Richard Gary Brautigan (January 30, 1935 – c. September 16, 1984) was an American novelist, poet, and short story writer. A prolific writer, he wrote throughout his life and published ten novels, two collections of short stories, and four books of poetry. Brautigan's work has been published both in the United States and internationally throughout Europe, Japan, and China. He is best known for his novels Trout Fishing in America (1967), In Watermelon Sugar (1968), and The Abortion: An Historical Romance 1966 (1971).

Richard Brautigan
Born	(1935-01-30)January 30, 1935 Tacoma, Washington, U.S.
Died	c. September 16, 1984(1984-09-16) (aged 49) Bolinas, California, U.S.
Occupation	Novelist poet short story writer
Genre	Magic realism gothic Western fabulation black comedy satire psychological fiction
Literary movement	Postmodernism
Notable works	Trout Fishing in America (1967) In Watermelon Sugar (1968) Willard and His Bowling Trophies: A Perverse Mystery (1975)

Brautigan began his career as a poet, with his first collection being published in 1957. He made his debut as a novelist with A Confederate General from Big Sur (1964), about a seemingly delusional man who believes himself to be the descendant of a Confederate general from Big Sur. Brautigan would go on to publish numerous prose and poetry collections until 1982. He died by suicide in 1984.

Early life

Background

Brautigan was born in Tacoma, Washington, the only child of Bernard Frederick "Ben" Brautigan Jr. (July 29, 1908 – May 27, 1994), a factory worker and laborer, and Lulu Mary "Mary Lou" Keho (April 7, 1911 – September 24, 2005), a waitress. In May 1934, eight months before Richard's birth, Bernard and Mary Lou separated. Brautigan said that he met his biological father only twice, although after Richard's death, Bernard was said to be unaware that Richard was his child, saying "He's got the same last name, but why would they wait 45 to 50 years to tell me I've got a son?"[1]

In 1938, Brautigan and his mother began living with a man named Arthur Martin Titland. The couple produced a daughter named Barbara Ann, born on May 1, 1939, in Tacoma. Brautigan claimed that he had a very traumatic experience when, at age six, his mother left him and his two-year-old sister unattended in a motel room in Great Falls, Montana, for two days.^{[citation needed]}

On January 20, 1943, Mary Lou married a fry cook named Robert Geoffrey Porterfield. The couple had a daughter named Sandra Jean, born April 1, 1945, at Salem General Hospital in Salem, Oregon.[2] Mary Lou told Brautigan that Porterfield was his biological father, and Brautigan began using Richard Gary Porterfield as his name. Mary Lou separated from Porterfield in 1946, and married William David Folston Sr. on June 12, 1950. The couple produced a son named William David Jr., born on December 19, 1950, in Eugene. Folston was recalled as being a violent alcoholic, whom Richard had seen abusing his mother.

Brautigan was raised in poverty; he told his daughter stories of his mother sifting rat feces out of their supply of flour before making flour-and-water pancakes.[3] Brautigan's family found it difficult to obtain food, and on some occasions they did not eat for days. The family lived on welfare and moved about the Pacific Northwest for nine years before settling in Eugene, Oregon in August 1944. Many of Brautigan's childhood experiences are included in the poems and stories that he wrote from as early as the age of 12. His novel So the Wind Won't Blow It All Away is loosely based on childhood experiences, including an incident in which Brautigan accidentally shot the brother of a close friend in the ear, injuring him only slightly.

On September 12, 1950, Brautigan enrolled at Eugene High School, having graduated from Woodrow Wilson Junior High School. He wrote for his high school newspaper, the Eugene High School News. He also played on his school's basketball team, and stood 6 feet 4 inches (1.93 m) tall by the time of his graduation. On December 19, 1952, Brautigan's first published poem, "The Light", appeared in the school newspaper. Brautigan graduated with honors from Eugene High School on June 9, 1953. After graduation, he moved in with his best friend Peter Webster, and Peter's mother Edna Webster became a surrogate mother to Brautigan. According to several accounts, Brautigan stayed with Webster for about a year before leaving for San Francisco for the first time in August 1954. He returned to Oregon several times, apparently for lack of money.[4]

On December 14, 1955, Brautigan was arrested for throwing a rock through a police station window, supposedly to be sent to prison and fed. He was arrested for disorderly conduct and fined $25. He was then committed to the Oregon State Hospital on December 24, 1955, after police noticed patterns of erratic behavior.

At the Oregon State Hospital Brautigan was diagnosed with paranoid schizophrenia and clinical depression, and was treated with electroconvulsive therapy 12 times.[5] While institutionalized, he began writing The God of the Martians, a manuscript of 20 very short chapters totaling 600 words. The manuscript was sent to at least two editors but was rejected by both, and remains unpublished.[6] (A copy of the manuscript was recently discovered with the papers of the last of those editors, Harry Hooton.) On February 19, 1956, Brautigan was released from the hospital and briefly lived with his mother, stepfather, and siblings in Eugene. He then left for San Francisco, where he would spend most of the rest of his life except for periods in Tokyo and Montana.[4][7]

Career

In San Francisco, Brautigan sought to establish himself as a writer. He was known for handing out his poetry on the streets and performing at poetry clubs. In early 1956, Brautigan typed a three-page manuscript and sent it to The Macmillan Company for publication.[8] The manuscript consisted of two pages with 14 poems and a page with the dedication "for Linda". Of the poems, only "stars" and "hey" were titled. In a letter dated May 10, 1956, Macmillan rejected the manuscript, stating, "... there is no place where it will fit in". In 2005, the X-Ray Book Company published the manuscript as a chapbook titled Desire in a Bowl of Potatoes.

Brautigan's first poetry book publication was The Return of the Rivers (1957),[9] a single poem, followed by two collections of poetry: The Galilee Hitch-Hiker (1958) and Lay the Marble Tea (1959). During the 1960s Brautigan became involved in the burgeoning San Francisco counterculture scene, often appearing as a performance poet at concerts and participating in the various activities of The Diggers. He contributed several short pieces to be used as broadsides by the Communication Company. Brautigan was also a writer for Change, an underground newspaper created by Ron Loewinsohn.

In the summer of 1961, while camping in southern Idaho with his wife and daughter, Brautigan completed the novels A Confederate General From Big Sur and Trout Fishing in America.[10][11]^{[circular reference]} A Confederate General from Big Sur was his first published novel and met with little critical or commercial success. But when Trout Fishing in America was published in 1967, Brautigan was catapulted to international fame. Literary critics labeled him the writer most representative of the emerging countercultural youth movement of the late 1960s, even though he was said to be contemptuous of hippies.[12] Trout Fishing in America has sold over 4 million copies worldwide.

During the 1960s Brautigan published four collections of poetry as well as another novel, In Watermelon Sugar (1968). In the spring of 1967 he was Poet-in-Residence at the California Institute of Technology. During this year, he published All Watched Over by Machines of Loving Grace, a chapbook published by The Communication Company. It was printed in an edition of 1,500 copies and distributed free. From 1968 to 1970 Brautigan had 23 short pieces published in Rolling Stone magazine.[13] From late 1968 to February 1969, Brautigan recorded a spoken-word album for The Beatles' short-lived record-label, Zapple. The label was shut down by Allen Klein before the recording could be released, but it was eventually released in 1970 on Harvest Records as Listening to Richard Brautigan.[14]

In the 1970s Brautigan experimented with literary genres. He published five novels (the first of which, The Abortion: An Historical Romance 1966, had been written in the mid-1960s) and a collection of short stories, Revenge of the Lawn (1971). In 1974 The Cowell Press collected seven of his broadside poems into the book Seven Watermelon Suns. The limited edition of ten copies included embossed color etchings by Ellen Meske.[15] "When the 1960s ended, he was the baby thrown out with the bath water," said his friend and fellow writer, Thomas McGuane. "He was a gentle, troubled, deeply odd guy." Generally dismissed by literary critics and increasingly abandoned by his readers, Brautigan's popularity waned throughout the late 1970s and 1980s. His work remained popular in Europe, however, as well as in Japan, where Brautigan visited several times.[16] To his critics, Brautigan was willfully naive. Lawrence Ferlinghetti said of him, "As an editor I was always waiting for Richard to grow up as a writer. It seems to me he was essentially a naïf, and I don't think he cultivated that childishness, I think it came naturally. It was like he was much more in tune with the trout in America than with people."[17]

Brautigan's writings are characterized by a remarkable and humorous imagination. The permeation of inventive metaphors lent even his prose works the feeling of poetry. Evident also are themes of Zen Buddhism like the duality of the past and the future and the impermanence of the present.[18] Brautigan's last publication before his death in 1984 was his novel So the Wind Won't Blow It All Away, published in 1982.

The Edna Webster Collection of Undiscovered Writings was published in 1999. This collection of writings was gifted by a twenty-one year old Richard Brautigan to Edna Webster in 1955, when he left Oregon for San Francisco.[19]

In 2002, a proposed edition of Brautigan's collected poems was rejected by his estate.[20] In November 2016 the French publisher Le Castor Astral published a bilingual edition entitled Tout ce que j'ai à déclarer: œuvre poétique complète.[21]

Personal life

On June 8, 1957, Brautigan married Virginia Dionne Alder in Reno, Nevada. The couple had one daughter together, Ianthe Elizabeth Brautigan, born on March 25, 1960, in San Francisco. Brautigan's alcoholism and depression caused him to become increasingly abusive[22] and Alder ended the relationship on December 24, 1962, though the divorce was not finalized until July 28, 1970. Brautigan continued to reside in San Francisco after the separation, while Alder settled in Manoa, Hawaii, and became a feminist and an anti-Vietnam War activist.

Brautigan remarried on December 1, 1977, to the Japanese-born Akiko Yoshimura, whom he met in July 1976 while living in Tokyo. The couple settled in Pine Creek, Park County, Montana, for two years. Brautigan and Yoshimura divorced in 1980.[23]

Brautigan had a relationship with Marcia Clay of San Francisco from 1981 to 1982. He also pursued a brief relationship with Janice Meissner, a woman from the North Beach community of San Francisco. Other relationships were with Marcia Pacaud, who appears on the cover of The Pill Versus the Springhill Mine Disaster; Valerie Estes, who appears on the cover of Listening to Richard Brautigan; and Sherry Vetter, who appears on the cover of Revenge of the Lawn.^{[citation needed]}

Brautigan was an alcoholic throughout his adult life; according to his daughter, he often mentioned suicide over a period of more than a decade before ending his life.[3]

In 1984, at age 49, Richard Brautigan had moved to Bolinas, California, where he was living alone in a large, old house that he had bought with his earnings years earlier. He died of a self-inflicted .44 Magnum gunshot wound to the head. His decomposed body was found by Robert Yench, a friend and private investigator, on October 25, 1984. The body was found on the living room floor, in front of a large window that, though shrouded by trees, looked out over the Pacific Ocean. Due to the decomposition of the body it is speculated that Brautigan had ended his life over a month earlier, on September 16, 1984, days after talking to friend Marcia Clay on the telephone (neighbors heard a loud noise that Sunday while watching an NFL game[2]). Brautigan was survived by his parents, both ex-wives, and his daughter Ianthe.

According to Michael Caines, writing in the Times Literary Supplement, the story that Brautigan left a suicide note that simply read: "Messy, isn't it?" is apocryphal.[24] Ianthe Brautigan has confirmed that her father did not leave such a message.[25] Brautigan once wrote, "All of us have a place in history. Mine is clouds."[26]

Legacy

Because Brautigan frequently wrote in first-person and included locations and events with which he is associated, readers might assume his work is autobiographical. Writing in 1972, Long Island University professor Terrence Malley points out that "Brautigan's books are for the most part both directly autobiographical and curiously elusive . . . It's usually difficult to separate confession from whimsy in Brautigan's writing" (18).[27]

Several later authors have cited Brautigan as an influence, including Haruki Murakami,[28] W. P. Kinsella,[29] Christopher Moore[30] and Sarah Hall.[31]

The Library for Unpublished Works envisioned by Brautigan in his novel The Abortion was housed at the Brautigan Library in Burlington, Vermont, until 1995 when it was moved to the nearby Fletcher Free Library where it remained until 2005. Although there were plans to move it to the Presidio branch of the San Francisco Public Library, these never materialized. However, after an agreement was made between Brautigan's daughter, Ianthe Brautigan, and the Clark County Historical Museum (in Vancouver, Washington), the Brautigan Library was moved to the museum in 2010.[32][33][34][35]

Kumquat Meringue was a literary journal published in Rockford, Illinois, dedicated to the memory and work of Brautigan.[36]

Saltpeter, a London-based production company, launched an international creative society, the Brautigan Book Club (BBC), which uses Brautigan and his work as a creative jumping off point. As of 2012^[update], Saltpeter was developing the world premiere of "the Brautigan opera" developed from Tonseisha – The Man Who Abandoned the World, a play by Los Angeles screenwriter Erik Patterson.[37]

Parts of this article (those related to information about Saltpeter's opera) need to be updated. The reason given is: information is of 2012 and describes prospective project. (October 2022)

The industrial rock band Machines of Loving Grace took its name from one of Brautigan's poems. The album Boo, Forever by indie rock band Field Guides takes its title from the Brautigan poem of the same name.[38] John Markoff titled his 2015 book Machines of Loving Grace: The Quest For Common Ground Between Humans and Robots. Trout Fishing in America is a musical duo which performs folk rock and children's music. Neko Case based her song "Margaret vs. Pauline" on the female characters of In Watermelon Sugar. The band b-flower is named after Richard Brautigan, being a shortened version of "Brautigan Flower". They also reference his work in songs such as "The Eternal 59th Second" (titled after a line in "Trout Fishing in America"). The Lovely Eggs praise Brautigan in their song "Have You Ever Heard A Digital Accordion?". The song "Brought Again" by Atlanta band "Insane Jane" on their 1993 album Each Finger is a reference to Brautigan. The Boo Radleys' song "Boo Forever", released in 1992, was written about Brautigan and songwriter Martin Carr released a solo album, All Watched Over By Machines Of Loving Grace, in 2004. The documentarian Adam Curtis produced a series of films for the BBC about the effect of computers on society called All Watched Over by Machines of Loving Grace.[39][40]

In March 1994, a teenager named Peter Eastman Jr. from Carpinteria, California, legally changed his name to Trout Fishing in America, and now teaches English at Waseda University in Japan.[41]

The short story 'Your Clothes are Dead' by Dave McKean, included in a collection of short comics called Pictures That Tick, is about a meeting provoked by memories of, and buying a copy of, Brautigan's The Abortion: An Historical Romance.

Brautigan's daughter, Ianthe Elizabeth Brautigan, describes her memories of her father in her book You Can't Catch Death (2000).

In March 2018, poet Francis Daulerio published Please Plant This Book – a reinterpretation of and homage to Brautigan's book of the same name on its 50th anniversary. The publication contained seeds to be planted, packed in sleeves which carry poems by Daulerio and illustrations by Scott Hutchison. Profits from the book were to go to The American Foundation for Suicide Prevention. Hutchison took his own life in May 2018, and in September an expanded version was published as a chapbook, the original edition having sold out, containing a foreword by Ianthe Brautigan and an afterword by Scottish poet Michael Pedersen.[42]

The music video for Kat Meoz's "Here I Wait" directed by Kansas Bowling recreates Brautigan's book covers and features the only footage in existence of the actual Willard which inspired Willard and His Bowling Trophies: A Perverse Mystery. [43]

Brautigan is mentioned in the song "I Like the Way You Walk" by the Donkeys from the 2011 album Born With Stripes, and by Shawn Mullins in "Twin Rocks, Oregon".

"A Beautiful Poem" is read by Matthew McConaughey and plays a significant role in the 2019 movie The Beach Bum.

Works published

References

Further reading

• Boyer, Jay – 'Richard Brautigan', Boise State University, Boise, Idaho, 1987, Boise State University Western Writers Series
• Chénetier Marc – 'Richard Brautigan', Methuen & Co, London, New York, 1983. ISBN 0-416-32960-8 (pbk)
• Chénetier, Marc. 'Richard Brautigan, écriveur: notes d'un ouvre-bôites critique' Caliban (Toulouse) 1 (1975), pp 16–31
• _________ 'Harmoniques sur l'irrespect litteraire: Boris Vian et Richard Brautigan' Stanford French Review, 1, 2 (Fall 1977) pp. 243 – 59.
• Clayton, John. 'Richard Brautigan: The Politics of Woodstock' New American Review, 11 (New York: Simon & Schuster, 1971) pp. 56 – 68.
• Critique: Studies in Modern Fiction, 16, 1 (Minneapolis, Minn., 1974) Richard Brautigan special issue.
• Hjortsberg, William (2012). Jubilee Hitchhiker: The Life and Times of Richard Brautigan. Counterpoint. ISBN 978-1-58243-790-3.
• Loewinsohn, Ron. 'After the (Mimeographed) Revolution'. Tri-Quarterly (Spring 1970), pp. 221 – 36.
• Malley, Terence. Richard Brautigan. Writers for the Seventies. New York: Warner Paperback Library, 1972
• Meltzer, David (ed.). In The San Francisco Poets, pp. 1–7, 293–7. New York: Ballantine, 1971
• Pétillon, Pierre-Yves, In La Grand-Route, pp. 160 – 8, 236. Paris: Seuil, 1970
• Putz, Manfed. In The Story of Identity, pp. 105 – 29. Stuttgart: Metzler, 1979
• Schmitz, Neil. 'Richard Brautigan and the Modern Pastoral' Modern Fiction Studies (Spring 1973) pp. 109 – 25.
• Stevick, Philip. 'Scherhezade Runs out of Plots, Goes on Talking, The King, Puzzled, Listens'. Tri-Quarterly (Winter 1973), pp. 332 – 62.
• Swigart, Rob. 'Review of Still Life with Woodpecker by Tom Robbins and The Tokyo – Montana Express by Richard Brautigan'. American Book Review, 3, 3 (March – April 1981). P. 14.
• Tanner, Tony. In City of Words, pp. 393, 406–15. New York: Harper & Row, 1971.

External links

• Quotations related to Richard Brautigan at Wikiquote
• "Brautigan Bibliography and Archive: A bio-bibliographical archive for Richard Brautigan, his life, and writings."
• "Richard Brautigan (1935–1984)" from Poetry Foundation
• Works by or about Richard Brautigan in libraries (WorldCat catalog)
• Richard Brautigan at Library of Congress Authorities, with 32 catalog records

На других языках

[es] Richard Brautigan

[fr] Richard Brautigan

[ru] Бротиган, Ричард