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1408 is a 2007 American psychological horror film based on Stephen King's 1999 short story of the same name. It is directed by Mikael Håfström and stars John Cusack and Samuel L. Jackson. The film was released in the United States on June 22, 2007.

1408
Theatrical release poster
Directed by	Mikael Håfström
Screenplay by	Matt Greenberg Scott Alexander Larry Karaszewski
Based on	"1408" by Stephen King
Produced by	Lorenzo di Bonaventura
Starring	John Cusack Samuel L. Jackson Mary McCormack Tony Shalhoub Len Cariou Jasmine Jessica Anthony
Cinematography	Benoît Delhomme
Edited by	Peter Boyle
Music by	Gabriel Yared
Production companies	Dimension Films Di Bonaventura Pictures
Distributed by	The Weinstein Company[1] Metro-Goldwyn-Mayer
Release date	June 22, 2007 (2007-06-22)
Running time	104 minutes
Country	United States
Language	English
Budget	$25 million[1]
Box office	$133 million[1]

The film follows Mike Enslin, an author who investigates allegedly haunted houses and rents the titular room 1408 at a New York City hotel. Although skeptical of the paranormal, he is soon trapped in the room where he experiences bizarre events. Reviews were mostly positive and the film performed positively at the box office.

Plot

Mike Enslin is a cynical and skeptical author of niche books debunking supernatural events, in which he has no belief. While promoting his latest book, he receives an anonymous postcard depicting The Dolphin, a hotel on Lexington Avenue in New York City, bearing the message: "Don't enter 1408." Viewing this as a challenge, Mike travels to The Dolphin and requests room 1408. The hotel manager, Gerald Olin, attempts to discourage him. He explains to Mike that in the last 95 years, no one has lasted more than an hour inside of 1408; the latest count is 56 deaths. Olin attempts to dissuade and even bribe Mike, but at Mike's insistence and threat of legal action against the hotel, preparations are reluctantly made.

While Mike describes the room's boring appearance and absence of supernatural behavior on his mini-cassette recorder, the clock radio suddenly starts playing The Carpenters' "We've Only Just Begun", and the digital display changes to a countdown starting from 60:00. Mike begins to see ghosts of the room's past victims, along with flashbacks of his deceased daughter Katie and his terminally ill father. Mike makes numerous attempts to leave the room, all in vain. As the temperature in the room starts to rapidly increase, Mike uses his laptop to contact his estranged wife Lily and ask for help. The heat activates the sprinkler system, short circuiting the laptop, which starts to work again when the temperature drops to subzero. A doppelgänger of Mike appears in a video chat window, urging Lily to come to the hotel room herself and giving Mike a sly wink.

The room starts to shake violently, causing Mike to crash into a picture of a ship in a storm, from which water floods the room. He finds himself reliving a surfing accident from before he entered the room. Recovering in hospital, he reconciles with Lily and assumes his experience in 1408 was just a nightmare; Lily encourages him to write a book about it. When visiting the post office to send the manuscript to his publisher, he recognizes members of a construction crew as Dolphin Hotel staff, who start destroying the walls, revealing that Mike is still trapped inside 1408. Katie's ghost confronts him, and when the countdown ends, the room restores itself and the clock radio resets to 60:00.

A female voice calling herself "hotel operator" calls Mike. Mike asks why he has not been killed yet and she informs him that guests enjoy free will: he can relive the past hour over and over again, or use their "express checkout system". A hangman's noose appears, but he refuses to give in. Mike improvises a Molotov cocktail and sets the room on fire. He then lies down and laughs in victory upon destroying the room. The hotel is evacuated and Olin, in his office, praises Mike for his actions.

Endings

There are four endings to this film. In addition to the ending that appears in the theatrical release (also the default ending of the DVD), three other alternative endings were shot. The incentive for this was based on the director's belief that King's intention, in his original short story, was to leave the conclusion ambiguous. None of the four endings matches the ending of King's original short story.

Theatrical

This is the default ending of the theatrical release and its theatrical release DVD. It is also used on the Amazon Prime, Netflix UK, and the YouTube Movies version of the film.

Mike survives and he and Lily reconcile, though Lily is skeptical of his experience. She finds a box of Mike's possessions that were rescued from 1408 and Mike takes the damaged mini-cassette recorder from it, saying, "Sometimes you can't get rid of bad memories. You've just got to live with them." Mike briefly tampers with the recorder, making it work again. Suddenly, they hear Katie's voice coming from it, confirming Mike's account.

An alternate version of this ending has the same events but Lily does not acknowledge hearing Katie's voice on the tape and only Mike's reaction is shown.

Director's cut

Director Mikael Håfström said that the ending for 1408 was reshot because test audiences felt that the original ending was too much of a "downer."[2]

The original discarded ending had Mike dying in the fire, but happy to see the room destroyed. He spitefully laughs as the room screams in agony, and everything burns and crashes on top of him. At Mike's funeral, Olin approaches Lily and Mike's publisher Sam Farrell. He unsuccessfully attempts to give her a box of Mike's possessions, including the tape recorder. Olin claims that the room was successfully destroyed and that it will no longer hurt anyone else. He later listens to the recording in his car and becomes upset when he hears Katie's voice on the tape. He sees a little girl in a dress walking on the cemetery grass behind the car, calling out as if she is lost. He then sees Mike's burnt corpse in the backseat. Then he sees the same girl holding hands with her father as they walk away. Olin places the tape recorder back in the box and drives off. The final scene is of the gutted room, where an apparition of Mike assesses the death of the entity while smoking a cigarette. He hears his daughter calling for him and disappears as he walks towards the door. A door is heard closing and the scene fades.

This ending is the default ending on the Blu-ray release and two-disc collector's edition. Canadian networks Space and The Movie Network, and U.S. network FX broadcast this version of the film. Space broadcast the theatrical ending on July 23, 2012. This ending is also used on the U.K. and Australian DVDs, and the U.S. iTunes and Netflix versions of the film.

Other

Mike dies in the fire. Instead of the funeral scene from the director's cut, the sounds of a funeral are dubbed over shots of Los Angeles. Lily and Sam sort through Mike's effects. Sam returns to his New York office and discovers the manuscript that Mike wrote while he was in room 1408. As Sam reads the story, audio from Mike's experiences in the room is heard. In a final scene, Sam's office doors slam shut and Mike's father's voice says, "As I was, you are. As I am, you will be."

Cast

• John Cusack as Michael "Mike" Enslin
• Samuel L. Jackson as Gerald Olin
• Mary McCormack as Lily Enslin
• Tony Shalhoub as Sam Farrell
• Len Cariou as Mike's father
• Jasmine Jessica Anthony as Katie Enslin
• Isiah Whitlock Jr. as Hotel Engineer
• Kim Thomson as Hotel Desk Clerk
• Benny Urquidez as Claw Hammer Maniac
• Angel Oquendo as Taxi Cab Driver
• Andrew-Lee Potts as Mailbox Guy
• Jules de Jongh as the Female Front-Desk Voice on the Phone (Uncredited)

Production

In November 2003 and 2004, Dimension Films optioned the rights to the 1999 short story "1408" by Stephen King. The studio hired screenwriter Matt Greenberg to adapt the story into a screenplay.[3] In October 2005, Mikael Håfström was hired to direct 1408, with the screenplay being rewritten by screenwriters Scott Alexander and Larry Karaszewski.[4] In March 2006, actor John Cusack was cast to star in the film,[5] joined by actor Samuel L. Jackson the following April.[6] In July, actress Kate Walsh was cast to star opposite Cusack as the protagonist's ex-wife,[7] but she was forced to exit in August due to scheduling conflicts with her role on Grey's Anatomy. She was replaced by actress Mary McCormack.[8] According to Cusack, the Roosevelt Hotel in New York was used for some of the exterior shots of the Dolphin.[9] The lobby scenes were filmed at the Reform Club in London.[10]

Reception

On the review aggregator Rotten Tomatoes, the film has an approval rating of 79% based on 175 reviews, with an average rating of 6.70/10. The site's critical consensus reads "Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack."[11] On Metacritic, the film had an average score of 64 out of 100, based on 27 reviews, indicating "generally favorable reviews".[12] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.[13]

James Berardinelli awarded the film three stars out of four, praising it as "the best horror film of the year." He offered significant praise for Cusack's performance as Mike Enslin, writing that "this is John Cusack's movie to carry, and he has no problem taking it where it needs to go." He found the film to be a refreshing experience, believing it "reminds us what it's like to be scared in a theater rather than overwhelmed by buckets of blood and gore".[14] Many critics believed the film to be far superior to other adaptations of Stephen King novels and stories. Mick LaSalle of the San Francisco Chronicle wrote a very positive review, describing the film as "one of the good Stephen King adaptations, one that maintains its author's sly sense of humor and satiric view of human nature". He ultimately believed the film to be a "more genuinely scary movie than most horror films".[15]

Several critics, however, found the film to be underwhelming. Wesley Morris of The Boston Globe wrote a mixed review, describing the film as "a lot of consonants and no vowels." He went on to compare the film unfavorably to The Shining, a similar King adaptation, believing 1408 lacked that film's "lunging horror and dramatic architecture." Although he believed the film "conjures a wonderful anticipatory mood of dread in the first 30 minutes," he ultimately believed the film "then blows it to stylish smithereens".[16] Rob Salem of the Toronto Star awarded the film two stars out of four, believing it to be a predictable, "hit and miss" production. Like Morris, Salem wrote that "Even as haunted hotel King movies go, 1408 is certainly no Shining. Not even the TV-movie version."[17]

Box office

In its opening weekend, the film opened in second place at the box office, grossing US$20.6 million in 2,678 theaters.[18] 1408 had a production budget of US$25 million.[1] The film went on to gross US$132 million, of which US$71.9 million was from Canada and the United States.[1]

Home media

The DVD was released on October 2, 2007, by Genius Products with a standard 1-Disc Edition (widescreen or fullscreen), and a 2-Disc Collector's Edition that contains both versions of the ending and an unrated edition of the film which restored 6 more minutes of the film.[19]

See also

• Cell
• List of adaptations of works by Stephen King
• List of ghost films

References

External links

• 1408 at IMDb
• 1408 at Rotten Tomatoes
• 1408 at Metacritic
• 1408 at AllMovie
• 1408 at Box Office Mojo

На других языках

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[de] Zimmer 1408

Zimmer 1408 (Originaltitel: 1408) ist ein US-amerikanischer Horrorfilm/Mystery-Thriller von Mikael Håfström aus dem Jahr 2007. Das Drehbuch von Scott Alexander, Matt Greenberg und Larry Karaszewski beruht auf der Kurzgeschichte 1408 von Stephen King aus seinem Sammelband Im Kabinett des Todes.

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- [en] 1408 (film)

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[ru] 1408 (фильм)

«1408» — американский художественный фильм 2007 года, снятый шведским режиссёром Микаэлем Хофстрёмом по одноимённому рассказу Стивена Кинга. Вышел в прокат 22 июня 2007 года, в России — с 12 июля 2007 года.

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