fiction.wikisort.org - Movie

Search / Calendar

Evangelion: 3.0+1.0 Thrice Upon a Time (Japanese: シン・エヴァンゲリオン劇場版𝄇, Hepburn: Shin Evangerion Gekijōban 𝄇, lit. 'Shin Evangelion Theatrical Edition 𝄇') is a 2021 Japanese epic animated science fiction film co-directed, written and produced by Hideaki Anno. Produced by Studio Khara, it is the fourth and final film in the Rebuild of Evangelion film series, part of the Neon Genesis Evangelion franchise.

Evangelion: 3.0+1.0 Thrice Upon a Time
Theatrical release poster
Japaneseシン・エヴァンゲリオン劇場版𝄇
HepburnShin Evangerion Gekijōban 𝄇
LiterallyShin Evangelion Theatrical Edition 𝄇
Directed by
Screenplay byHideaki Anno
Based onNeon Genesis Evangelion
by Hideaki Anno
Produced by
  • Hideaki Anno
    Tomoyuki Ogata
StarringMegumi Ogata
Megumi Hayashibara
Yuko Miyamura
Maaya Sakamoto
Akira Ishida
Kotono Mitsuishi
CinematographyToru Fukushi
Edited byEmi Tsujita
Music byShirō Sagisu
Production
company
Studio Khara
Distributed by
  • Toho Company
  • Toei Company
Release date
  • March 8, 2021 (2021-03-08)[1]
Running time
155 minutes
CountryJapan
LanguageJapanese
Box office¥10.28 billion[2] ($93.67 million)

After a protracted development and multiple delays, Thrice Upon a Time was released on March 8, 2021,[1] to positive reviews, and became the highest-grossing film of the franchise, and the second-highest-grossing Japanese film of 2021 at ¥10.28 billion.[3] It was released internationally on August 13 the same year via the Amazon Prime Video streaming service. On June 17, 2022, it was announced that GKIDS had acquired the North American rights to the film and will be releasing it in theaters and on home video.[4]


Plot


In Paris, a team from the Wille organization, led by Maya Ibuki, works on a system designed to restore the city to its previous state. Upon being attacked by Nerv forces, they are defended by the Wunder fleet and Mari Illustrious Makinami in Unit-08. Mari defeats the attackers, and the Wille team restores Paris.

Asuka Shikinami Langley, Rei Ayanami and Shinji Ikari, still despondent, are walking across the outskirts of Tokyo-3. They arrive at a settlement of survivors, and encounter Toji Suzuhara, Hikari Horaki, and Kensuke Aida, now adults. Toji is a doctor and has a child with Hikari, while Kensuke is a technician, and all are friendly to Shinji. Asuka expresses frustration with Shinji, force-feeding him. As Shinji slowly recovers, Rei explores the village and settles down, working as a farmer. Shinji meets Ryoji Kaji, the son of Misato Katsuragi and the late Ryoji Kaji, who died averting Third Impact. Rei requires constant exposure to LCL and cannot maintain herself, decomposing in Shinji's presence.

Wunder arrives to pick up Asuka, and Shinji decides to go with her, despite protests from the crew. Shinji is placed in isolation. Meanwhile, Kozo Fuyutsuki, distressed over Shinji's treatment by Gendo Ikari in forcing him to experience the same loss as him, helps Gendo restart Unit-13. In response, Wunder heads to Antarctica. Before the mission, Asuka admits her past feelings for Shinji but states that she "grew up before him", referring to their actual ages being 28 but bodies being stuck at 14 due to the Curse of Eva, as well as Shinji's suspended animation between the events of 2.0 and 3.0. Shinji apologizes to Asuka for being indecisive in either saving or killing her whilst she was trapped by the Ninth Angel in Unit-03 14 years ago. Asuka accepts the apology and recognizes he is growing up.

Wunder is attacked by three Nerv ships and a swarm of EVA units. Asuka and Mari sortie and move to destroy Unit-13 before it can reactivate. However, Unit-02 refuses to attack Unit-13, forcing Asuka to remove her eyepatch, revealing the Ninth Angel contained within, converting Unit-02 into a "Pseudo-Evolved EVA"-Angel hybrid like Shinji's Unit-01 14 years ago. Unit-13 overpowers and absorbs Unit-02 according to Gendo's plan. Moments before being absorbed, Asuka is approached by her "original", revealing she is a clone of the Shikinami series. Meanwhile, the Wunder is attacked by a new EVA, Unit-09A.

In the Nerv vessel restraining the Wunder, Misato and Ritsuko Akagi confront Gendo. Ritsuko shoots him to no effect as Gendo has used the Key of Nebuchadnezzar to transcend humanity. Gendo reveals that the purpose of the Shikinami and Ayanami clones is to enact the Human Instrumentality Project, and enters Unit-13. A determined Shinji asks Misato to let him pilot Unit-01. Sakura and Midori Kitakami try to stop Shinji, but Misato protects him and is shot in the process. Misato apologizes to Shinji, saying that she was wrong to blame him and will take responsibility for his actions, as she is still technically his legal guardian. Mari takes Unit-08 and merges it with Units 09A through 12. Inside Unit-01, the original Ayanami clone appears before Shinji, apologizing for not being able to spare him from having to get into an EVA, but Shinji forgives her.

Gendo and Shinji fight in a surreal "Anti Universe", and Gendo shows Shinji an "imaginary Evangelion", a "Black Lilith". Shinji meets Gendo, seeing a vision of his past experiences, including how Yui's loss traumatized him. As a result, Gendo wanted to initiate an "Additional Impact" for a chance to reunite with Yui. Meanwhile, Misato evacuates the crew of the Wunder and sacrifices herself and the ship to create the "Lance of Gaius", which gives Shinji the power to rewrite the world. Shinji talks with and provides closure to Gendo; to Asuka, returning her feelings; and to Kaworu Nagisa, revealing the existence of a cycle the cast is trapped in. Kaworu also talks with the elder Kaji, who helps him understand that his own happiness should not be tied to Shinji's.

Shinji says farewell to Rei, deciding upon a complete reset of the world, a "Neon Genesis", without Evangelions. Gendo and Yui sacrifice themselves to spare Shinji from doing so himself, bringing back all humans who were transformed in the Near Third Impact and restoring the world. Shinji waits on a beach as reality resets until Mari comes back to get him, with her "Final Evangelion" being the last to disappear. The children are all present as adults at a train station, and Shinji and Mari leave for a shot of the real world.


Cast


Main article: List of Neon Genesis Evangelion characters
Character Japanese English
Shinji IkariMegumi Ogata
Ryunosuke Kamiki (adult)		Spike Spencer
Asuka Langley ShikinamiYūko MiyamuraTiffany Grant
Rei AyanamiMegumi HayashibaraAmanda Winn-Lee
Misato KatsuragiKotono MitsuishiAllison Keith
Gendo IkariFumihiko TachikiJohn Swasey
Sakura SuzuharaMiyuki SawashiroFelecia Angelle
Mari Illustrious MakinamiMaaya SakamotoDeneen Melody
Ritsuko AkagiYuriko YamaguchiMary Faber
Kaworu NagisaAkira IshidaDaman Mills
Toji SuzuharaTomokazu SekiBrett Weaver
Kensuke AidaTetsuya IwanagaAlejandro Saab
Hikari SuzuharaJunko IwaoKimberly Yates
Maya IbukiMiki NagasawaAmy Seeley
Kozo FuyutsukiMotomu KiyokawaMichael Ross
Ryoji KajiKōichi YamaderaSean Burgos
Midori KitakamiMariya IseBijou Vann
Shigeru AobaTakehito KoyasuJaxon Lee
Makoto HyugaHiro YuukiJoe Fria
Yui IkariMegumi HayashibaraAmanda Winn-Lee
Ryoji Kaji Jr.[*]Kōki Uchiyama
Koji TakaoAkio OtsukaJake Eberle
Hideki TamaAnri KatsuScott Golden
Sumire NagaraSayaka OharaRebeka Thomas

^ New character


Production



Early development and delays


The film was announced alongside Evangelion: 3.0 You Can (Not) Redo for release in 2008 as the final part of the Rebuild series under the working title Evangelion: Final. After delays of the first three films, Evangelion: Final was expected for release in 2015.[5] In 2014, following the troubled production of the third film, director and producer Hideaki Anno became depressed and announced that the film would be further delayed to an unknown date, stating publicly in 2015 that he could not work on another film.[6][7] As part of his recovery, Anno had also worked on Studio Ghibli's The Wind Rises under his mentor Hayao Miyazaki.[8][9] Toho (which co-distributes the film in Japan with Toei) also approached Anno with an offer to direct a reboot of its Godzilla film series, Shin Godzilla, which also contributed to the delay on 3.0+1.0.[10] Getting Toei and Toho in the same film had been a long-standing dream of Anno's.[11] Financial reasons also played a part. In 2014, Anno's Studio Khara loaned his former company Studio Gainax ¥100 million ($916,400). In 2016, Anno filed a claim for debt collection, fearing not only for the return of the money but also because of Gainax selling production materials to third parties,[12][13] after a precedent of other sales of intellectual property without informing him.[14] This was part of several legal issues surrounding Gainax and Evangelion.[15]

After a formal apology from Anno, animation director Takeshi Honda stated that the last film had resumed development after the production of Shin Godzilla ended in late 2016,[16][17][18] with Studio Khara tweeting on April 5, 2017, that development was going smoothly.[19] In May 2018, the studio put out a job listing for animation staff to work on 3DCG, VFX, and 2D animation starting on June 30, 2018.[20] Animation was going through the final check by October 2, 2020.[21] Dialogue recording wrapped on November 19, 2020.[22] On December 16, 2020, Studio Khara announced that compositing and editing work had finished.[23] In 2019 the film was scheduled for a June 27, 2020, release date but received two delays due to concerns over the COVID-19 pandemic, first scheduled for a January 23, 2021, release,[24] before being released on March 8, 2021.[25]


Development


Anno was very reluctant to return to work on the film in 2016.[26] In 2018, Anno had asked for the opinion of voice actors like Megumi Ogata (Shinji) on how to move the plot forward after 3.0.[27][28] Anno felt he could no longer understand Shinji and by now his current self was closer to Gendo than Shinji, and needed Ogata's input on how Shinji could recover after the events of 3.0. Anno felt that at that point the only people who could understand Shinji's feelings were Ogata herself and his personal assistant, Ikki Todoroki.[29] Anno himself had intended to go to Paris for Japan Expo 2019, but the film's continuing delays in production prevented him. Anno had often visited the film's music composer Shirō Sagisu, who lives half the year in Paris, and wished to pay homage to the city in the opening 10 minutes of the movie,[30] entitled AVANT1 ("before" in French), seeking to surpass his earlier depiction in Nadia: The Secret of Blue Water.[28] At the event, Ogata also recounted Anno had asked what ending she preferred "as Shinji".[28] AVANT1+2, including a further 2 minutes of the opening sequence, was also streamed on Khara's YouTube channel and Japanese Amazon Prime Video for free for two weeks.[31]

Dialogue for Parts A and B, set after AVANT, started recording in March 2019.[32][33] As there were several changes to the plot, many voice actors had to come back and record lines again. In 2020, due to the pandemic restrictions, production slowed down further and recording was mostly done by the voice actors separately as many dozens of takes were necessary: Ogata first notified the recording as almost finished in February 2020,[34] but as production slowed down, staff began retouching several aspects of the film, and Ogata later noted recording to be finished in November 2020.[35] The voice actors organized themselves through a Line group. This created a bond between the cast that was unprecedented in previous productions.[27][36][37][38] At the end of recording, Anno thanked the cast for their contributions. Yūko Miyamura, who played Asuka, was instructed to treat her character as completely separate from the series' Asuka Langley Soryu,[38][39] and the last thing asked of her was to write the character's full name in cursive herself to be used in the movie. She had lived in Australia for the past two decades, but was still unsure of how to write "Langley". Miyamura expressed her surprise at Anno's behavior near the end of production, in contrast to his behavior during the making of End of Evangelion: "Anno-san is amazing. He has become an adult".[37][40]

Anno sought to bring in new talent and people outside the usual Evangelion core crew, like Darling in the Franxx creator Atsushi Nishigori, a protégé of his, while other core staffers like chief editor Masayuki largely stepped down in order to allow new talents to gain more experience.[41] In addition, the series' original character designer, Yoshiyuki Sadamoto, has had diminishing involvement since 3.0, and the new character designs are mostly done by Hidenori Matsubara. Anno had long stated his wish to revitalize the anime industry,[42][43] and saw the sponsorship of new creators as a prime way of achieving this, as well as the promotions of events backed by Studio Khara like the Japan Animator Expo.[44] Director Mahiro Maeda recounted Anno wanted him to figure out specific details of the plot on his own when asked. Similarly to production in the series,[45][46][47] Anno would take ideas from staffers but have the final word in plot decisions. Anno had also been an advocate of employing new and innovative animation technologies,[48] combined with extensive use of motion capture and computer-generated imagery, and employed them in the film.[41] Maeda and others noted nonetheless that Anno seemed to be directing the film more like a live action film than animation, including in the way he directed the voice actors, taking cues from theatre techniques,[49] after his previous experience outside Evangelion, despite the staff's own limited experience, something he had previously attempted in Cutie Honey.[50] He thought Anno "wanted to get out of here the most", but expressed his feelings in film sincerely.

Director Kazuya Tsurumaki details Anno wanted to try a new process for the film. Instead of first creating storyboards and then developing the animation based on them as is traditional, Anno proposed to first draw the animation cels and then draw the scenes from them. This technique was generally referred to by staff as "pre-visualization".[51] He was once more inspired from the usual process in live action, where scenes are first shot from multiple angles and then stories are created and then selected during editing. The latter half of the film, however, progressively returned to the traditional anime style.[52] Tsurumaki noted the original intention was that "the first 80%" of the Rebuild series would be a "compilation" of the original anime series, and the changes would only start with the last film, in keeping with earlier comments in 2006 by producer Toshimichi Ohtsuki regarding the intention that only the ending would be a major departure from the series, as staff felt End of Evangelion could not receive a sequel,[53] and the Rebuild movies were not going to be "metaphysical" like the original anime, but rather "oriented towards entertainment".[54] This eventually changed, and major changes started happening as early as Evangelion: 2.0 You Can (Not) Advance.[55] He also noted that the previously stated goal of "destroying Evangelion" through the character of Mari was entrusted to an external party. Anno would ask the opinion of many parts of staff, including those not involved in the actual film like office staff for their opinions on several nuances.[56] Anno's wife Moyoco Anno provided early designs for some characters.[57] Studio Ghibli also provided assistance to scenes set in the survivor's village.[58] For the village itself, Khara had a box model custom-built to orientate the artists, and Anno personally adjusted it to the smallest details like individual house layout, with road and utility posts to make it as realistic as possible.[59][60][61] Staff consulted with multiple professionals[62] and conducted research like sky-diving for maximum accuracy.[63]

A making-of documentary aired on Japanese broadcaster NHK on March 22, 2021, with the crew following production for 1214 days.[64] BS Japan also broadcast an extended version of the documentary on April 29, 2021, totaling 100 minutes of runtime, featuring unused footage.[65] Amazon Prime Video included the extended version of documentary in its international release of the film in August.[66] When production started in 2016, Anno initially intended to not involve himself much in the film, wishing to delegate most of it to his directors, particularly Tsurumaki, generally considered Khara's second-in-command,[44][67] but as the release date approached with mounting production problems he progressively took more control and took on more tasks directly, also driven by his perfectionism. Maeda was also not initially serving as a director, but was brought in the middle of production.[68] Kim Morrisy of Anime News Network described it as tumultuous: "There were several occasions shown when he decided that the work he had done at the time was insufficient and would scrap it entirely. The [final] D part of the script was eventually completed in early 2019, at the latest possible stage it could have been done to meet the deadline."[69][70]

In the documentary, Anno is depicted as frequently late or absent from the studio, or would often stay overnight adjusting individual scenes he was unsatisfied with. Part A had been rewritten 40 times due to the difficulty staff had in depicting it, and at one point Anno was so lost on how to resolve the storylines he considered restarting it from scratch after nine months of work. Anno told the documentary crew he wouldn't miss working on the franchise and said everything he needed to, but felt finishing his work remained a priority, even at the expense of his well-being. He told Ogata later at post-production that he'd indeed miss it.[29] Hayao Miyazaki described Anno as "one who sheds blood for his films". Upon finishing production, Anno preferred to immediately start work on a script for a new production while his staff was watching the first screening together.[71] Gainax co-founder Toshio Okada criticized the documentary as "sloppy" and "propaganda" trying to make Anno look better, claiming Anno's live-action approach in fact took inspiration from Hiroyuki Yamaga's work in Royal Space Force: The Wings of Honnêamise instead of being sui generis as the documentary implied,[72] and Anno noted the crew was in fact not present during the highly intense production of Part D for several months, nor did it cover him thanking the staff at the end.[52]

On March 28, 2021, the cast was fully reunited for the first time in 14 years and held a stage greeting, commenting on the film and their bond to the characters.[36][73][74] On April 12, 2021, directors Anno, Tsurumaki and Maeda, as well as Ogata, held another stage greeting.[75][76][77] On June 26, 2021, Anno held a live stream on singer Hikaru Utada's Instagram page, and debated the film.[78] The cast and directors also participated in the All Night Nippon radio show on June 22, 2021.[79] On June 27, 2021, another cast greeting was held. Mari's voice actress Maaya Sakamoto explained she had been absent from the previous events because she felt apprehensive over the details she knew about Mari's character that Anno told her, but refused to share them: "I will take secrets to my grave".[80] A last stage greeting was held on July 11, 2021. Anno felt he had now done everything he could with anime, and accordingly Khara denied reports that he was working on a reboot of a popular animation series.[81] He also noted he initially attempted a shorter two hour runtime, but had to extend it.[82]

Anno had originally intended on making a new Evangelion story since 2000[83] and has intended to open up the franchise in the future to new creators and turn Eva into a "new Gundam", using the Rebuilds as a foundation for this,[53] but 3.0+1.0 is intended to be his final Evangelion work.[84][85][86] The Animator Expo already featured three independent works based on the franchise: Evangelion – Another Impact[87] and Neon Genesis IMPACTS, as well as until You come to me, a short film intended to showcase the talent of younger Khara animators, not as an official trailer.[88] In an interview in August 2021, Anno stated other parts of the franchise and story might be revisited later.[89][90] Staff also commented on doubts over this being the "end of the story".[91] On the film's first anniversary on March 8, Khara held a livestream of the film and included a Q&A session with Anno and other staff reaffirming his future plans.[92]


Music


The film's theme song is "One Last Kiss". The song, performed by Hikaru Utada and co-produced by Utada and A.G. Cook, was scheduled to be released for digital download on January 24, 2021, and as an extended play CD and LP record featuring remastered versions of the previous Rebuild of Evangelion theme songs on January 27.[93] It was released alongside the film on March 9, 2021, and internationally in the summer.[94] Utada noted this was the first time they wrote the song's lyrics based on reading a finished version of the film's script, instead of simply skimming over early rough drafts.[95] Anno also directed the music video for the song.[96]

A soundtrack album, titled Shiro Sagisu Music from "Shin Evangelion", was scheduled to be released on February 10, 2021,[97] but was also delayed due to the delay of the film.[98] It was released on March 17.[99] The 3-disc score utilized several revamped tracks from Sagisu's previous works for Anno, like Nadia: The Secret of Blue Water and Kare Kano, as well as featuring cover versions of "VOYAGER ~ Hizuke no Nai Bohyou" by Megumi Hayashibara, originally written and performed by Yumi Matsutoya for 1984's Bye-Bye Jupiter, and a cue from 1977's The War in Space, originally composed by Toshiaki Tsushima.[100]

A vocal song based on the track "what if?: orchestra, choir and piano" from the soundtrack album titled "Shiro SAGISU << what if? >> Yoko TAKAHASHI ver." was released as a digital single on August 31, featuring Yoko Takahashi and arrangements by Sagisu himself.[101]


Release


On July 6, 2019, Khara screened the first ten minutes of the film on Japan Expo in Paris, Anime Expo in Los Angeles and CCG Expo 2019 in Shanghai.[102] The film was originally scheduled for release on June 27, 2020.[103]

In April 2020, it was announced that the film had been removed from the schedule due to concerns regarding the COVID-19 pandemic, and the film was later rescheduled for release on January 23, 2021.[104][105] The theatrical release poster was revealed shortly afterwards with the tagline "Bye-bye, all of EVANGELION.", indicating that this would likely be Anno's final Evangelion-related project.[106] Anno released a statement via Studio Khara's Twitter in October apologizing for the delay while confirming the film was near completion. Khara suggested the run time of the finished film could be over two hours, with the "D-part" clocking in at 41 minutes. They also reported that as of October 2 the film was undergoing a "rush check", a final check of the animation before editing.[107] On January 14, 2021, the film was removed from the release calendar again.[98] On February 16, 2021, it was reported that the film would be 154 minutes long, making it the longest film in the Rebuild tetralogy and one of the longest animated feature films ever, behind the films In This Corner (and Other Corners) of the World, Final Yamato, The Disappearance of Haruhi Suzumiya, and Revival of Evangelion.[108][109]

On February 26, Hikaru Utada's staff account on Twitter reported that the film's feature song "One Last Kiss" would be released on March 8, 2021, with a link to their website with more information confirming a new release date for the film of March 8, 2021.[110] This was also confirmed on Studio Khara's website, along with a runtime of 155 minutes.[1][111]


Updated release


An updated version of the film, titled Evangelion: 3.0+1.01 Thrice Upon a Time, was released in Japanese theaters on June 12, 2021. This version features updated cuts of various scenes while not changing the overall story of the film.[112] It also accompanied the distribution of a 36-page booklet called Eva-Extra-Extra, including non-canon illustrations by staff and a prequel manga set before the events of the previous film, Evangelion: 3.0 You Can (Not) Redo, called Evangelion: 3.0 (-120min.), written by director Kazuya Tsurumaki under Anno's supervision.[113] The manga was Anno's initiative, and began production on April 11.[114]

Internationally, Amazon Prime Video acquired exclusive streaming rights to the film; it was released in worldwide on August 13, 2021, excluding Japan.[115][116] However, on July 20, 2021, Amazon Prime Video announced that it will also stream the film in Japan on the same day as its international release.[117] It featured full re-dubbings of the previous Rebuild films, including several voice actors from the A.D. Vision and Manga Entertainment localizations of the original series and films, in place of the mostly new cast used in the Funimation adaptations of the Rebuild series and Netflix's adaptation of the series. Like Netflix's release, it also included a full re-translation by Khara's in-house translator, Dan Kanemitsu.[66]


Home media


On October 4, 2022, Khara announced a home media release for March 8, 2023, on the film's two-year anniversary, titled 3.0+1.11.[118] Its limited edition includes several bonus materials, like a copy of the script signed by Hideaki Anno. All editions also accompany a bonus feature short video called Evangelion: 3.0 (-46h).[119]


Reception



Box office


Anno stated his desire to see 3.0+1.0 break the ¥10 billion mark, which he considered would be a landmark for robot anime.[77] The film was released in Japan on March 8, 2021, earning ¥802,774,200 ($7,387,198) on its first day, outdoing its predecessor by 23.8%[120] and breaking the IMAX opening day record in Japan.[121] The film grossed ¥3,338,422,400 ($30,596,851) in its first week,[122] ranking #1 in Japan in its opening week.[123] In 21 days, the film sold 3,961,480 tickets and grossed ¥6,078,211,750 ($55,492,310) in Japan, outdoing 3.0's total earnings of ¥5.3 billion.[124] In 30 days, it surpassed ¥7 billion ($63.77 million), completing four weeks as #1 in Japanese box offices.[125] On May 8, it surpassed Shin Godzilla and became Anno's highest-grossing film at ¥8.28 billion ($75.72 million).[126] With the 3.0+1.01 updated release on June 12, the film jumped back to top box office spot after spending a weekend out of the top 10 chart[127] and on June 15, exactly the 100th day since release, achieving a 960.5% increase,[128] reached ¥9 billion ($81.7 million).[129] On July 13, it was announced that the film has exceeded ¥10 billion, becoming the first ever film distributed by Toei to hit this box office milestone[130] and ending its theatrical run on July 21 pocketing ¥10.23 billion with an attendance number of 6.69 million people,[131] finishing with almost double as its predecessor's ¥5.3 billion mark.[132] Japanese Twitter archival site Fusetter had its all-time highest view count on March 9.[133] After the film's August streaming release, it broke Amazon Prime Video's all-time high day-one view amount since its launch in Japan.[134] By December 2021, the movie became the highest-grossing movie of the year in Japan, accounting for over ¥10.2 billion (about US$89.5 million).[135] The film has grossed a Japanese box office total of ¥10.28 billion[2] ($93.67 million).


Critical response


Japanese reception has been highly positive. The Asahi Shimbun released a series of reviews from Japanese academics and critics.[136][137] Hiroki Azuma praised the film as a "grand masterpiece", and thought it was nearly impossible for the film to respond to all the "burden" it carried, but it did so successfully. He considered that, although it outwardly looks like a science fiction film, it is in reality a confessional I-novel by Anno.[138] Commenting on Anno's style, anime director Mamoru Oshii shared this perception, and considered that Anno is "more of a producer than a director these days" and felt that he lacked a theme.[139] In a later interview with comedian Hitoshi Matsumoto, Anno himself later echoed this, saying that as a director he could afford to be a child, but not after he started producing.[140] Akiko Sugawa praised the portrayal of its female characters.[141] Japanese aggregator site Eiga.com and others[142] praised the movie for fulfilling its promise of being easily approachable to a viewer not familiar with the original Neon Genesis Evangelion, reiterating its role as a stand-alone story, but also likening it to the series' status as a pop culture phenomenon in view of the many emerging analyses,[143] a view shared by the cast.[144] On aggregator site Filmmarks, the film attained the highest first-day satisfaction score in its history.[145]

Reviewers also noted the film's deeply divisive reception among Evangelion fans, with the ending proving particularly controversial.[146] Gainax co-founder, Toshio Okada, promulgated an association between the character of Mari and Anno's wife Moyoco,[147] and was rebuffed by significant backlash from Khara staff,[148][149] Moyoco,[150] and Anno himself,[151] who instead pointed out to Tsurumaki's responsibility for developing her and similarities to his earlier characters from FLCL and Diebuster, which shared her voice actress, and Anno's detachment from her creation.[148][152] Similarly to End of Evangelion, reviewers considered the film to have the theme of "moving into reality", but were divided on the effectiveness of its execution and the resolution of its plot lines.[153][154] Bunshun Online concluded that unlike the 1997 film, 3.0+1.0 did not intend to give viewers a mystery to solve, but to provide a more straightforward answer.[155] Writers for Yahoo! Japan and others agreed on its distinctiveness from the previous work, reflecting a different cultural context and personal state of Hideaki Anno, speculating his time at Ghibli had greatly influenced him,[156] with a less multifaceted story[157] where Shinji's character had been completely "consumed" by Anno attempting to break the "Otaku curse" represented in-story by the "Curse of Evangelion",[158][142] and considered the ending could only be explained with background knowledge on Anno's life, and how this controversy would likely drive more heated discussion in the near future,[159] with fan backlash coming even at small subsequent statements by Anno[77] and other staff.[160] Writer Ichisi Lida concluded he could not decide if he liked the film or not, but felt if he watched it again after some years, he'd think it was a bad film, not feeling the same feeling of confusion mixed with amazement as 1997's End of Evangelion or its 2012 predecessor Evangelion 3.0. Lida expressed disappointment at a "sense of déjà vu", characterising the film a self-imitation of Anno's past works. Lida felt that Shinji's maturing was not surprising, but expected, as he had already gone through that process with the 1997 film. Similarly, he noted how the generation that grew up with the Rebuild films could feel like their own coming-of-age would be marked by the film, but for an older fan such as himself, that had already happened with the 1997 movie.[161] Anno had partly re-created his hometown of Ube as it existed during his youth for the ending scene, prompting tourism from fans to the town.[162]

In contrast to the negative receptions of its predecessor Evangelion: 3.0 You Can (Not) Redo, Western critical reception has been extremely positive. As of October 2021, it holds a 100% score and an average score of 8.70/10 on review aggregator Rotten Tomatoes with 17 reviews.[163] According to Metacritic, which calculated a weighted average score of 84 out of 100 based on 7 critics reviews, the film received "universal acclaim".[164] Richard Eisenbeis of Anime News Network noted the film's close connections with End of Evangelion on a thematic and narrative level and praised its characterization, while also noting its different themes, but criticized its world-building, and also the lack of development given to Mari to justify her role in the plot.[165] Kyle McLain of IGN praised the film for having themes of maturity, hope and positivity, but disliked the final act as "inscrutable".[166] Matt Schley of The Japan Times shared his opinion, saying: "Thrice is not the charm for those hoping for a definitive, easy-to-understand ending for Evangelion. Like its predecessors, 3.0+1.0 raises more questions than it answers. Time is a circle."[167] Justin Harrison of The Spool called it "a deeply moving motion picture".[168] SoraNews24 expressed puzzlement at the ending, but noted the film is "complex, hits different people in different ways, and is something that immediately triggers a repeat-viewing reaction".[169] Crunchyroll's Daryl Harding noticed the film "goes pretty meta" and praised its direction, but repeatedly criticized the animation.[170] Otaquest's Chris Cimi noted the film builds an aesthetic that is meaningfully different from the series' "iconic visual language", to a point of contention: "The CG sure does look like CG".[171] Andrew Osmond of NEO felt that although there were things about the film that felt "indulgent, pandering, and flat-out dumb", he felt satisfied with the film, noting a resolution of Evangelion's baseline conflict, and felt the film managed to synthesize Anno's previous efforts into a coherent and touching ending. Although he believed the Evangelion franchise has been "bolder and more brilliant in the past", he stated that the film "brings it to a beautiful ending".[172]

The film has won the 45th Japan Academy Film Prize,[173][174] and animated film categories at the Tokyo Anime Film Festival, with Anno winning the original screenplay and director categories.[175]


Awards and honours


Year Award Category Result
2022 The 45th Japan Academy Film Prize Best Animation Film Won
Most Popular Film Won
The 6th Crunchyroll Anime Awards Best Film Nominated
Tokyo Anime Awards Animation of the Year Won

Future



Collaborative projects


In February 2022, a collaborative project titled "Shin Japan Heroes Universe" was announced. A joint venture between Khara, Toei, Toho and Tsuburaya, the project will feature characters adapted by Anno, in addition to Evangelion characters, such as Shin Godzilla, Shin Ultraman, and Shin Kamen Rider.[176]


References


  1. "Final Evangelion Film Rescheduled to March 8 After 2 COVID-19 Delays". Anime News Network. Archived from the original on March 5, 2021. Retrieved February 26, 2021.
  2. "Movies With Box Office Gross Receipts Exceeding 1 Billion Yen". Eiren. Motion Picture Producers Association of Japan (MPPAJ). Retrieved March 3, 2022.
  3. Loo, Egan (December 29, 2021). "Final Evangelion Film Tops Japan's Box Office in 2021 So Far". Anime News Network. Retrieved December 29, 2021.
  4. "GKIDS Acquires N. American Theatrical, Home Video Rights to Evangelion 3.0+1.01 Film".
  5. "Magazine: Final Evangelion Film Slated for Fall-Winter 2015 With Utada Song". Anime News Network. Archived from the original on April 4, 2015. Retrieved April 8, 2015.
  6. "Anno Jokes That 4th New Evangelion Film Might Be 4-6 Years After 3rd One". Anime News Network. October 28, 2014. Archived from the original on February 18, 2015. Retrieved March 5, 2015.
  7. "Evangelion creator Hideaki Anno opens up about his latest bout with depression, movie delays". Rocketnews. April 2, 2015. Archived from the original on June 29, 2017. Retrieved May 24, 2017.
  8. Hodgkins, Crystalyn (May 9, 2013). "Newspaper: Evangelion's Hideaki Anno to Star in Ghibli's Kaze Tachinu Film". Anime News Network. Archived from the original on April 19, 2014. Retrieved April 9, 2021.
  9. Smith, Carly (August 28, 2014). "Hideaki Anno to Lead Anime Industry After Hayao Miyazaki | The Escapist". v1.escapistmagazine.com. Archived from the original on November 20, 2018. Retrieved April 9, 2021.
  10. "Hideaki Anno Blames Work On "Shin Godzilla" for "Evangelion: 3.0+1.0" Delay". Crunchyroll. September 29, 2016. Archived from the original on June 6, 2017. Retrieved May 24, 2017.
  11. (株)カラー 2号機 [@khara_inc2] (July 20, 2018). "さて。大変お待たせしています。『シン・エヴァンゲリオン劇場版』2020年公開となりました。業界的な話になりますが、今作は東宝さん東映さんとの共同配給をさせて頂きます。両社のマークを映画冒頭に並べるというのは、庵野の長年の夢だったそうです。叶いました。では特報のネタバレをします🤗" (Tweet) (in Japanese). Archived from the original on September 26, 2021. Retrieved December 21, 2021 – via Twitter.
  12. "Anime firm of legendary director Anno suing former company for 100 million yen". Mainichi Daily News. December 2, 2016. Retrieved May 26, 2021.
  13. "【庵野監督・特別寄稿】『エヴァ』の名を悪用したガイナックスと報道に強く憤る理由". ダイヤモンド・オンライン (in Japanese). December 30, 2019. Retrieved May 26, 2021.
  14. Harding, Daryl (December 30, 2019). "Hideaki Anno Denounces Links Between Him and Arrested Gainax President, Discusses Past With Anime Studio". Crunchyroll. Retrieved May 26, 2021.
  15. Ashcraft, Brian (June 23, 2017). "Gainax Loses Lawsuit, Must Pay Hideaki Anno's Studio $900,000". Kotaku. Retrieved May 25, 2021.
  16. "Hideaki Anno Apologizes for Delay on Final Evangelion Film". Anime News Network. Archived from the original on September 29, 2016. Retrieved October 8, 2016.
  17. "Evangelion Studio Khara Confirms Next Shin Evangelion Is in Production". Anime News Network. April 5, 2017. Archived from the original on April 5, 2017. Retrieved April 5, 2017.
  18. "Evangelion Animator: Final Evangelion Remake Film is in Progress". Anime News Network. November 17, 2016. Archived from the original on July 4, 2017. Retrieved May 24, 2017.
  19. 株式会社カラー [@khara_inc] (April 5, 2017). "『シン・エヴァ』の打ち合わせ。鋭意制作中です！ t.co/u2qcUlKZH0" (Tweet) (in Japanese). Archived from the original on November 6, 2021. Retrieved December 21, 2021 – via Twitter.
  20. Dennison, Kara (May 24, 2018). "Studio Khara Puts out Call for "Eva" Animators". Crunchyroll. Archived from the original on December 29, 2020. Retrieved May 25, 2018.
  21. Harding, Daryl (October 4, 2020). "Director Hideaki Anno Asks Fans to Wait a Little Longer For Evangelion 3.0+1.0". Crunchyroll (in French). Retrieved May 26, 2021.
  22. Mateo, Alex. "Evangelion's Final Film Finishes Dialogue Recording". Anime News Network. Archived from the original on December 29, 2020. Retrieved December 17, 2020.
  23. Pineda, Rafael Antonio. "Final Evangelion Film Wraps Compositing, Editing Work". Anime News Network. Archived from the original on December 29, 2020. Retrieved December 17, 2020.
  24. "Evangelion's Final Film Opens on January 23". Anime News Network. October 15, 2020. Archived from the original on October 17, 2020. Retrieved October 15, 2020.
  25. "Final Evangelion Film Rescheduled to March 8 After 2 COVID-19 Delays". Anime News Network. Archived from the original on March 5, 2021. Retrieved February 26, 2021.
  26. "庵野秀明監督、ネット中傷で「どうでもよくなった」。自死考えた過去も明かす。NHK番組に大きな反響（ハフポスト日本版）". Yahoo!ニュース (in Japanese). Archived from the original on April 10, 2021. Retrieved April 9, 2021.
  27. "Megumi Ogata as Shinji Ikari". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q.
  28. "Japan Expo 2019 - Choses vues #9 : Evangelion marque de son empreinte les vingt ans de Japan Expo !". ActuaBD (in French). June 6, 2019. Archived from the original on April 16, 2021. Retrieved April 9, 2021.
  29. "「庵野さん、卒業おめでとう」緒方恵美が振り返る、庵野秀明と碇シンジとの25年｜最新の映画ニュースならMOVIE WALKER PRESS". MOVIE WALKER PRESS (in Japanese). Archived from the original on April 11, 2021. Retrieved April 9, 2021.
  30. "Japan Expo - L'anteprima di Evangelion 3.0+1.0". ScreenWEEK.it Blog (in Italian). July 6, 2019. Archived from the original on September 27, 2020. Retrieved April 9, 2021.
  31. "Evangelion 3.0 + 1.0 12 Minute Preview out on Amazon Prime Japan". Otaku Tale. March 9, 2021. Archived from the original on April 13, 2021. Retrieved April 13, 2021.
  32. "New Shin Evangelion Film Begins Dialogue Recording". Anime News Network. Archived from the original on January 22, 2021. Retrieved April 13, 2021.
  33. Luster, Joseph (March 20, 2019). "Fourth Evangelion Anime Film's Dialogue Recording is Now Underway". Crunchyroll. Retrieved May 26, 2021.
  34. 緒方恵美@パートナー募集中🏰CF「プレフェス」★12/18💊LIVE「劇薬」 [@Megumi_Ogata] (February 25, 2020). "【本日】「シン・エヴァンゲリオン劇場版」、本編すべての収録終了！ …といいつつそのまま大団円じゃない。リテイクもいろいろあるらしいし、それにもまして私個人には未体験の試練が残されることに。 それも含めて、やっぱり #エヴァ 。 公開の、最後の瞬間までベストを尽くします。待ってて下さい。 t.co/EXiV6o8LXK" (Tweet) (in Japanese). Archived from the original on April 6, 2021. Retrieved December 21, 2021 – via Twitter.
  35. 緒方恵美@パートナー募集中🏰CF「プレフェス」★12/18💊LIVE「劇薬」 [@Megumi_Ogata] (November 19, 2020). "【All Up】「シン・エヴァンゲリオン劇場版」のアフレコが、たった今、すべて終了しました！ なんか、泣きそうだ。 頭が痛くて…（←叫びすぎ。笑） わたしのできることはすべて。 あとは完成を楽しみに待ちます。 ありがとうございました。 来年1/23、どうぞお楽しみに！ #エヴァ #エヴァンゲリオン t.co/HjKTjLesbc" (Tweet) (in Japanese). Archived from the original on May 8, 2021. Retrieved December 21, 2021 – via Twitter.
  36. "【イベントレポート】「シン・エヴァ」舞台挨拶、緒方恵美「今度は離れていく皆さんに『おめでとう』と」". コミックナタリー (in Japanese). Archived from the original on April 11, 2021. Retrieved April 9, 2021.
  37. "『シン・エヴァ』宮村優子が振り返る、アスカとの25年 その"苦労"と"喜び"". クランクイン！- エンタメの「今」がわかる 映画＆エンタメニュースサイト (in Japanese). Archived from the original on April 9, 2021. Retrieved April 9, 2021.
  38. Miyamura, Yuko (March 20, 2021). "MIYAMURA YUKO Corp". fanicon.net. Archived from the original on April 10, 2021. Retrieved April 9, 2021.
  39. "『シン・エヴァンゲリオン劇場版』宮村優子が語る、以前の苦しさを癒やしてくれた『新劇場版』シリーズの存在 | アニメイトタイムズ". animate Times (in Japanese). April 11, 2021. Archived from the original on April 11, 2021. Retrieved April 12, 2021.
  40. "「時代が、『エヴァ』と庵野さんを受け入れてくれた」宮村優子が振り返る、庵野秀明とアスカとの25年". MOVIE WALKER PRESS (in Japanese). April 9, 2021. Archived from the original on April 10, 2021. Retrieved April 10, 2021.
  41. "Mahiro Maeda". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q.
  42. "Interview with Hideaki Anno, Creator of *Evangelion*". Tokyo Otaku Mode. November 8, 2014. Archived from the original on April 12, 2021. Retrieved April 12, 2021.
  43. Miller, Evan (February 20, 2007). "Hideaki Anno Releases Statement About New Evangelion Movies". Anime News Network. Archived from the original on June 27, 2017. Retrieved April 12, 2021.
  44. Cirugeda, Keven (November 20, 2015). "The Ultimate Guide to the Animator Expo". Anime News Network. Archived from the original on November 8, 2020. Retrieved April 12, 2021.
  45. Evangelion original. 1. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. ISBN 4-8291-7321-1. OCLC 674836426. Archived from the original on May 6, 2021. Retrieved April 12, 2021.{{cite book}}: CS1 maint: others (link)
  46. Evangelion original. 2. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. ISBN 4-8291-7322-X. OCLC 676220824. Archived from the original on May 6, 2021. Retrieved April 12, 2021.{{cite book}}: CS1 maint: others (link)
  47. EVANGELION ORIGINAL〈3〉. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. Foreword. ISBN 4-8291-7323-8. OCLC 674428440. Archived from the original on March 24, 2021. Retrieved February 11, 2021.{{cite book}}: CS1 maint: others (link)
  48. Ashcraft, Brian (May 26, 2015). "Evangelion Creator Predicts The Death Of Anime". Kotaku Australia. Archived from the original on April 12, 2021. Retrieved April 12, 2021.
  49. "Kotono Mitsuishi as Misato Katsuragi". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q.
  50. "庵野秀明氏『エヴァ』舞台あいさつ初登壇の真意明かす ファンへ「お礼を言う最後のチャンス」（オリコン）". Yahoo!ニュース (in Japanese). Archived from the original on April 11, 2021. Retrieved April 12, 2021.
  51. Monthly Newtype. Japan: Kadokawa Shoten. 2021.
  52. "庵野秀明氏、NHK『プロフェッショナル』に"ダメ出し"「いい所に来てなかった」（オリコン）". Yahoo!ニュース (in Japanese). Archived from the original on April 11, 2021. Retrieved April 12, 2021.
  53. "アニメがつまらなくなったのは、「新世紀エヴァンゲリオン」のせいである". Cyzo. November 2006. Archived from the original on August 30, 2016.
  54. "謎解けるか「真の完結編」エヴァンゲリオン再映画化". The Asahi Shimbun. September 13, 2006. Archived from the original on September 26, 2007. Retrieved July 31, 2021.
  55. "樋口 真嗣 interview". ヱヴァンゲリヲン新劇場版：破 全記録全集 (in Japanese). Ground Works. 2012. ISBN 978-4-905033-00-4.
  56. "Kazuya Tsurumaki". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q.
  57. (株)カラー 2号機 [@khara_inc2] (April 17, 2021). "東京は予報が変わって快晴 #シン・エヴァンゲリオン劇場版 上映中 設定アップ アスカ・第3村での服装(パーカー)・ラフ案とサンダル アスカ・第3村での服装(寝間着Tシャツ)・ラフ案-07 （いずれも井関修一） 先日公開した安野モヨコさんのラフ案をもとに線をまとめ、作画資料となっていきます t.co/KzlTpv9YiH" (Tweet) (in Japanese). Archived from the original on October 6, 2021. Retrieved December 21, 2021 – via Twitter.
  58. スタジオジブリ STUDIO GHIBLI [@JP_GHIBLI] (March 18, 2021). "t.co/ipwrWL3eCy t.co/bWxOljFHAj" (Tweet). Archived from the original on October 1, 2021. Retrieved December 21, 2021 – via Twitter.
  59. "Evangelion Staff Builds 1/45 Miniature Scale Recreation of Film's Setting". Anime News Network. Retrieved August 12, 2021.
  60. (株)カラー 2号機 [@khara_inc2] (April 8, 2021). "【制作こぼれ話】続き 第3村の1/450検証用模型。 本格的な制作作業に入る前に雛形として作られた物。これにより必要な制作範囲や地形等の確認をしていました。 同スケールの戦艦大和を置いてみる事でクレーディトの船と村とのサイズ感の参考にしています。 #シン・エヴァンゲリオン劇場版 上映中 t.co/MI7ouvGunq" (Tweet) (in Japanese). Archived from the original on November 5, 2021. Retrieved December 21, 2021 – via Twitter.
  61. (株)カラー 2号機 [@khara_inc2] (April 8, 2021). "#シン・エヴァ 　上映中！ 【制作こぼれ話】 画面構成の参考としてミニチュア模型を作成し撮影する手法が取られています。 第3村、ケンスケの家、北の湖の廃墟などがOゲージとほぼ同じ1/45サイズのミニチュアで再現され、物語に最適なカメラアングルを探るため使用されました （続きますお楽しみに t.co/WNrdp6aGdZ" (Tweet) (in Japanese). Archived from the original on October 10, 2021. Retrieved December 21, 2021 – via Twitter.
  62. (株)カラー 2号機 [@khara_inc2] (April 20, 2021). "#シン・エヴァンゲリオン劇場版 上映中 マリがアスカの髪を切るシーンは、リアルな手元の動きとハサミ等の使い方をアニメで再現したく、実際に撮影して作画参考とした。 マリ役： デジタル部・松井君（元美容師さん） という異例の経歴を生かしてもいます。 ※この頃、総監督のボディは増量傾向 t.co/pCFlt6bpeB" (Tweet) (in Japanese). Archived from the original on May 22, 2021. Retrieved December 21, 2021 – via Twitter.
  63. (株)カラー 2号機 [@khara_inc2] (May 21, 2021). "#シンエヴァ 上映中 【制作こぼれ話） sn202c018 空中落下戦のシーンのため、総監督からのお勧めもあり、担当クリエイター達でスカイダイビングをし、実際の落下を体感、参考映像を収録、 現実味のある画面作りを目指した。 「アニメではなくドキュメンタリー感のあるカメラワークにしたい」 続👉 t.co/Kttg5dBiO5" (Tweet) (in Japanese). Archived from the original on December 19, 2021. Retrieved December 21, 2021 – via Twitter.
  64. Fujita, James (March 12, 2021). "Hideaki Anno Special Will Air on NHK". OTAQUEST. Archived from the original on April 12, 2021. Retrieved April 9, 2021.
  65. "庵野秀明監督に密着した「プロフェッショナル」拡大版の放送が決定". ライブドアニュース (in Japanese). April 16, 2021. Archived from the original on April 17, 2021. Retrieved April 17, 2021.
  66. Loo, Egan (August 12, 2021). "Amazon Prime Video Lists Final Evangelion Film's English Dub Cast". Anime News Network. Retrieved August 14, 2021.{{cite web}}: CS1 maint: url-status (link)
  67. Cimi, Chris (April 2, 2021). "Introducing... Kazuya Tsurumaki: Know the Creators #3". OTAQUEST. Archived from the original on April 12, 2021. Retrieved April 12, 2021.
  68. Schley, Matt (March 23, 2021). "Hideaki Anno Bares His Soul in Eva 3.0+1.0 Documentary". Otaku USA Magazine. Archived from the original on March 24, 2021. Retrieved April 9, 2021.
  69. Morrisy, Kim (March 25, 2021). "NHK Documentary Captures Hideaki Anno's Creative Struggles on Final Evangelion Film". Anime News Network. Archived from the original on April 10, 2021. Retrieved April 9, 2021.
  70. Ashcraft, Brian (March 23, 2021). "Online Hate Took Evangelion Creator Hideaki Anno To A Dark Place". Kotaku. Archived from the original on April 9, 2021. Retrieved April 9, 2021.
  71. Hideaki Anno: The Final Challenge of Evangelion (Documentary). NHK. 2021.
  72. NHKの手抜き仕事で感動するな！プロフェッショナル仕事の流儀「庵野秀明スペシャル」はここが間違っている / OTAKING explains "Hideaki Anno". 岡田斗司夫. March 30, 2021. Archived from the original on December 11, 2021. Retrieved December 21, 2021 – via YouTube.
  73. "「シン・エヴァンゲリオン劇場版」キャスト登壇舞台挨拶、全国の劇場へ生中継も". コミックナタリー (in Japanese). Archived from the original on April 10, 2021. Retrieved April 9, 2021.
  74. "「エヴァ」24年ぶりの舞台挨拶に声優集結 緒方恵美「最初で最後」". ライブドアニュース (in Japanese). Archived from the original on April 10, 2021. Retrieved April 9, 2021.
  75. "庵野秀明氏『エヴァ』舞台あいさつ初登壇の真意明かす ファンへ「お礼を言う最後のチャンス」（オリコン）". Yahoo!ニュース (in Japanese). Archived from the original on April 11, 2021. Retrieved April 11, 2021.
  76. "『シン・エヴァ』庵野秀明総監督、大ヒット御礼 ラストカット"あるポイント"に「気づいていただけると」（クランクイン！）". Yahoo!ニュース (in Japanese). Archived from the original on April 11, 2021. Retrieved April 11, 2021.
  77. "「エヴァってロボットアニメなんですよ」 庵野秀明さんの発言、ファンに衝撃を与える". ハフポスト (in Japanese). April 11, 2021. Archived from the original on April 11, 2021. Retrieved April 12, 2021.
  78. "庵野秀明が宇多田ヒカルのインスタ生配信番組に出演、2人で公の場に出るのは初". コミックナタリー (in Japanese). June 26, 2021. Retrieved August 2, 2021.
  79. "「シン・エヴァンゲリオンのANN」本日生放送、キャスト・スタッフが16人登場". コミックナタリー (in Japanese). Retrieved September 30, 2021.{{cite web}}: CS1 maint: url-status (link)
  80. "坂本真綾、マリ役を理解する苦悩語る！庵野秀明監督からのヒントは「墓場まで持っていきます」｜シネマトゥデイ". シネマトゥデイ (in Japanese). Retrieved July 8, 2021.
  81. Antonio Pineda, Rafael (May 17, 2021). "Khara Denies Report of Evangelion Director Hideaki Anno Planning New Anime". Anime News Network. Retrieved August 2, 2021.
  82. "庵野秀明『エヴァ』完結に感無量！観客に深々とお辞儀｜シネマトゥデイ". シネマトゥデイ (in Japanese). July 11, 2021. Retrieved August 2, 2021.
  83. Evangerion shin gekijoban: Jo zenkiroku zenshu : Bijuaru sutoriban settei shiryoban. Ikki Todoroki, 一騎 轟木. [Tokyo]: Kara. 2019. ISBN 9784905033189. OCLC 1121079437. Archived from the original on May 6, 2021. Retrieved April 9, 2021.{{cite book}}: CS1 maint: others (link)
  84. Rivera, Renato (December 3, 2016). "Evangelion Creator Talks the Future of the Franchise". AnimeNow!. Archived from the original on December 9, 2016. Retrieved July 8, 2021.
  85. Seraki, Dimitri (November 5, 2019). "Translation - 10 Years of Khara, interview with Hideaki Anno Part 2". Full Frontal. Archived from the original on January 20, 2021. Retrieved April 9, 2021.
  86. Gramuglia, Anthony (January 13, 2021). "The Final Evangelion Movie Won't Be the End of the Franchise". CBR. Archived from the original on February 5, 2021. Retrieved April 9, 2021.
  87. "Video: 'Evangelion — Another Impact (Confidential) short". www.digitaljournal.com. February 7, 2015. Archived from the original on April 12, 2021. Retrieved April 12, 2021.
  88. "until You come to me. - 日本アニメ（ーター）見本市". January 11, 2015. Archived from the original on January 11, 2015. Retrieved May 26, 2021.
  89. Motamayor, Rafeel (August 7, 2021). "'Evangelion' Creator Hideaki Anno Reveals 'Evangelion 3.0+1.0' Might Not be the End". Collider. Retrieved August 7, 2021.{{cite web}}: CS1 maint: url-status (link)
  90. Solomon, Charles (August 6, 2021). "'Evangelion' Director Explains How He Finally Found His Ending". The New York Times. ISSN 0362-4331. Retrieved August 8, 2021.
  91. "「エヴァ」が終わった感覚がない――「シン・エヴァンゲリオン劇場版」碇シンジ役緒方恵美インタビュー". WebNewtype (in Japanese). May 21, 2021. Retrieved August 14, 2021.{{cite web}}: CS1 maint: url-status (link)
  92. "エヴァンゲリオン公式サイト News". www.evangelion.co.jp (in Japanese). Retrieved March 9, 2022.
  93. "宇多田ヒカル 新曲「One Last Kiss」が『シン・エヴァンゲリオン劇場版』テーマソングに決定／本日より iTunesプレオーダー開始". Archived from the original on December 29, 2020. Retrieved December 9, 2020.
  94. "Hikaru Utada Official Website | NEWS". Hikaru Utada Official Website. Archived from the original on March 20, 2021. Retrieved April 9, 2021.
  95. 宇多田ヒカル [@utadahikaru] (April 2, 2021). "今までの新劇場版の曲はその都度大まかなプロットだけ聞いて作ったけど、今回は台本を読んで最後のシーンを思い浮かべながら、曲の第一音(イントロのシンセ)からプログラミングと作曲を始めたから、オンライン試写の時にドキッとする絶妙な瞬間に曲が流れ出して嬉しかったなあ✨👩🏻💻✨" (Tweet) (in Japanese). Archived from the original on December 17, 2021. Retrieved December 21, 2021 – via Twitter.
  96. "'One Last Kiss' by Hikaru Utada, Her Music Video Created by Hideaki Anno Was Received with Great Praise From the Fans". Anime News Network. Retrieved August 12, 2021.
  97. "劇中使用楽曲を収録した音楽集CD 「Shiro SAGISU Music from "SHIN EVANGELION"」 2021年2月10日発売決定！". Archived from the original on December 29, 2020. Retrieved December 14, 2020.
  98. Hodgkins, Crystalyn (January 14, 2021). "Final Evangelion Film Delayed Again Due to COVID-19". Anime News Network. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  99. Prasek, Corey (March 1, 2021). "Shiro SAGISU Music from 'SHIN EVANGELION' Dropping on 17 March". OTAQUEST. Archived from the original on March 1, 2021. Retrieved April 9, 2021.
  100. "New(S) | 鷺巣 詩郎 Shiro SAGISU Official Website". www.ro-jam.com. Retrieved June 3, 2021.
  101. エヴァンゲリオン公式 [@evangelion_co] (August 30, 2021). "#シンエヴァ Amazon Prime Video全世界配信記念 楽曲配信スタート㊗️🎁 鷺巣詩郎《what if?》高橋洋子ver. ☝️ 劇中音楽「what if?」が、 高橋洋子の歌唱バージョンとなり登場！ 只今より 全世界同時サブスク・DL解禁 （※一部サイトを除く） 是非お聴き下さい 👉👉👉 t.co/OQYphfCMqE" (Tweet) (in Japanese). Archived from the original on September 17, 2021. Retrieved December 21, 2021 – via Twitter.
  102. "The First 10 Mins of the Final 'Rebuild of Evangelion' Film Will Screen at Anime Expo & Japan Expo". HYPEBEAST. Archived from the original on December 29, 2020. Retrieved June 28, 2019.
  103. Crystalyn Hodgkins (December 26, 2019). "Evangelion: 3.0+1.0 Anime Film Opens in Japan on June 27". Anime News Network. Archived from the original on December 29, 2020. Retrieved December 26, 2019.
  104. Rafael Antonio Pineda (October 15, 2020). "Evangelion's Final Film Opens on January 23". Anime News Network. Archived from the original on October 17, 2020. Retrieved October 15, 2020.
  105. "Evangelion: 3.0+1.0 Film Delayed Due to COVID-19 Concerns (Updated)". Anime News Network. April 17, 2020. Archived from the original on April 25, 2020. Retrieved April 17, 2020.
  106. エヴァンゲリオン公式 [@evangelion_co] (April 17, 2020). "公式サイトTOPページ、スタッフクレジットを更新しました。 t.co/eJh9mz165k スタッフクレジットはこちらより t.co/yGu8B76ciM t.co/5VFRuheanf" (Tweet) (in Japanese). Archived from the original on December 9, 2021. Retrieved December 21, 2021 – via Twitter.
  107. Dominguez, Noah (October 5, 2020). "Evangelion Director Opens Up Regarding Final Film's Delay". Comic Book Resources. Archived from the original on December 29, 2020. Retrieved October 6, 2020.
  108. "The Disappearance of Haruhi Suzumiya Blu-Ray + DVD - Review". Anime News Network. December 6, 2011. Archived from the original on April 22, 2019. Retrieved February 16, 2021.
  109. "Final Evangelion Film Briefly Listed as 154 Minutes Long With G Rating". Anime News Network. February 16, 2021. Archived from the original on February 16, 2021. Retrieved February 16, 2021.
  110. "Hikaru Utada Official Website | NEWS". Hikaru Utada Official Website. Archived from the original on March 20, 2021. Retrieved February 26, 2021.
  111. "エヴァンゲリオン公式サイト News". www.evangelion.co.jp (in Japanese). Archived from the original on March 4, 2021. Retrieved February 26, 2021.
  112. エヴァンゲリオン公式 [@evangelion_co] (June 6, 2021). "#シンエヴァ ラストラン大サービス！ 2⃣新バージョン『EVANGELION:3.0+1.01』上映開始 公開時のバージョンから、カットの差し替えを行った新ver.を6/12(土)より上映！ ※ストーリー等に変化はありません 3⃣同じく6/12(土)より、全国6劇場にてドルビーシネマでの上映も決定！ t.co/Qqpz5vCQf6 t.co/Z8SjJ1GAj8" (Tweet) (in Japanese). Archived from the original on December 1, 2021. Retrieved December 21, 2021 – via Twitter.
  113. "6月12日(土)より『シン・エヴァンゲリオン劇場版』ラストラン、感謝を込めて3つの大サービス！". www.evangelion.co.jp (in Japanese). June 7, 2021. Retrieved August 17, 2021.{{cite web}}: CS1 maint: url-status (link)
  114. "15年ぶりの漫画で、見たことのない「エヴァ」を描く／「シン・エヴァンゲリオン劇場版」特典冊子を描く監督・前田真宏インタビュー". WebNewtype (in Japanese). July 9, 2021. Retrieved August 17, 2021.{{cite web}}: CS1 maint: url-status (link)
  115. Frater, Patrick (July 1, 2021). "Anime Hit 'Evangelion: Thrice Upon a Time' Heads to Amazon Prime Video". Variety. Retrieved July 1, 2021.
  116. Mateo, Alex (July 1, 2021). "Amazon Prime Video to Stream Final Evangelion Film on August 13". Anime News Network.
  117. Antonio Pineda, Raphael (July 20, 2021). "Amazon Prime Video Also Streams Final Evangelion Film in Japan on August 13". Anime News Network.
  118. "Evangelion 3.0+1.11 Blu Ray Includes New Bonus Footage". October 4, 2022.
  119. "シン・エヴァンゲリオン劇場版". www.evangelion.co.jp (in Japanese). Retrieved October 4, 2022.
  120. Pineda, Rafael Antonio (March 9, 2021). "Final Evangelion Film's 1st Day Sells Over 530,000 Tickets for Over 800 Million Yen". Anime News Network. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  121. Pineda, Rafael Antonio (March 10, 2021). "Final Evangelion Film Breaks IMAX Opening Day Record in Japan". Anime News Network. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  122. Pineda, Rafael Antonio (March 15, 2021). "Final Evangelion Film Earns 3.3 Billion Yen in 1st Week". Anime News Network. Archived from the original on March 15, 2021. Retrieved March 15, 2021.
  123. Pineda, Rafael Antonio. "Final Evangelion Film Opens at #1 in Japan". Anime News Network. Archived from the original on March 16, 2021. Retrieved March 16, 2021.
  124. Hodgkins, Crystalyn (March 29, 2021). "Evangelion: 3.0+1.0 Film Earns ¥6 Billion, Becomes Highest-Earning in Franchise". Anime News Network. Archived from the original on March 29, 2021. Retrieved March 29, 2021.
  125. Pineda, Rafael Antonio (April 7, 2021). "Final Evangelion Film Tops 7 Billion Yen After 30 Days". Anime News Network. Archived from the original on April 8, 2021. Retrieved April 9, 2021.
  126. Antonio Pineda, Rafael (May 6, 2021). "Final Evangelion Film Is Now Hideaki Anno's Highest-Earning Film With 8.28 Billion Yen". Anime News Network. Retrieved May 6, 2021.
  127. Pineda, Rafael Antonio (June 15, 2021). "Evangelion: 3.0+1.0 Film Shoots Back to #1 After 1 Weekend Out of Top 10". Anime News Network. Retrieved June 16, 2021.
  128. Loo, Egan (June 14, 2021). "Final Evangelion Film's Box Office Jumps 960.5% Over Previous Weekend". Anime News Network. Retrieved June 17, 2021.
  129. Loo, Egan (June 16, 2021). "Final Evangelion Film Tops 9 Billion Yen". Anime News Network. Retrieved June 16, 2021.
  130. 東映公式ニュース [@TOEI_PR] (July 13, 2021). "祝！『シン・エヴァンゲリオン劇場版』（配給：東宝・東映・カラー）、興行収入100億円突破🎉 東映配給作品として、歴代最高記録を記録、そして初の大台突破です！ 「ありがとう、エヴァンゲリオン」 t.co/XuxgU6FCw8" (Tweet) (in Japanese). Archived from the original on August 8, 2021. Retrieved December 21, 2021 – via Twitter.
  131. エヴァンゲリオン公式 [@evangelion_co] (July 22, 2021). "#シンエヴァ 7/21の終映（一部劇場を除く）にて 観客動員　669万人 興行収入　102.2億円 となりました。 ご鑑賞いただいた皆様、 本当にありがとうございました！！ t.co/WDf4i9sVbt" (Tweet) (in Japanese). Archived from the original on December 1, 2021. Retrieved December 21, 2021 – via Twitter.
  132. "歴代ランキング - CINEMAランキング通信". www.kogyotsushin.com. Retrieved September 30, 2021.
  133. "「シン・エヴァ」公開でふせったーが史上2位のアクセス数を記録 サーバダウンもなく公開初日を乗り切る". ねとらぼ (in Japanese). Retrieved September 30, 2021.
  134. Stenbuck, Kite (August 17, 2021). "Evangelion 3.0+1.01 Topped Amazon Prime Video on Launch Day". Siliconera. Retrieved August 19, 2021.{{cite web}}: CS1 maint: url-status (link)
  135. Lacerna, Michael (December 29, 2021). "Evangelion Is Japan's Highest Grossing Movie of the Year". CBR. Retrieved December 30, 2021.{{cite web}}: CS1 maint: url-status (link)
  136. Fujitsu, Ryota (March 19, 2021). "「シン・エヴァ」評 横浜国立大教授・須川亜紀子の場合：朝日新聞デジタル". 朝日新聞デジタル (in Japanese). Archived from the original on April 4, 2021. Retrieved April 9, 2021.
  137. Ohara, Asushiri (March 11, 2021). "ゲンドウ、それヘッドホンやないで（小原篤のアニマゲ丼）：朝日新聞デジタル". 朝日新聞デジタル (in Japanese). Archived from the original on March 29, 2021. Retrieved April 9, 2021.
  138. Azuma, Hiroki (March 19, 2021). "「シン・エヴァ」評 批評家・東浩紀の場合：朝日新聞デジタル". 朝日新聞デジタル (in Japanese). Archived from the original on May 6, 2021. Retrieved April 9, 2021.
  139. Morrisy, Kim (May 3, 2021). "Mamoru Oshii: "Hideaki Anno is More of a Producer Than a Director These Days"". Anime News Network. Retrieved August 2, 2021.
  140. Hideaki ANNO and Hitoshi MATSUMOTO fireside chat (interview) (in Japanese). August 19, 2021.
  141. Sugawa, Akiko (March 19, 2021). "「シン・エヴァ」評 横浜国立大教授・須川亜紀子の場合：朝日新聞デジタル". 朝日新聞デジタル (in Japanese). Archived from the original on April 4, 2021. Retrieved April 9, 2021.
  142. "『エヴァンゲリオン』は閉じた作品ではない 観た人を熱狂させる理由を考察". Real Sound｜リアルサウンド 映画部 (in Japanese). Archived from the original on April 11, 2021. Retrieved April 11, 2021.
  143. "シン・エヴァンゲリオン劇場版 特集: あらすじ・見どころ解説・レビュー 「エヴァ」未経験者が新劇場版4作を一気に鑑賞してみたら…体験レポ". 映画.com (in Japanese). Archived from the original on April 8, 2021. Retrieved April 9, 2021.
  144. 株式会社インプレス (March 28, 2021). "「シン・エヴァ」声優14人による舞台挨拶、シンジから皆に「おめでとう」". AV Watch (in Japanese). Archived from the original on April 13, 2021. Retrieved April 13, 2021.
  145. 株式会社つみき. "【発表】映画『シン・エヴァンゲリオン劇場版』初日満足度ランキング1位獲得 | FILMAGA（フィルマガ）". filmaga.filmarks.com (in Japanese). Archived from the original on March 16, 2021. Retrieved April 9, 2021.
  146. "エヴァ世代ではない60代の私が「シン・エヴァ劇場版」に震えた理由（中川 右介）". 現代ビジネス. Archived from the original on March 19, 2021. Retrieved April 9, 2021.
  147. "『シン･エヴァ』場外乱闘で評価ガタ落ち？ 岡田斗司夫を名指し批判して賛否 (2021年6月10日)". エキサイトニュース (in Japanese). Retrieved September 9, 2021.
  148. 株式会社インプレス (June 9, 2021). "マリのモデルは誰⁉ エヴァの裏話満載、スタジオカラー公式ラヂオ公開". AV Watch (in Japanese). Retrieved September 9, 2021.
  149. "エヴァを制作したカラー公式ツイッターさん、岡田斗司夫(オタキング)を否定するツイートをRTしてしまう………". yaraon-blog.com. Retrieved September 9, 2021.{{cite web}}: CS1 maint: url-status (link)
  150. "【シンエヴァ】安野モヨコ「私をマリと照らし合わせたりしないで」 メルマガ". ha-navi.com. April 3, 2021. Retrieved September 9, 2021.
  151. 「シン・エヴァ」庵野秀明総監督、「エヴァ」初の舞台あいさつ　新劇場版完結に安堵、感謝　ひとり立ち上がり…. maidigitv. April 11, 2021. Retrieved December 21, 2021 – via YouTube.
  152. Evangerion shin gekijoban : Ha zen kiroku zenshu : evangelion: 2.22 film. Ikki Todoroki, 一騎 轟木. [Tokyo]: Kara. August 2010. ISBN 9784905033004. OCLC 911350314.{{cite book}}: CS1 maint: others (link)
  153. "『シン・エヴァ』、私たちは「ゲンドウの描かれ方」に感動するだけでいいのか？ 根本的な疑問（杉田 俊介）". 現代ビジネス. Archived from the original on March 26, 2021. Retrieved April 9, 2021.
  154. "超期待した『シン・エヴァ』にモヤモヤした「３つの理由」（飯田 一史）". 現代ビジネス. Archived from the original on March 23, 2021. Retrieved April 9, 2021.
  155. Rider, Ram (March 27, 2021). "「困ってる姿を撮るのがいいですよ」シン・エヴァ庵野密着、本当の"プロフェッショナル"は誰だったのか". 文春オンライン. Archived from the original on April 1, 2021. Retrieved April 9, 2021.
  156. ""式典"としての『シン・エヴァンゲリオン劇場版』 前3作との大きな違いと"物語の終わり"（リアルサウンド）". Yahoo!ニュース (in Japanese). Archived from the original on April 8, 2021. Retrieved April 9, 2021.
  157. "結局、『シン・エヴァ劇場版』は何を終わらせられなかったのか（現代ビジネス）". Yahoo!ニュース (in Japanese). Archived from the original on March 27, 2021. Retrieved April 9, 2021.
  158. "『シン・エヴァンゲリオン劇場版』はいかに「オタクの呪縛」と向き合ったのか＜ネタバレ注意＞（HARBOR BUSINESS Online）". Yahoo!ニュース (in Japanese). Archived from the original on March 24, 2021. Retrieved April 9, 2021.
  159. "大絶賛が多い『シン・エヴァ劇場版』、それでも"根深い分断"が生まれているワケ（現代ビジネス）". Yahoo!ニュース (in Japanese). Archived from the original on March 28, 2021. Retrieved April 9, 2021.
  160. Mateo, Alex (May 13, 2021). "Final Evangelion Film's Studio Khara Reports Slander, Threats, Criminal Intent Against Staff". Anime News Network. Retrieved May 14, 2021.
  161. "超期待した『シン・エヴァ』にモヤモヤした「３つの理由」（飯田 一史） @gendai_biz". 現代ビジネス (in Japanese). Retrieved September 30, 2021.
  162. Yamazaki, Takero (April 12, 2021). "'Evangelion' fans flock to Ube, director Anno's hometown". The Asahi Shimbun. Retrieved May 26, 2021.
  163. Evangelion: 3.0+1.0 Thrice Upon a Time (2021), retrieved August 29, 2022
  164. Evangelion: 3.0+1.0 Thrice Upon a Time Reviews - Metacritic, retrieved September 8, 2021
  165. Eisenbeis, Richard (March 9, 2021). "Evangelion: 3.0+1.0: Thrice Upon A Time". Anime News Network. Archived from the original on March 10, 2021. Retrieved March 12, 2021.
  166. McLain, Kyle (March 27, 2021). "Evangelion: 3.0+1.0 Thrice Upon a Time Review". IGN. Archived from the original on March 29, 2021. Retrieved March 29, 2021.
  167. Schley, Matt (March 11, 2021). "'Evangelion: 3.0+1.0 Thrice Upon a Time': Anime epic gets a fitting finale". The Japan Times. Archived from the original on March 16, 2021. Retrieved April 9, 2021.
  168. Harrison, Justin (August 1, 2021). "Evangelion 3.0+1.0: Thrice Upon a Time is an astonishing conclusion to one of science fiction's greatest works". The Spool. Retrieved August 12, 2021.
  169. Baseel, Casey (March 8, 2021). "Final Evangelion movie is finally out, and we've seen it! Our Eva fans' spoiler-free impressions". SoraNews24 -Japan News-. Retrieved August 12, 2021.{{cite web}}: CS1 maint: url-status (link)
  170. Harding, Daryl (April 2, 2021). "Evangelion 3.0+1.0 is a Happy End to Evangelion". Crunchyroll. Archived from the original on April 26, 2021. Retrieved April 9, 2021.
  171. Cimi, Chris (March 8, 2021). "Evangelion 3.0+1.0 Review (Spoiler-Free): Hideaki Anno's Vision (Finally) Fulfilled". OTAQUEST. Retrieved August 12, 2021.
  172. Osmond, Andrew (October 2021). Cox, Gemma (ed.). "Anime Review: Evangelion 3.0+1.01". NEO. No. 212. pp. 60–61.
  173. "「シン・エヴァンゲリオン劇場版」が第45回日本アカデミー賞話題賞の作品部門を受賞（コミックナタリー）". Yahoo!ニュース (in Japanese). Retrieved March 6, 2022.
  174. "Evangelion 3.0+1.0 Film Wins Japan Academy Film Prizes' Animation of the Year". Anime News Network. Retrieved March 23, 2022.
  175. Mateo, Alex (February 10, 2022). "Jujutsu Kaisen, Evangelion: 3.0+1.0 Anime Win TAAF's Top Awards". Anime News Network. Retrieved March 9, 2022.
  176. Schilling, Mark (February 15, 2022). "Godzilla, Ultraman and Kamen Rider Join Forces in Shin Japan Heroes Universe From Rival Studios and Anno Hideaki". Variety. Retrieved February 17, 2022.



На других языках

- [en] Evangelion: 3.0+1.0 Thrice Upon a Time

[ru] Евангелион: 3.0+1.01: Как-то раз

«Евангелион: 3.0+1.01: Как-то раз»[3]; Evangelion: 3.0+1.0: Thrice Upon a Time (яп. シン・エヴァンゲリオン劇場版𝄇 Син Эвангэрион Гэкидзё: бан, буквально «Евангелион: Новая киноверсия: Реприза») — анимационный фильм режиссёра Хидэаки Анно, выпущенный Studio Khara. Это четвёртый и последний фильм в тетралогии Rebuild of Evangelion, основанный на сериале «Евангелион». Изначально выход намечался на 2015 год[4], но работа была приостановлена в связи с участием Анно в создании киноленты «Годзилла: Возрождение»[5]. Производство возобновилось в конце 2016 года[6][7]. Премьера была запланирована на 27 июня 2020 года[8][9][10], но отложена из-за пандемии COVID-19. Новая дата установлена на 23 января 2021 года[11]. Ввиду опасной эпидемиологической обстановки в Японии 14 января 2021 года объявлен перенос[12]. Премьера состоялась 8 марта 2021 года[13][14]. В программе Professional: The Way of Work, вышедшей на канале NHK 22 марта 2021 года[15], режиссёр заявил, что «с этим я закончил с Евой» и у него больше нет эмоциональной привязанности[16]. Премьера за пределами Японии планировалась 13 августа 2021 года на потоковом сервисе Amazon Prime Video[17], но случилась на день раньше[18].


Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2024
WikiSort.org - проект по пересортировке и дополнению контента Википедии