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The Scientific Cardplayer, also known as The Scopone Game (Italian: Lo scopone scientifico), is a 1973 Italian comedy-drama film directed by Luigi Comencini. The screenplay was written by Rodolfo Sonego.

The Scientific Cardplayer
Lo Scopone Scientifico
Theatrical release poster by Renato Casaro
Directed byLuigi Comencini
Screenplay byRodolfo Sonego
Produced byDino De Laurentiis
StarringAlberto Sordi, Silvana Mangano, Bette Davis
CinematographyGiuseppe Ruzzolini
Edited byNino Baragli
Music byPiero Piccioni
Production
company
Dino de Laurentiis Cinematografica
Release date
  • 1973 (1973)
Running time
115 minutes
CountryItaly
LanguageItalian

Plot


An aging and wealthy American woman journeys to Rome each year with her chauffeur George to play the card game scopone with destitute Peppino and his wife Antonia. The annual scenario remains unchanged: she donates the initial stakes, then ultimately wins the game, shattering the couple's dream of scoring a victory and improving their lot in life. Eventually their daughter Cleopatra seeks revenge on her parents' behalf.


Production notes


Bette Davis was in the midst of a three-week vacation at the La Costa health spa in Carlsbad, California when she received the script. On 24-hour notice, she flew to Rome for filming, but did not learn that the dialogue was to be recorded in Italian until the first day of shooting.

This was the third on-screen pairing of Davis and Joseph Cotten. They had previously costarred in Beyond the Forest (1949) and Hush...Hush, Sweet Charlotte (1964).


Cast



Production credits



Awards



See also


Lo scopone scientifico at Italian Wikipedia


References





    На других языках


    - [en] The Scientific Cardplayer

    [ru] Игра в карты по-научному

    Игра в карты по-научному (итал. Lo scopone scientifico; фр. L'Argent de la vieille, англ. The Scientific Cardplayer) — итальянская драматическая кинокомедия 1972 года режиссера Луиджи Коменчини, снятая по сценарию Родольфо Сонего. Фильм был внесен в список 100 итальянских фильмов, которые нужно сохранить, от послевоенных до восьмидесятых годов.



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