Third World western.[4]
This article needs an improved plot summary. (December 2018) |
Jorge, a São Paulo house burglar, nicknamed by the press the "Red Light Bandit", baffles the police by using peculiar techniques. Always carrying a red flashlight, he rapes his victims, has long dialogues with them and makes daring escapes. Afterwards, he spends the profits of his crimes. The bandit's exploits are shown in a fragmented manner, voiced over by two narrators in the style of a sensationalistic radio program.
He has an affair with the femme fatale Janete Jane, meets other burglars and a corrupt politician, and gets betrayed. Pursued and cornered, he commits suicide.
This section needs expansion. You can help by adding to it. (December 2018) |
Film critic Ismail Xavier stated that the film treats the bandit's social milieu with irony, making use of collage, intertextuality and pastiche, in contrast with the Cinema Novo's naturalistic filmmaking.[1]
In 2015, The Red Light Bandit was chosen by Abraccine as the sixth best Brazilian film of all time.[5]
1968 Festival de Brasília (Brazil)[6]
A sequel directed by Ícaro Martins and Helena Ignez, widow of Sganzerla, was released in 2010: Luz nas Trevas - A Volta do Bandido da Luz Vermelha.[7][8]
Candango Award for Best Feature Film | |
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| 1965—1969 |
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| 2010—present |
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There was no award in 1972, 1973, 1974. | |
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