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Prospero (/ˈprɒspər/ PROS-pər-o) is a fictional character and the protagonist of William Shakespeare's play The Tempest. Prospero is the rightful Duke of Milan, whose usurping brother, Antonio, had put him (with his three-year-old daughter, Miranda) to sea on a "rotten carcass" of a boat to die, twelve years before the play begins. Prospero and Miranda had survived and found exile on a small island. He has learned sorcery from books, and uses it while on the island to protect Miranda and control the other characters.

Prospero
The Tempest character
Prospero and Miranda by William Maw Egley
Created byWilliam Shakespeare

Before the play has begun, Prospero has freed the magical spirit Ariel from entrapment within "a cloven pine". Ariel is beholden to Prospero after he is freed from his imprisonment inside the pine tree. Prospero then takes Ariel as a slave. Prospero's sorcery is sufficiently powerful to control Ariel and other spirits, as well as to alter weather and even raise the dead: "Graves at my command have waked their sleepers, oped, and let 'em forth, by my so potent Art." - Act V, scene 1.

On the island, Prospero becomes master of the monster Caliban (the son of Sycorax, a malevolent witch) and forces Caliban into submission by punishing him with magic if he does not obey.

At the end of the play, Prospero intends to drown his books and renounce magic. In the view of the audience, this may have been required to make the ending unambiguously happy, as magic was associated with diabolical works.


Prospero's speech


The Tempest is believed to be the last play Shakespeare wrote alone.[1][2][3] In this play there are two candidate soliloquies by Prospero which critics have taken to be Shakespeare's own "retirement speech".

One speech is the "Cloud-capp'd towers...".[1][2]

  Our revels now are ended: These our actors—,
  As I foretold you—, were all spirits and
  Are melted into air, into thin air;
  And, like the baseless fabric of this vision,
  The cloud-capp’d towers, the gorgeous palaces,
  The solemn temples, the great globe itself,
  Yea, all which it inherit, shall dissolve
  And, like this insubstantial pageant faded,
  Leave not a rack behind: we are such stuff
  As dreams are made on, and our little life
  Is rounded with a sleep. — The Tempest, Act 4, Scene 1

[1][2]

The final soliloquy and epilogue is the other candidate.[3]

  Now my charms are all o'erthrown,
  And what strength I have's mine own,
  Which is most faint: now, 'tis true,
  I must be here confined by you,
  Or sent to Naples. Let me not,
  Since I have my dukedom got
  And pardon'd the deceiver, dwell
  In this bare island by your spell;
  But release me from my bands
  With the help of your good hands:
  Gentle breath of yours my sails
  Must fill, or else my project fails,
  Which was to please. Now I want
  Spirits to enforce, art to enchant,
  And my ending is despair,
  Unless I be relieved by prayer,
  Which pierces so that it assaults
  Mercy itself and frees all faults.
  As you from crimes would pardon'd be,
  Let your indulgence set me free.


Portrayals



Stage


Portrayals of Prospero in Royal Shakespeare Company productions include:

Portrayals of Prospero at the Old Vic include:

Portrayals of Prospero for the New York Shakespeare Festival include:

Portrayals of Prospero for the Globe Theatre include:

Portrayals of Prospero for the Stratford Shakespeare Festival include:

Other stage portrayals of Prospero include:


Film and television


Prospero-esque characters have included:


Audio


Audio portrayals of Prospero include:




References


  1. Shakespeare, William (1913). "Act 4, Scene 1". In Horne, David (ed.). The Tempest (Revised hardcover ed.). New Haven: Yale University Press. p. 72. ...it was probably Shakespeare's last effort.
  2. Jacobs, M W (30 March 2015). "Shakespeare's Parting Words". HuffPost. Retrieved 16 June 2017.
  3. Shakespeare, William; Guthrie,Tyrone (1958). "The Tempest". In Alexander, Peter (ed.). The Comedies. New York: The Heritage Press. p. 4. Shakespeare himself was at the end of his career, and it is hardly possible not to see,...in Prospero's resignation of his magic a reflection of Shakespeare's own farewell to his art.
  4. Eder, Richard (28 May 1979). "Stage: New Approach to the Tempest' on Coast". The New York Times.
  5. "The Tempest". 5 March 2003.
  6. "Review: 'The Tempest' at the Old Globe: Kate Burton casts a benevolent spell as Prospera - Los Angeles Times". Los Angeles Times. 26 June 2018.
  7. "The Tempest".
  8. "Radio Recall - MWOTRC".
  9. "On The Vanishing of Ethan Carter's Ending (EXTREME SPOILERS)". Retrieved 7 October 2015.
  10. "Prospero Burns publisher summary". Archived from the original on 13 October 2015. Retrieved 17 October 2015.
  11. McCrory, Tom. Melon Cauliflower (PDF). RadioNZ. Archived from the original (PDF) on 30 June 2013.
  12. "Miś Fantazy". vod.tvp.pl. Retrieved 22 December 2016.



На других языках


- [en] Prospero

[fr] Prospero (La Tempête)

Prospero est un personnage de fiction, héros de la pièce de William Shakespeare La Tempête. Prospero est légitimement le duc de Milan, mais son frère Antonio le détrône car il trouvait qu'il lisait trop et qu'il ne dirigeait pas assez. Prospero et sa fille, alors âgée de trois ans, sont envoyés en exil sur une île déserte entre l'Afrique et l'Italie. Magicien contrôlant les esprits et les éléments naturels grâce à ses livres, il règne en maître sur cette île, où il a deux disciples : Ariel (génie de l'air qu'il a libéré de la sorcière Sycorax, et qui est devenu son serviteur) et Caliban (monstre et esclave).

[ru] Просперо (персонаж Шекспира)

«Проспе́ро» (англ. Prospero; /.mw-parser-output .ts-comment-commentedText{border-bottom:1px dotted;cursor:help}@media(hover:none){.mw-parser-output .ts-comment-commentedText:not(.rt-commentedText){border-bottom:0;cursor:auto}}ˈprɒspəroʊ/ PROS-pər-o) — герой пьесы Уильяма Шекспира «Буря».



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