fiction.wikisort.org - Screenwriter

Ruth Prawer Jhabvala CBE (née Prawer; 7 May 1927[1] – 3 April 2013) was a British author and screenwriter. She is best known for her collaboration with Merchant Ivory Productions, made up of director James Ivory and producer Ismail Merchant.[2]

Ruth Prawer Jhabvala CBE
Jhabvala in 1987
Born	Ruth Prawer (1927-05-07)7 May 1927 Cologne, Weimar Republic
Died	3 April 2013(2013-04-03) (aged 85) New York City, U.S.
Occupation	Author screenwriter
Citizenship	United Kingdom (1948–2013) United States (1986–2013)
Alma mater	Queen Mary University of London
Period	1955–2013
Notable awards	Academy Award for Best Adapted Screenplay 1986 A Room with a View 1992 Howards End BAFTA Award for Best Adapted Screenplay 1983 Heat and Dust Booker Prize 1975 Heat and Dust MacArthur Fellowship 1984 Writers Guild of America Award for Best Adapted Screenplay 1986 A Room with a View
Spouse	Cyrus Jhabvala ​ (m. 1951)​
Children	3, including Renana
Relatives	Siegbert Salomon Prawer (brother)

In 1951, Jhabvala married Indian architect Cyrus Jhabvala and moved to New Delhi. She began then to elaborate her experiences in India and wrote novels and tales on Indian subjects. She wrote a dozen novels, 23 screenplays, and eight collections of short stories and was made a CBE in 1998 and granted a joint fellowship by BAFTA in 2002 with Ivory and Merchant.[1][3] She is the only person to have won both a Booker Prize and an Oscar.[4]

Early life

Ruth Prawer was born in Cologne, Germany to Jewish parents Marcus and Eleanora (Cohn) Prawer.[5] Marcus was a lawyer who moved to Germany from Poland to escape conscription and Eleanora's father was cantor of Cologne's largest synagogue.[6][7] Her father was accused of communist links, arrested and released, and she witnessed the violence unleashed against the Jews during the Kristallnacht.[6] The family was among the last group of refugees to flee the Nazi regime in 1939, emigrating to Britain.[7] Her elder brother, Siegbert Salomon Prawer (1925–2012), an expert on Heinrich Heine and horror films, was fellow of The Queen's College and Taylor Professor of German Language and Literature at the University of Oxford.[7]

During World War II, Prawer lived in Hendon in London, experienced the Blitz and began to speak English rather than German. Charles Dickens' works and Margaret Mitchell's Gone with the Wind kept her company through the war years, and she read the latter book while taking refuge in air raid shelters during the Luftwaffe's bombing of London.[8] She became a British citizen in 1948. The following year, her father committed suicide after discovering that 40 members of his family had been murdered during the Holocaust.[7] Prawer attended Hendon County School (now Hendon School) and then Queen Mary College, where she received an MA in English literature in 1951.[7]

Literary career

Years in India

Ruth Prawer lived in India for 24 years from 1951. Her first novel, To Whom She Will, was published in 1955. It was followed by Esmond in India (1957), The Householder (1960) and Get Ready for Battle (1963). The Householder, with a screenplay by Jhabvala, was filmed in 1963 by Merchant and Ivory. During her years in India, she wrote scripts for the Merchant-Ivory duo for The Guru (1969) and The Autobiography of a Princess (1975). She collaborated with Ivory for the screenplays for Bombay Talkie (1970) and ABC After-school Specials: William - The Life and Times of William Shakespeare (1973).[9]

In 1975, she won the Booker Prize for her novel Heat and Dust, later adapted into a movie.[10] That year, she moved to New York where she wrote The Place of Peace.[9] Her husband also moved to US permanently in late 1980s, and the couple lived on the east coast until Ruth's death in 2013. [11] Cyrus Jhabwala died in Los Angeles in 2014.

Jhabvala "remained ill at ease with India and all that it brought into her life." She wrote in an autobiographical essay, Myself in India (published in London Magazine) that she found the "great animal of poverty and backwardness" made the idea and sensation of India intolerable to her, a "Central European with an English education and a deplorable tendency to constant self-analysis."[12][13] Her early works in India dwell on the themes of romantic love and arranged marriages and are portraits of the social mores, idealism and chaos of the early decades of independent India. Writing about her in the New York Times, novelist Pankaj Mishra observed that "she was probably the first writer in English to see that India's Westernizing middle class, so preoccupied with marriage, lent itself well to Jane Austenish comedies of manners."[12]

Life in the United States

Jhabvala moved to New York City in 1975 and lived there until her death in 2013, becoming a naturalized citizen of the United States in 1986. She continued to write and many of her works including In Search of Love and Beauty (1983), Three Continents (1987), Shards of Memory (1995) and East into Upper East: Plain Tales From New York and New Delhi (1998) portray the lives and predicaments of immigrants from post-Nazi and post-World War Europe. Many of these works feature India as a setting where her characters go in search of spiritual enlightenment only to emerge defrauded and exposed to the materialistic pursuits of the East.[12] The New York Times Review of Books chose her Out of India (1986) as one of the best reads for that year.[8] In 1984, she was awarded a MacArthur Fellowship.[14]

In 2005 she published My Nine Lives: Chapters of a Possible Past with illustrations by her husband and the book was described as "her most autobiographical fiction to date".[6]

Reception

Her literary works were well received with C.P. Snow, Rumer Godden and V.S. Pritchett describing her work as "the highest art", "a balance between subtlety, humour and beauty" and as being Chekhovian in its detached sense of comic self-delusion. Salman Rushdie described her as a "rootless intellectual" when he anthologized her in the Vintage Book of Indian Writing, and John Updike described her an "initiated outsider".[6]

Jhabvala initially was assumed to be an Indian among the reading public because of her perceptive portrayals of the nuances of Indian lifestyles. Later, the revelation of her true identity led to falling sales of her books in India and made her a target of accusations about "her old-fashioned colonial attitudes".[4]

Jhabvala's last published story was "The Judge's Will", which appeared in The New Yorker on 25 March 2013.[15]

Merchant Ivory Productions

In 1963, Jhabvala was approached by James Ivory and Ismail Merchant to write a screenplay for their debut The Householder, based on her 1960 novel. During their first encounter, Merchant later said Jhabvala, seeking to avoid them, pretended to be the housemaid when they visited. The film, released by Merchant Ivory Productions in 1963 and starring Shashi Kapoor and Leela Naidu, met with critical praise and marked the beginning of a partnership that resulted in over 20 films.[16]

The Householder was followed by Shakespeare Wallah (1965), another critically acclaimed film. There followed a series of films, including Roseland (1977), Hullabaloo Over Georgie and Bonnie's Pictures (1978), The Europeans (1979), Jane Austen in Manhattan (1980), Quartet (1981), The Courtesans of Bombay (1983) and The Bostonians (1984). The Merchant Ivory production of Heat and Dust in 1983 won Jhabvala a BAFTA Award for Best Adapted Screenplay the following year.[9]

She won her first Academy Award for her screenplay for A Room with a View (1986) and won a second in the same category for Howards End six years later.[10] She was nominated for a third Academy Award for Best Adapted Screenplay the following year for The Remains of the Day.[4]

Her other films with Merchant and Ivory include Mr. and Mrs. Bridge (1990), Jefferson in Paris (1995), Surviving Picasso (1996), A Soldier's Daughter Never Cries (1998) (the screenplay for which she co-authored with Ivory), The Golden Bowl (2000) and The City of Your Final Destination (2009), adapted from the eponymous novel by Peter Cameron and was her last screenplay.[9] Le Divorce which she co-wrote with Ivory was the last movie that featured the trio of Merchant, Ivory and Jhabvala.[17]

In an interview for the British Film Institute, British actor James Wilby claimed that Jhabvala refused to write the screenplay of the 1987 film Maurice despite being "the normal writer" for Merchant-Ivory films. Wilby surmised that Jhabvala may have been uncomfortable with the central subject matter of the film, based on a posthumously published novel by E.M. Forster, which depicted a gay relationship set in Edwardian England. Ivory was reportedly "quite upset" by Jhabvala's decision, given the fact that their friendship was "incredibly close."[18] For her own part, Jhabvala apparently did provide notes for Maurice,[19] but claimed she didn't wish to write the screenplay, as the novel was "sub-Forster and sub-Ivory."[20]

The Merchant-Ivory duo was acknowledged by the Guinness Book of World Records as the longest collaboration between a director and a producer, but Jhabvala was a part of the trio from the very beginning. She introduced the composer Richard Robbins, who went on to score music for almost every production by Merchant-Ivory beginning with The Europeans in 1979, to the duo after meeting him while he was the director of Mannes College of Music, New York.[21] Madame Sousatzka (1988) was the one film she wrote that was not produced by Merchant Ivory.

Selected filmography

Year	Title	Other notes
1963	The Householder	screenplay, adapted from the novel by Jhabvala
1965	Shakespeare Wallah	screenplay
1969	The Guru	screenplay
1970	Bombay Talkie	screenplay
1975	Autobiography of a Princess	written by
1977	Roseland	story and screenplay
1978	Hullabaloo Over Georgie and Bonnie's Pictures	written by
1979	The Europeans	screenplay, adapted from the novel by Henry James
1980	Jane Austen in Manhattan	written by, inserted libretto "Sir Charles Grandison" by Jane Austen
1981	Quartet	screenplay, adapted from the novel by Jean Rhys
1983	Heat and Dust	screenplay, adapted from the novel by Jhabvala
1984	The Bostonians	screenplay, adapted from the novel by Henry James
1985	A Room with a View	screenplay, adapted from the novel by E.M. Forster
1988	Madame Sousatzka	screenplay, adapted from the novel by Bernice Rubens. Directed by John Schlesinger
1990	Mr. and Mrs. Bridge	screenplay, adapted from the novels by Evan S. Connell (Mr. Bridge & Mrs. Bridge)
1992	Howards End	screenplay, adapted from the novel by E.M. Forster
1993	The Remains of the Day	screenplay, adapted from the novel by Kazuo Ishiguro
1995	Jefferson in Paris	screenplay
1996	Surviving Picasso	screenplay
1998	A Soldier's Daughter Never Cries	screenplay, adapted from the novel by Kaylie Jones
2000	The Golden Bowl	screenplay, adapted from the novel by Henry James
2003	Le Divorce	co-written by James Ivory, adapted from the novel by Diane Johnson
2009	The City of Your Final Destination	screenplay, adapted from the novel by Peter Cameron

Awards and nominations

Academy Awards

Year	Film	Category	Result	Ref.
1986	Best Adapted Screenplay	A Room with a View	Won	[22]
1992		Howards End	Won
1993		The Remains of the Day	Nominated

Golden Globe Awards

Year	Category	Film	Result	Ref.
1992	Best Screenplay	Howards End	Nominated	[22]
1993		The Remains of the Day	Nominated

British Academy Film Awards

Year	Category	Film	Result	Ref.
1983	Best Adapted Screenplay	Heat and Dust	Won	[22]
1986		A Room with a View	Nominated
1992		Howards End	Nominated
1993		The Remains of the Day	Nominated

Writers Guild of America Awards

Year	Category	Film	Result	Ref.
1986	Best Adapted Screenplay	A Room with a View	Won	[23]
1992	Best Adapted Screenplay	Howards End	Nominated
1993	Best Adapted Screenplay	The Remains of the Day	Nominated
1993	Screen Laurel Award	—	Won

Honors

• 1975: Booker Prize – Heat and Dust[23]

1976: Guggenheim Fellowship

• 1979: Neil Gunn Prize[24]
• 1984: MacArthur Fellowship[23]
• 1984: London Critics Circle Film Awards – Screenwriter of the Year for: Heat and Dust[24]
• 1990: New York Film Critics Circle - Best Screenplay: Mr. and Mrs. Bridge[23]
• 2003: O. Henry Prize Winner for "Refuge in London"[24]

Personal life

In 1951, Prawer married Cyrus Shavaksha Hormusji Jhabvala,[25] an Indian Parsi architect and, later, head of the School of Planning and Architecture, New Delhi.[16][1] The couple moved into a house in Delhi's Civil Lines where they raised three daughters: Ava, Firoza and Renana.[16][1] In 1975, Jhabvala moved to New York and divided her time between India and the United States. In 1986, she became a naturalized citizen of the United States.[9]

Death

Jhabvala died in her home in New York City on 3 April 2013 at the age of 85. James Ivory reported that her death was caused by complications from a pulmonary disorder.[26][27][28] Reacting to her death, Merchant Ivory Productions noted that Jhabvala had "been a beloved member of the Merchant Ivory family since 1960, comprising one-third of our indomitable trifecta that included director James Ivory and the late producer Ismail Merchant" and that her death was "a significant loss to the global film community".[29]

Literary works

Novels and novellas

Year	Title	Other notes
1955	To whom she will : a novel	Published in the United States as Amrita
1956	The Nature of Passion
1958	Esmond in India
1960	The Householder
1962	Get Ready for Battle
1965	A Backward Place
1972	A New Dominion	published in the United States as Travelers
1975	Heat and Dust
1983	In Search of Love and Beauty
1987	Three Continents
1993	Poet and Dancer
1995	Shards of Memory

Short stories and collections

Year	Title	Other notes
1963	Like Birds, Like Fishes
1968	A Stronger Climate
1971	An Experience of India
1976	How I Became a Holy Mother and other stories
1986	Out of India: Selected Stories
1998	East into Upper East: Plain Tales from New York and New Delhi
2004	My Nine Lives : Chapters of a Possible Past
2008	The Teacher	"The Teacher". The New Yorker. Volume:84. 28 July 2008
2011	A Lovesong for India: Tales from East and West
2013	A Judge's Will	"The judge's will". The New Yorker. Vol. 89, no. 6. 25 March 2013. pp. 88–95.
2018	At the End of the Century: The Stories of Ruth Prawer Jhabvala

Critical studies and reviews of Jhabvala's work

Anthologies and encyclopedias

• Prawer Jhabvala, Ruth (2000). "Passion". In Bausch, Richard; Cassill, R. V. (eds.). Norton Anthology of Short Fiction (6th ed.). New York: W.W. Norton. pp. 801–813. ISBN 978-0-39397-508-6.
• Prawer Jhabvala, Ruth (2005). "Two more under the Indian sun". In Mishra, Pankaj (ed.). India in Mind: An Anthology. New York: Vintage Books. pp. 108–130. ISBN 978-0-37572-745-0.
• Prawer Jhabvala, Ruth (1999). "An experience of India". In Ross, Robert (ed.). Colonial and Postcolonial Fiction in English: An Anthology. New York: Garland. pp. 189–209. ISBN 978-0-81531-431-8.
• Serafin, Steven, ed. (1999). "Ruth Prawer Jhabvala". Encyclopedia of World Literature in the 20th Century. Vol. 4 (L-Z) (3rd ed.). Farmington Hills, Michigan: St. James Press. ISBN 978-1-55862-377-4.

Screenwriting

• Bailur, Jayanti (1992). Ruth Prawer Jhabvala: Fiction and Film. New Delhi: Arnold Publishers.
• Katz, Susan Bullington, ed. (2000). "Ruth Prawer Jhabvala". Conversations with Screenwriters. Portsmouth, New Hampshire: Heinemann. pp. 1–8. ISBN 978-0-32500-295-8.

Other

• Crane, Ralph J. (1992). Ruth Prawer Jhabvala. New York: Twayne. ISBN 978-0-80577-030-8.
• Crane, Ralph J. (1991). Passages to Ruth Prawer Jhabvala. New Delhi: Sterling Publishers. ISBN 978-8-12071-355-0.
• Jasanoff, Maya (7 January 2019). "A passage from India : Ruth Prawer Jhabvala and the art of ambivalence". The Critics. A Critic at Large. The New Yorker. Vol. 94, no. 43. pp. 62–67.[30]
• Rai, Sudha (1992). Homeless by Choice: Naipaul, Jhabvala, Rushdie and India. Jaipur: Printwell. ISBN 978-8-17044-241-7.
• Shepherd, Ronald (1994). Ruth Prawer Jhabvala in India: The Jewish Connection. Delhi: Chanakya Publications. ISBN 978-8-17001-096-8.
• Sucher, Laurie (1989). The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Basingstoke: Macmillan. ISBN 978-0-33342-196-3.

References

Further reading

• Prawer Jhabvala, Ruth (26 June 2006). "Innocence". The New Yorker.
• Horne, Philip. "'It works diagonally': A Conversation with Ruth Prawer Jhabvala on The Golden Bowl and the Art of Adaptation". Merchant Ivory. Archived from the original on 2 May 2014.
• Williams, Phillip. "Rewriting Literature: A Conversation With Ruth Prawer Jhabvala". MovieMaker. Archived from the original on 3 August 2001.
• "Desert Island Discs". BBC Radio 4. 24 January 1999.
• Freeman, Catherine. "Ruth Prawer Jhabvala CBE remembered". The Royal Society of Literature.

External links

• Quotations related to Ruth Prawer Jhabvala at Wikiquote
• Portraits of Ruth Prawer Jhabvala at the National Portrait Gallery, London

На других языках

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[de] Ruth Prawer Jhabvala

Ruth Prawer Jhabvala (* 7. Mai 1927 in Köln; † 3. April 2013 in New York City) war eine britische Schriftstellerin und Drehbuchautorin (zwei[1] Oscars). Sie arbeitete mehr als vier Jahrzehnte eng mit dem Regie/Produzenten-Duo Ismail Merchant und James Ivory zusammen.

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- [en] Ruth Prawer Jhabvala

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[es] Ruth Prawer Jhabvala

Ruth Prawer (Colonia, República de Weimar, 7 de mayo de 1927 - Nueva York, Estados Unidos, 3 de abril de 2013) fue una escritora y guionista cinematográfica estadounidense de origen alemán.[1] Es conocida por su larga colaboración con Merchant Ivory Productions del el director James Ivory y el productor Ismail Merchant. [2] Escribió una docena de novelas, 23 guiones y ocho colecciones de cuentos; obtuvo una orden del Imperio Británico en 1998 y una beca conjunta de BAFTA en 2002 con Ivory y Merchant. [3] [4] Es la única persona que ha ganado un premio Booker (en 1995 por Heat and Dust) y dos premios Oscar (ambos al mejor guion adaptado: en 1995 por A Room with a View y en 1992 por Howards End).

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[ru] Правер Джабвала, Рут

Рут Пра́вер Джа́бвала (англ. Ruth Prawer Jhabvala; 7 мая 1927, Кёльн — 3 апреля 2013, Манхэттен, Нью-Йорк) — английская и американская писательница, киносценарист. Лауреат Букеровской премии и двукратный лауреат премии «Оскар» за лучший адаптированный сценарий. Единственный человек в мире, получивший и «Оскара», и «Букера».

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