fiction.wikisort.org - DirectorStephen David Daldry CBE (born 2 May 1960)[citation needed] is an English director and producer of film, theatre, and television. He has won three Olivier Awards for his work in the West End and three Tony Awards for his work on Broadway. He has received three Academy Awards nominations for Best Director, for films Billy Elliot (2000), The Hours (2002), and The Reader (2008).
British director
Stephen Daldry
CBE |
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Daldry in November 2013 |
Born | Stephen David Daldry (1960-05-02) 2 May 1960 (age 62)
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Alma mater | University of Sheffield East 15 Acting School, University of Essex |
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Occupation | Director, producer |
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Years active | 1985–present |
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Spouse | |
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Children | 1 |
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Awards | See Awards and Nominations |
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From 2016 to 2020, he produced and directed the Netflix television series The Crown, for which he received one Producers Guild Award nomination, one Producers Guild Award win, two Primetime Emmy Award nominations, and one Primetime Emmy Award win for Outstanding Directing for a Drama Series and Outstanding Drama Series. Daldry joined an elite group of directors by receiving nominations for direction in theatre, television, and film.
Early years
Daldry was born in Dorset, the son of singer Cherry (née Thompson) and bank manager Patrick Daldry.[1] The family moved to Taunton, Somerset, where his father died of cancer when Daldry was aged 14.[2]
Daldry joined a youth theatre group in Taunton, Somerset.[3] and performed as Sandy Tyrell in Hay Fever for the local amateur society, Taunton Thespians. At age 18, he won a Royal Air Force scholarship to read English at the University of Sheffield, where he became chairman of the Sheffield University Theatre Group.[4]
After graduation, he spent a year travelling through Italy, where he became a clown's apprentice.[citation needed] He then trained as an actor on the postgraduate course at East 15 Acting School from 1982 to 1983, now part of the University of Essex.[citation needed]
Career
Daldry began his career as an apprentice at the Sheffield Crucible from 1985 to 1988, working under artistic director Clare Venables. He also headed productions at the Manchester Library Theatre, Liverpool Playhouse, Stratford East, Oxford Stage, Brighton and the Edinburgh Fringe Festival. He was Artistic Director of the Royal Court Theatre from 1992–98, where he headed the £26 million development scheme. He was also Artistic Director of London's Gate Theatre (1989–92) and the Metro Theatre Company (1984–86). He is currently on the Board of the Young and Old Vic Theatres and remains an Associate Director of the Royal Court Theatre. He was the Cameron Mackintosh Visiting Professor of Contemporary Theatre for 2002 at St Catherine's College, Oxford.[5]
Daldry made his feature film directorial debut with Billy Elliot (2000), which launched the film career of Jamie Bell. His next film was The Hours, which earned Nicole Kidman her first Best Actress win at the Academy Awards. He went on to direct a stage musical adaptation of Billy Elliot, and in 2009 his work earned him a Tony Award for Best Director of a Musical. He has also made a film version of The Reader (2008), based on the book of the same name and starring Kate Winslet, David Kross and Ralph Fiennes. The film won Best Actress at the Academy Awards for Kate Winslet. Daldry's fourth film was Extremely Loud & Incredibly Close, an adaptation of the book of the same name written by Jonathan Safran Foer, starring Tom Hanks, Sandra Bullock, and Max von Sydow. The screenplay was written by Eric Roth. The film received a nomination for Best Picture at the 84th Academy Awards and a nomination for von Sydow for Best Supporting Actor.[6] Daldry was initially slated to direct a Star Wars spin off film about the iconic Star Wars character Obi Wan Kenobi but the film was later scrapped due to the commercial failure of Solo: A Star Wars Story with Daldry saying the cancellation of the film crushed him and Hossein Amini . However, ideas from Daldry's originally planned film were repurposed for the Obi Wan Kenobi Disney + limited series directed by Deborah Chow and released in 2022 for which Daldry received credit as a consulting producer.[7] In July 2022, it was revealed that Daldry would work with Sonia Friedman to develop a play based on the hit Netflix television show Stranger Things. No plot, story, or character details for the potential play have yet been disclosed [8]
Personal life
Daldry was in a relationship with set designer Ian MacNeil for 13 years.[9] They met at an outdoor production of Alice in Wonderland in Lancaster in 1988, and after settling in Camberwell, began collaborating on theatrical productions.[10][11]
Greatly impacted[clarification needed] by the September 11 attacks in the United States, Daldry decided he wanted to start a family and married American performance artist and magazine editor Lucy Sexton, with whom he has a daughter.[12][13] Despite this, he continues to refer to himself as gay because the public "don't like confusion."[14]
Filmography
Film
Television
Theatre
Broadway
West End
- The Audience with Helen Mirren, Gielgud Theatre (2013)
- The Inheritance, Noël Coward Theatre (2019)
- A Number, Royal Court Theatre
- Far Away (also Albery Theatre and New York Theatre Workshop)
- Via Dolorosa (also the Duchess Theatre)
- Rat in the Skull, RCT
- Body Talk, RCT
- The Kitchen, RCT
- The Editing Process, RCT
- Search And Destroy, RCT
- An Inspector Calls, Royal National Theatre
- Machinal, Royal National Theatre
- Billy Elliot: The Musical, Victoria Palace Theatre
- Skylight, Wyndham's Theatre
Detailed theatreography
- The Ragged Trousered Philanthropists, Liverpool Playhouse, Liverpool, England, then Theatre Royale, Stratford, England, 1988
- An Inspector Calls, York Theatre Royal, 1988
- Judgement Day, Old Red Lion Theatre, London, 1989
- Figaro Gets Divorced, Gate Theatre, London, 1990
- Cutting Room, Royal Court Theatre Upstairs, London, 1990
- Our Man in Marzibah and Rousseau's Tale (double-bill), Gate Theatre, 1991
- Damned for Despair, Gate Theatre, 1991
- Jerker, Gate Theatre, 1991
- (With Annie Castledine) Pioneers in Ingolstadt, Gate Theatre, 1991
- (With Annie Castledine) Purgatory in Ingolstadt, Gate Theatre, 1991
- Manon Lescaut, Dublin Grand Opera, 1992
- An Inspector Calls, National Theatre Company, Lyttelton Theatre, London, 1992, then Royale Theatre, New York City, 1994–1995, *later Garrick Theatre, London, 1995, finally Playhouse Theatre, London, 2016–17
- Search and Destroy, Royal Court Theatre Upstairs, 1993
- Machinal, National Theatre Company, Lyttelton Theatre, 1993
- The Europeans, 1993
- The Kitchen, Royal Court Theatre, 1994
- The Editing Process, Royal Court Theatre, 1994
- Rat in the Skull, Duke of York's Theatre, London, 1995
- The Libertine, Royal Court Theatre, 1995
- The Man of Mode, Royal Court Theatre, 1995
- Body Talk, Royal Court Theatre, 1996
- This Is a Chair, in London International Festival of Theatre, London, 1997
- Via Dolorosa (solo show), Royal Court Theatre, 1998, then Booth Theatre, New York City, 1999
- Far Away, Royal Court Theatre, 2000, then New York Theatre Workshop, New York City, 2002–2003
- A Number, Jerwood Theatre Downstairs, Royal Court Theatre, 2002, then New York Theatre Workshop, 2002–2003
- The Jungle, Young Vic, 2017–2018, then St. Ann's Warehouse, 2018
Awards and honours
Main article: List of awards and nominations received by Stephen Daldry
References
External links
Awards for Stephen Daldry |
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Drama Desk Award for Outstanding Director of a Musical |
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1975–2000 | |
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2001–present | |
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Drama Desk Award for Outstanding Director of a Play |
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1975–2000 | |
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2001–present | |
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Primetime Emmy Award for Outstanding Directing for a Drama Series |
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1950s |
- Jack Smight for "Eddie" (1959)
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1960s | |
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1970s |
- Paul Bogart for "Shadow Game" (1970)
- Daryl Duke for "The Day the Lion Died" (1971)
- Alexander Singer for "The Invasion of Kevin Ireland" (1972)
- Jerry Thorpe for "An Eye for an Eye" (1973)
- Robert Butler for "Part III" (1974)
- Bill Bain for "A Sudden Storm" (1975)
- David Greene for "Part I: Chapters 1 & 2" (Rich Man, Poor Man) (1976)
- David Greene for "Part 1" (Roots) (1977)
- Marvin J. Chomsky for Holocaust (1978)
- Jackie Cooper for "Pilot" (The White Shadow) (1979)
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1980s |
- Roger Young for "Cop" (1980)
- Robert Butler for "Hill Street Station"(1981)
- Harry Harris for "To Soar and Never Falter" (1982)
- Jeff Bleckner for "Life in the Minors" (1983)
- Corey Allen for "Goodbye, Mr. Scripps" (1984)
- Karen Arthur for "Heat" (1985)
- Georg Stanford Brown for "Parting Shots" (1986)
- Gregory Hoblit for "Pilot" (L.A. Law) (1987)
- Mark Tinker for "Weigh In, Way Out" (1988)
- Robert Altman for "The Boiler Room" (1989)
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1990s | |
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2000s |
- Thomas Schlamme for "Pilot" (The West Wing) (2000)
- Thomas Schlamme for "In the Shadow of Two Gunmen: Part I" & "Part II" (2001)
- Alan Ball for "Pilot" (Six Feet Under) (2002)
- Christopher Misiano for "Twenty Five" (2003)
- Walter Hill for "Deadwood" (2004)
- J. J. Abrams for "Pilot" (Lost) (2005)
- Jon Cassar for "Day 5: 7:00 a.m. – 8:00 a.m." (2006)
- Alan Taylor for "Kennedy and Heidi" (2007)
- Greg Yaitanes for "House's Head" (2008)
- Rod Holcomb for "And in the End..." (2009)
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2010s | |
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2020s |
- Andrij Parekh for "Hunting" (2020)
- Jessica Hobbs for "War" (2021)
- Hwang Dong-hyuk for "Red Light, Green Light" (2022)
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Evening Standard Theatre Award for Best Director |
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Helpmann Award for Best Direction of a Musical |
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Laurence Olivier Award for Best Director |
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- Jonathan Miller (1976)
- Clifford Williams (1977)
- Terry Hands (1978)
- Michael Bogdanov (1979)
- Trevor Nunn / John Caird (1980)
- Peter Wood (1981)
- Richard Eyre (1982)
- Terry Hands (1983)
- Christopher Morahan (1984)
- Bill Bryden (1985)
- Bill Alexander (1986)
- Declan Donnellan (1987)
- Deborah Warner (1988)
- Michael Bogdanov (1989/1990)
- Richard Jones (1991, musical)
- David Thacker (1991, play)
- Simon Callow (1992, musical)
- Deborah Warner (1992, play)
- Nicholas Hytner (1993, musical)
- Stephen Daldry (1993, play)
- Declan Donnellan (1994, musical)
- Stephen Daldry (1994, play)
- Scott Ellis (1995, musical)
- Declan Donnellan (1995, play)
- Trevor Nunn (1995)
- Sam Mendes (1996)
- Des McAnuff (1997)
- Richard Eyre (1998)
- Howard Davies (1999)
- Trevor Nunn (2000)
- Howard Davies (2001)
- Michael Boyd (2002)
- Sam Mendes (2003)
- Michael Grandage (2004)
- Nicholas Hytner (2005)
- Richard Eyre (2006)
- Dominic Cooke (2007)
- Rupert Goold (2008)
- John Tiffany (2009)
- Rupert Goold (2010)
- Howard Davies (2011)
- Matthew Warchus (2012)
- Marianne Elliott (2013)
- Lyndsey Turner (2014)
- Ivo van Hove (2015)
- Robert Icke (2016)
- John Tiffany (2017)
- Sam Mendes (2018)
- Stephen Daldry (2019)
- Miranda Cromwell and Marianne Elliott (2020)
- No Ceremony (2021)
- Rebecca Frecknall (2022)
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Tony Award for Best Direction of a Musical |
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1960–1975 | |
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1976–2000 | |
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2001–present | |
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Tony Award for Best Direction of a Play |
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1960–1975 | |
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1976–2000 | |
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2001–present | |
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Vancouver Film Critics Circle Award for Best Director |
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British Triple Crown winners |
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Authority control |
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General | |
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National libraries | |
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Biographical dictionaries | |
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Other | |
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На других языках
- [en] Stephen Daldry
[ru] Долдри, Стивен
Сти́вен Дэ́вид До́лдри (англ. Stephen David Daldry; род. 2 мая 1961 года, Дорсет, Англия, Великобритания) — английский режиссёр и продюсер, наиболее известный по фильмам «Билли Эллиот» (2000), «Часы» (2002), «Чтец» (2008) и «Жутко громко и запредельно близко» (2011). Лауреат трёх «премий Лоренса Оливье» и двух премий «Тони». Трёхкратный номинант на премию «Оскар» (2001, 2003, 2009) в категории «Лучшая режиссура», двукратный номинант на премию «Золотой глобус» (2003, 2009), а также лауреат премий «Эмми» (2018) за работу над сериалом Netflix «Корона» и BAFTA (2001).
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