fiction.wikisort.org - Actor

Anna Karina (born Hanne Karin Bayer;[1][2] 22 September 1940 – 14 December 2019)[3] was a Danish-French film avant garde actress, director, writer, and singer. She was French New Wave director Jean-Luc Godard's collaborator in the 1960s,[4] performing in several of his films, including The Little Soldier, A Woman Is a Woman, My Life to Live, Bande à part (Band of Outsiders), Pierrot le Fou (Crazy Pete) and Alphaville. For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.[5]

Anna Karina
Karina in 1968
Born	Hanne Karin Blarke Bayer (1940-09-22)22 September 1940 Frederiksberg, Denmark
Died	14 December 2019(2019-12-14) (aged 79) Paris, France
Resting place	Père Lachaise Cemetery
Occupation	Actress, film director, writer, singer
Years active	1959–2019
Spouses	Jean-Luc Godard ​ ​ (m. 1961; div. 1965)​ Pierre Fabre ​ ​ (m. 1968; div. 1974)​ Daniel Duval ​ ​ (m. 1978; div. 1981)​ Dennis Berry ​ (m. 1982)​

In 1972, Karina set up a production company for her directorial debut, Vivre ensemble (1973), which screened in the Critics' Week lineup at the 26th Cannes Film Festival.[6] She also directed the French-Canadian film Victoria (2008). In addition to her work in cinema, she worked as a singer, and wrote several novels.[7]

Karina was an icon of 1960s cinema, and referred to as the "effervescent free spirit of the French New Wave, with all of the scars that the position entails".[8][9][10] The New York Times described her as "one of the screen's great beauties and an enduring symbol of the French New Wave."[11]

Early life

Hanne Karin Bayer was born in Frederiksberg, Denmark.[12] Her mother was a dress shop owner; her father left the family a year after she was born.[13]

She lived with her maternal grandparents for three years, then spent the next four years in foster care before returning to live with her mother.[14] She has described her childhood as "terribly wanting to be loved", and as a child she made numerous attempts to run away from home.[15] Her mother remarried, but her step-father was abusive.[16]

She began her career in Denmark, where she sang in cabarets and worked as a model playing in commercials. At age 14, she appeared in a Danish short film by Ib Schmedes, which won a prize at Cannes.[17] In 1958, after a row with her mother, she hitchhiked to Paris.[17]

Career

Modeling

Bayer was 17 when she arrived in Paris, with only 10,000 francs and unable to speak French. One day while sitting at the café Les Deux Magots[18] she was approached by a woman from an advertisement agency who asked her to do some photos. She began to work as a model and eventually became successful, posing for several magazines, including Elle,[19] and meeting Pierre Cardin and Coco Chanel.[20] Karina said that Chanel helped her devise her professional name, Anna Karina, which was deliberately coined to evoke the Leo Tolstoy novel, Anna Karenina.[21][22] She appeared on the front cover of the Elle fashion magazine and in commercials for products such as Coca-Cola, Pepsodent, and Palmolive soap.[16]

Film

Jean-Luc Godard, then a film critic for Cahiers du cinéma, first saw Karina in the Palmolive adverts in which she posed in bathtubs, during movie previews in a Monsavon pub.[23] He was casting his debut feature film, Breathless (À bout de souffle, 1960), and offered her a small part in it, but she refused when he mentioned that there would be a nude scene.[13] When Godard questioned her refusal, mentioning her apparent nudity in the Palmolive ads, she is said to have replied, "Are you mad? I was wearing a bathing suit in those ads—the soapsuds went up to my neck. It was in your mind that I was undressed."[24] In the end, the character Godard reserved for Karina did not appear in the film.[25] Godard offered her a role in The Little Soldier (Le Petit Soldat, not released until 1963) which concerns contentious French actions during the Algerian War. She played a pro-Algerian activist. Karina, then still under 21, had to persuade her estranged mother to sign the contract for her.[26][27] The film was immediately controversial, outlawed from French theaters for its content referencing the Algerian War.

As Angela in A Woman Is a Woman (Une femme est une femme, 1961), Karina's role was as an unattached striptease dancer who nevertheless wishes to have a child and daydreams about appearing in MGM musicals. Her school-girl costume emulated Leslie Caron in Gigi (1958), worn even while performing her act.[13] Karina won the Silver Bear for Best Actress at the 11th Berlin International Film Festival for her performance.[5] In all, Karina appeared in eight films directed by Godard, including My Life to Live (Vivre sa vie, 1962), Band of Outsiders (Bande à part, 1964) Pierrot le Fou and Alphaville (both 1965). In Pierrot le Fou, Karina's character is on the run with her ex-boyfriend, while in Alphaville, a science-fiction film often equated to Bladerunner, Karina's role requires her to have difficulty saying the phrase "I love you."[22] The last film in the sequence was Made in USA (1966). Anne Billson, in an article querying the concept of the female muse, wrote that Godard in his films with Karina "seems to have trouble conceiving that the female experience revolves around anything other than prostitution, duplicity, or wanting babies."[28] Karina herself did not object to being described as Godard's muse: "Maybe it's too much, it sounds so pompous. But of course I’m always very touched to hear people say that. Because Jean-Luc gave me a gift to play all of those parts."[18]

Her career flourished,[23] with Karina appearing in dozens of films through the 1960s, including: The Nun (La Religieuse, 1966), directed by Jacques Rivette; Luchino Visconti's The Stranger (Lo straniero, 1967); the George Cukor/Joseph Strick collaboration Justine (1969); and Tony Richardson's Laughter in the Dark (1969). She continued to work steadily into the 1970s, with roles in Christian de Chalonge's The Wedding Ring (L'Alliance, 1971), Andre Delvaux's Rendezvous at Bray (Rendez-vous à Bray, also 1971), The Salzburg Connection (1972), and Franco Brusati's Bread and Chocolate (Pane e cioccolata, 1973).

In 1972, she set up a production company, Raska, for her directorial debut, Living Together (Vivre ensemble, 1973), in which she also acted. The film screened in the Critics’ Week lineup at the 26th Cannes Film Festival.[6]

She starred in Rainer Werner Fassbinder's Chinese Roulette (Chinesisches Roulette, 1976); Fassbinder allegedly wrote the film for her and her partner at the time, Ulli Lommel.[29] She later wrote and acted in Last Song (1987) and appeared in Up, Down, Fragile (Haut bas fragile, 1995), directed by Jacques Rivette, and sang in The Truth About Charlie (2002), a remake of the film Charade (1963).[30]

Karina wrote, directed and starred in Victoria (2008), a musical road movie filmed in Montreal and Saguenay–Lac-Saint-Jean, Quebec. The lead character, played by Karina, has amnesia.[14] Richard Kuipers praised it in Variety as "a pleasant gambol through the backwoods of Quebec."[31]

Music and writing

Karina maintained a singing career.[26] At the end of the 1960s, she scored a major hit with "Sous le soleil exactement" and "Roller Girl" by Serge Gainsbourg. Both songs are from the TV musical comedy Anna (1967), by the film director Pierre Koralnik, in which she sings seven songs alongside Gainsbourg and Jean-Claude Brialy. Karina subsequently recorded an album, Une histoire d'amour, with Philippe Katerine, which was followed by a concert tour. In 2005, she released Chansons de films, a collection of songs sung in movies.

Karina wrote four novels: Vivre ensemble (1973), Golden City (1983), On n'achète pas le soleil (1988), and Jusqu'au bout du hasard (1998).[7]

Personal life

While working together on Le Petit Soldat, Karina and Godard began a relationship and married in 1961.[32] Eventually, Karina served as a cinematic muse to Godard, appearing in eight of his films, including Alphaville, Bande à part, and Pierrot le Fou, during their five-year marriage and after. Karina liked being the muse. "How could I not be honoured?" she told Xan Brooks of The Guardian in 2016. "Maybe it's too much, it sounds so pompous. But of course I’m always very touched to hear people say that. Because Jean-Luc gave me a gift to play all of those parts. It was like Pygmalion, you know? I was Eliza Doolittle and he was the teacher." At this, she briefly channels Henry Higgins. "By Jove," she says. "I think she's got it."[10]

The couple became, according to The Independent, "one of the most celebrated pairings of the 1960s."[26] A writer for Filmmaker magazine called their work "arguably the most influential body of work in the history of cinema."[33]

Despite the critical success, their relationship behind the scenes was described as tumultuous; they fought on film sets, Karina fell ill several times, and Godard was often absent without explanation.[23][18][34] One Godard film from this period which does not feature Karina, Contempt (1963), is said to be based on their difficult relationship.[16] The couple divorced in 1965.[18]

Karina said in spring 2016 that she and Godard no longer spoke to each other.[35] She described the relationship in an interview with W magazine:

It was all very exciting from the beginning. Of course we have a great love story and all that, but we were so different. He was 10 years older than me. He was very strange. He would go away and come back three weeks later ... It was difficult, and I was a young girl, not even 21—at the time Godard was 30. I know he didn't mean to hurt me, but he did. He was never there, he was never coming back, and I never knew where he was. He drove me a bit crazy.[35]

After divorcing Godard, Karina remarried three times; she was married to French actors Pierre Fabre from 1968 to 1974 and Daniel Duval from 1978 to 1981, and to American film director Dennis Berry from 1982 until her death.[18][36]

Karina died at the age of 79 on Saturday, 14 December 2019, at a hospital in Paris. According to her agent, Laurent Balandras, the cause of death was cancer.[14] However, her husband, Dennis Berry, said that the cause was not cancer, but a complication following a muscular rupture.[37]

Legacy

Karina is regularly considered an icon of 1960s cinema,[8] a staple in French New Wave cinema, as well as a style icon.[9][38] The Guardian described her as an "effervescent free spirit of the French new wave."[18] The New York Times described her style as looking like a schoolgirl in her acting roles, regardless of whether she was playing a streetwalker or a terrorist. Her signature look was her dark hair, wispy bangs, heavy eyeliner and school uniform of primary-coloured sailor-uniform tops, knee socks, plaid headwear such as berets and boaters.[14] Refinery29 wrote that "her 60s French girl style – think sailor dresses, tartan, long socks, and hats – and mesmerizing doe-eyed beauty mean she continues to be referenced today by the super-stylish."[9]

Filmography

Year	Title	Role	Director	Notes
1961	Tonight or Never	Valérie	Michel Deville
	A Woman Is a Woman	Angela Récamier	Jean-Luc Godard
1962	Cléo from 5 to 7	The Fiancée	Agnès Varda	Episode: "Les fiancés du pont Macdonald"
	She'll Have to Go	Toni	Robert Asher
	Sun in Your Eyes	Dagmar	Jacques Bourdon
	My Life to Live	Nana Kleinfrankenheim	Jean-Luc Godard
	Three Fables of Love	Colombe	Hervé Bromberger	(segment "Le corbeau et le renard")
1963	The Little Soldier	Veronica Dreyer	Jean-Luc Godard
	Shéhérazade	Shéhérazade	Pierre Gaspard-Huit
	Sweet and Sour	La pauvre Ginette	Jacques Baratier
1964	Band of Outsiders	Odile	Jean-Luc Godard
	Circle of Love	Rose / The Chambermaid	Roger Vadim
	All About Loving	Hélène	Jean Aurel
1965	The Thief of Tibidabo	Maria	Maurice Ronet
	Alphaville	Natascha von Braun	Jean-Luc Godard
	The Camp Followers	Elenitza Karaboris	Valerio Zurlini
	Un mari à un prix fixe	Béatrice Reinhoff	Claude de Givray
	Pierrot le Fou	Marianne Renoir	Jean-Luc Godard
1966	The Nun	Suzanne Simonin	Jacques Rivette
	Made in USA	Paula Nelson	Jean-Luc Godard
1967	Anna	Anna	Pierre Koralnik	TV movie
	Zärtliche Haie	Elena / Costa	Michel Deville
	The Oldest Profession	Natasha / Eleanor Romeovich, Hostess 703	Jean-Luc Godard	(segment "Anticipation")
	Lamiel	Lamiel	Jean Aurel
	The Stranger	Marie Cardona	Luchino Visconti
1968	The Magus	Anne	Guy Green
	Before Winter Comes	Maria	J. Lee Thompson
1969	Man on Horseback	Elisabeth Kohlhaas	Volker Schlöndorff
	Laughter in the Dark	Margot	Tony Richardson
	Justine	Melissa	George Cukor and Joseph Strick
	Dämonische Leinwand		Klaus Wyborny
1970	The Time to Die	The Unnamed Woman	André Farwagi
	The Wedding Ring	Jeanne	Christian de Chalonge
1971	Rendezvous at Bray	She (The Waitress)	André Delvaux
	Carlos	Clara	Hans W. Geißendörfer	TV movie
1972	The Salzburg Connection	Anna Bryant	Lee H. Katzin
1973	Vivre ensemble	Julie Anderson	Anna Karina
1974	Bread and Chocolate	Elena	Franco Brusati
	Morel's Invention	Faustine	Emidio Greco
1976	The Musician Killer	Louise	Benoît Jacquot
	Scrambled Eggs	Clara Dutilleul	Joël Santoni
	Chinese Roulette	Irene Cartis	Rainer Werner Fassbinder
1978	Surprise Sock	Nathalie	Jean-François Davy
	Just like Home	Anna	Márta Mészáros
	Ausgerechnet Bananen	Natascha	Ulli Lommel
1979	The Story of a Mother	Christine Olsen	Claus Weeke
1980	Charlotte, Tell Your Mother that I Love Her	Stéphane	Aly Borgini
1983	Vincent's Friend	Eleonore	Pierre Granier-Deferre
1984	Ave Maria	Berthe Granjeux	Jacques Richard
1985	Treasure Island	The Mother	Raoul Ruiz
1987	Last Song	Susan	Dennis Berry
	Last Summer in Tangiers	Myrrha, a cabaret singer	Alexandre Arcady
	Cayenne Palace	Lola	Alain Maline
1988	The Abyss	Catherine	André Delvaux
1990	The Man Who Wanted to Be Guilty	Edith	Ole Roos
1995	Up, Down, Fragile	Sarah	Jacques Rivette
1996	Chloé	Katia	Dennis Berry	TV movie
2002	The Truth About Charlie	Karina	Jonathan Demme
2003	I, Cesar	Gloria	Richard Berry
2008	Victoria	Victoria	Anna Karina	(final film role)

References

External links

• Anna Karina at IMDb
• Anna Karina at AllMovie
• Anna Karina at Yahoo! Movies
• Anna Karina biography on newwavefilm.com
• Anna Karina fan site

На других языках

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[de] Anna Karina

Anna Karina (* 22. September 1940 in Solbjerg nahe Aarhus[1] als Hanne Karin Blarke Bayer; † 14. Dezember 2019 in Paris, Frankreich) war eine dänisch-französische[2] Schauspielerin, Sängerin und Schriftstellerin. Am bekanntesten wurde sie durch ihre Rollen in den Filmen von Jean-Luc Godard zwischen 1960 und 1967, mit dem sie auch von 1961 bis 1965 verheiratet war.

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- [en] Anna Karina

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[es] Anna Karina

Hanne Karin Blarke Bayer, conocida como Anna Karina (Solbjerg, 22 de septiembre de 1940-París, 14 de diciembre de 2019)[1][2] fue una actriz, cantante, directora y escritora danesa naturalizada francesa, conocida por sus colaboraciones con el cineasta Jean-Luc Godard,[3] y una de las actrices más destacadas de la corriente cinematográfica conocida como Nouvelle vague, propia del cine francés de la década de 1960.[4]

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[ru] Анна Карина

Анна Карина́ (фр. , дат. Anna Karina; настоящее имя — Ханна Карин Бларке Байер, Hanna Karin Blarke Bayer; 22 сентября 1940, Сольбьерг, Дания — 14 декабря 2019, Париж) — датская и французская актриса театра и кино, кинорежиссёр, сценаристка, певица.

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