Wild Target is a 2010 black comedy film directed by Jonathan Lynn and starring Bill Nighy, Emily Blunt, Rupert Grint, Eileen Atkins, Martin Freeman, and Rupert Everett.[4] It is based on the 1993 French film.[4] Lucinda Coxon wrote the screenplay,[4] and it was produced by Martin Pope and Michael Rose.[3]
Wild Target | |
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Directed by | Jonathan Lynn |
Written by | Lucinda Coxon |
Produced by | Martin Pope Michael Rose |
Starring | |
Cinematography | David Johnson |
Edited by | Michael Parker |
Music by | Michael Price |
Distributed by | Vue Entertainment Freestyle Releasing[1] |
Release dates |
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Running time | 98 minutes[2] |
Countries | United Kingdom France |
Language | English |
Budget | $8 million[3] |
Box office | $3.5 million |
Production began shooting in London on 16 September 2008.[4] Filming also took place on the Isle of Man.[4]
Victor Maynard (Bill Nighy) is a reclusive hit-man perpetuating a family line of professional assassins. His father is deceased, but he operates under the constant watchful gaze of his domineering mother, Louisa (Eileen Atkins).
Rose (Emily Blunt) is an ingenious con artist, who manages to sell a fake Rembrandt, painted by her friend in the Restoration Department of the National Gallery, to Ferguson (Rupert Everett) for £900,000. Ferguson responds by hiring Victor to assassinate her. Victor takes the contract, but misses several opportunities to kill her, finally giving up the attempt entirely as he falls in love with his intended victim.
Thwarting another assassin's attempt to kill Rose, Victor encounters Tony (Rupert Grint), an apparently homeless young man, who is thrown into the already complex lives of Victor and Rose. For a while Victor mistakenly wonders if he is sexually attracted to Tony, but later adopts the young man as a protégé and apprentice in the assassination business.
Ferguson, still determined to have his revenge, hires Dixon (Martin Freeman), reputed to be second only to Victor Maynard in proficiency, to kill both Rose and Victor. The action moves from London to the Maynard family home deep in the English countryside, where the farce genre of the film becomes centrepiece, as Louisa Maynard returns to the house, and Dixon (with a henchman) also discovers the location.
The film closes with a brief cinematographic prolepsis to complete all the principle storylines in a single short scene.
Review aggregator Rotten Tomatoes gave the film a critics score of 33% based on reviews from 55 critics, with an average score of 4.9/10. The site's critics' consensus reads "An ineptly staged farce that dishonors the original film and squanders the comedic potential of its fine actors."[5] Metacritic gives the film a weighted average score of 41 out of 100, based on reviews from 13 critics, indicating "mixed or average reviews".[6]
Timeout London only giving it two out of five stars, saying that it feels like nothing has been "thought through."[7] The verdict given by Empire online is equally negative; it says that the "talented cast keep some low-key action and tired gags from derailing this disappointing farce".[8]
Other critics enjoyed the film, with Flick Filosopher saying "Movies hardly ever make me laugh out loud, but this one did, more than once, with its unpredictable twists... and unexpected punchlines growing out of the deliciously twisted characters".[9]
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