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The Tempest is a 1998 American drama television film directed by Jack Bender. It is a modernized adaptation of the William Shakespeare play The Tempest set in Mississippi during the Civil War starring Peter Fonda as Gideon Prosper, a character based on Shakespeare's Prospero.

The Tempest
Based onThe Tempest
by William Shakespeare
Directed byJack Bender
StarringPeter Fonda
Music byTerence Blanchard
Country of originUnited States
Original languageEnglish
Production
Executive producersJack Bender
Bonnie Raskin
ProducerJames Bigwood
CinematographySteve Shaw
EditorStephen Lovejoy
Running time85 minutes
Production companiesBonnie Raskin Productions
NBC Studios
DistributorNBC
Release
Original release
  • December 13, 1998 (1998-12-13) (United States)

Plot


Gideon Prosper, a Southern slave-owner, is forced off his plantation by his younger brother Anthony before the outbreak of the Civil War. Surviving in the Mississippi bayou, Prosper uses magic that he learned from one of his slaves to protect his teenage daughter and to assist the Union.


Cast



Production


Filming took place at Cypress Gardens, and other locations in, and around, Charleston, South Carolina.[1]


Broadcast


The film was broadcast on NBC at 9:00 p.m. Eastern Time on Sunday, December 13, 1998.[2]


Reception


In his 2001 book Shakespeare in the Movies: From the Silent Era to Today, author Douglas Brode wrote that "Jack Bender's film emerged as yet another offbeat variation on Will's theme, but with the Bard's immortal poetry entirely excised."[3]

In a negative review for the Los Angeles Times, reviewer Daryl H. Miller wrote, "A miscalculation of epic proportions, this revision of one of the Bard’s masterworks is at times laugh-out-loud awful, at times offensive."[4]

In a negative review for People, reviewer Terry Kelleher wrote, "The low-key style that served Fonda so well in his Oscar-nominated Ulee’s Gold role doesn’t work for Prosper/Prospero, who needs a charisma that the actor can’t provide. The script gives Fonda two lines of actual Shakespeare at the end, and we admit he seems less than comfortable with the language."[2]

In a review for Variety, reviewer Laura Fries wrote, "What makes this production universally appealing is that it lacks the pretenses that usually come with a literary-based telepic. Writer James Henerson plays on such ’90s issues as lost faith, selfishness, vengeance and loyalty to propel this Civil War-era saga."[5]


See also



References


  1. "The Tempest > A Conversation With Bonnie Raskin | Katherine Heigl Official Website".
  2. "Picks and Pans Review: The Tempest". PEOPLE.com.
  3. Brode, Douglas (February 23, 2000). Shakespeare in the Movies: From the Silent Era to Shakespeare in Love. Oxford University Press. ISBN 9780195139587 via Google Books.
  4. "Shakespeare's 'The Tempest' Goes South". Los Angeles Times. December 12, 1998.
  5. Fries, Laura (December 11, 1998). "The Tempest".





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