Kelly Cherry (December 21, 1940 – March 18, 2022) was a novelist, poet, essayist, professor, and literary critic[1] and a former Poet Laureate of Virginia (2010–2012).[2] She was the author of more than 30 books, including the poetry collections Songs for a Soviet Composer, Death and Transfiguration, Rising Venus and The Retreats of Thought.[3][1] Her short fiction was reprinted in The Best American Short Stories, Prize Stories: The O. Henry Awards, The Pushcart Prize, and New Stories from the South, and won a number of awards.[4]
March 18, 2022(2022-03-18) (aged81) Halifax, Virginia, United States
Occupation
Poet
author
essayist
Nationality
American
Almamater
University of Mary Washington University of Virginia University of North Carolina at Greensboro
Notable works
Quartet for J. Robert Oppenheimer (poems) Twelve Women in a Country Called America: Stories A Kind of Dream Girl in a Library: On Women Writers & the Writing Life Hazard and Prospect: New and Selected Poems The Retreats of Thought
She received her bachelors degree from Mary Washington College in 1961 and an MFA in 1967 from the University of North Carolina at Greensboro.[5] She married Jonathan Silver in 1966 and divorced him in 1969.[5] She later married Walter Burke Davis, III, a writer, journalist and bookseller.[6]
Cherry died on March 18, 2022, at the age of 81.[1] She was survived by her son Booker and preceded in death by her husband Burke Davis III.[4] The editors of storySouth dedicated the magazine's spring 2022 issue to her for her support of "all the little magazines."[7]
Career
Early career
Virginia Poets Laureate at University of Mary Washington Reunion Day, June 3, 2011. Carolyn Kreiter-Foronda (2006-2008), Claudia Emerson (2008-2010) and Kelly Cherry (2010-2012)[8]
Cherry graduated from the University of Mary Washington in 1961, did graduate work at the University of Virginia in Philosophy as a Du Pont Fellow, and received a Masters of Fine Arts from the University of North Carolina at Greensboro. After working in publishing for some years, she accepted a position at Southwest Minnesota State College. She began teaching at the University of Wisconsin–Madison in 1977.[9][10] Cherry later became the Eudora Welty Professor Emerita of English and Evjue-Bascom Professor Emerita in the Humanities[11] at the University of Wisconsin–Madison.[12]
Later career
Cherry retired in 1999 and in retirement held chairs and distinguished writer positions at a number of universities, including the University of Alabama in Huntsville (Eminent Scholar), Colgate University, Mercer University, Atlantic Center for the Arts, and Hollins University.
A resident of Halifax, Virginia, she was named the state's Poet Laureate by Governor Bob McDonnell in July 2010. She succeeded Claudia Emerson in this post (Poet Laureate of Virginia, 2008–2010).[13]
Literary themes and styles
Cherry's poetry frequently focused on issues related to philosophy[14] and language,[3] and has been described as trying to "discover within the art of poetry methods and procedures identical to, or closely analogous with, those of a science or a rigorous formal philosophy."[14] Or as Cherry described it, "the becoming-aware of abstraction in real life--since, in order to abstract, you must have something to abstract from."[15]
Within her novels, the abstract notions of morality become her focus: "My novels deal with moral dilemmas and the shapes they create as they reveal themselves in time. My poems seek out the most suitable temporal or kinetic structure for a given emotion."[15] As described in Contemporary Authors, Cherry "manages to capture, in very readable stories, the indecisiveness and mute desperation of life in the twentieth century."[15]
From the beginning of her career, Cherry wrote both formal verse and free verse. According to the citation preceding her receipt of the James G. Hanes Poetry Prize by the Fellowship of Southern Writers in 1989, "Her poetry is marked by a firm intellectual passion, a reverent desire to possess the genuine thought of our century, historical, philosophical, and scientific, and a species of powerful ironic wit which is allied to rare good humor." Reviewing Relativity, Patricia Goedicke noted in Three Rivers Poetry Journal that "her familiarity with the demands and pressures of traditional patterns has resulted...in an expansion and deepening of her poetic resources, a carefully textured over- and underlay of image, meaning and diction." Mark Harris felt that Cherry's "ability to sustain a narrative by clustering and repeating images [lends] itself to longer forms, and 'A Bird's Eye View of Einstein,' the longest poem in [Relativity], is an example of Cherry at her poetic best." Reviewing Cherry's collection, Death and Transfiguration, Patricia Gabilondo wrote in The Anglican Theological Review that "the abstract prose poem 'Requiem' that closes this book...translates personal loss into the historical and universal, providing an occasion for philosophical meditation on the mystery of suffering and the need for transcendence in a post-Holocaust world that seems to offer none. Moving through the terrors of nihilism and doubt, Cherry, in a poem that deftly alternates between the philosophically abstract and the image's graphic force, gives us an intellectually honest and deeply moving vision of our relation to each other's suffering and of God's relation to humanity's 'memory of pain'."[15]
Teaching positions in retirement
Rivers-Coffey Distinguished Chair, Appalachian State University
Louis D. Rubin, Jr., Writer-in-Residence, Hollins University
Master Artist, Atlantic Center for the Arts
Ferrol A. Sams, Jr., Distinguished Chair in English, Mercer University
NEH Visiting Professor in the Humanities, Colgate University
Eminent Scholar, University of Alabama in Huntsville, 1999-2004
While at the University of Wisconsin
Wyndham Robertson Writer-in-Residence, Hollins University
Distinguished Professor, Rhodes College
Full Professor and Distinguished Writer-in-Residence, Western Washington University
Other positions and posts include
Member, Electorate, Cathedral of St. John the Divine, NYC (five-year term beginning 2009; extended to 2016; now Electorate Emeritus)
Associated Writing Programs Board of Directors (1990–93)
Discipline Advisory Committee for Fulbright Awards (1991–94)
Advisory Editor, Shenandoah (1988–92)
Contributing Editor, The Hollins Critic (1996–present)
Contributing Editor, The Smart Set (2015–present)
Bibliography
This list is incomplete; you can help by adding missing items. (January 2019)
Time Out of Mind, March Street Press, 1994, ISBN978-1-882983-08-7
Relativity: A Point of View, Louisiana State University Press, 1977, ISBN978-0-8071-0277-0
Welsh Table Talk, The Book Arts Conservatory, 2004
List of poems
Title
Year
First published
Reprinted/collected
Field notes
1997
Cherry, Kelly (July 1997). "Field notes". The Atlantic Monthly. 280 (1): 56.
Other
A Kelly Cherry Reader. TX: Stephen F. Austin State University Press, 2015. Intro by Fred Chappell. Stories, novel excerpts, essays (familiar, instructive), eight poems.
Translations
Antigone (trans.), in Sophocles, 2, ed. by Slavitt and Bovie
Octavia (trans.), in Seneca: The Tragedies, Vol. 2, ed. Slavitt and Bovie
1979 National Endowment for the Arts Fellowship, USA
1978 Fellow, Virginia Center for the Creative Arts, USA. Also, 1985; 1986; December–January 1987/1988; 1989; December–February 1990/1991; 2003; 2004; 2007; 2011 (Weinstein Fellow); June 13-July 14, 2013
"Two Women: One Art The Life and Death of Poetry by Kelly Cherry and Eldest Daughter by Ava Leavell Haymon" by Randall Ivey, Modern Age, 58(1), winter 2016, page 82.
"Kelly Cherry (1940-2022)," University of Wisconsin, Madison, Department of English, accessed July 17, 2022.
"Cherry, Kelly," Encyclopedia of the American Novel by Abby H. P. Werlock, Infobase Publishing, 2015.
"Kelly Cherry in Her Poetry: The Subject as Object" by Fred Chappell, The Mississippi Quarterly, Vol. 58, No. 2, SPECIAL ISSUE: SOUTHERN POETRY (SPRING 2005), page 256.
"Cherry, Kelly 1940-," Contemporary Authors, v. 209, Gale, 2003, pages 116-135.
O. Henry Award 1994 for "Not the Phil Donahue Show"
The Virginia Quarterly Review, Summer 1993
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