Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons. The storyline was adapted from the novel of the same name by William R. Burnett. Little Caesar was Robinson's breakthrough role and immediately made him a major film star. The film is often listed as one of the first fully-fledged gangster films and continues to be well received by critics.

This article is missing information about the film's production, theatrical/ home media releases, and reception. (November 2019)

Little Caesar
Theatrical release poster
Directed by	Mervyn LeRoy
Written by	Francis Edward Faragoh Robert N. Lee Robert Lord (uncredited) Darryl F. Zanuck (uncredited)
Based on	Little Caesar by W. R. Burnett
Produced by	Hal B. Wallis Darryl F. Zanuck
Starring	Edward G. Robinson Douglas Fairbanks Jr. Glenda Farrell
Cinematography	Tony Gaudio
Edited by	Ray Curtiss
Music by	Ernö Rapée
Production company	First National Pictures
Distributed by	Warner Bros. Pictures
Release date	January 9, 1931 (1931-01-09)
Running time	79 minutes
Country	United States
Language	English
Budget	$281,000[1]
Box office	$752,000[1]

In 2000, Little Caesar was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.[2][3] The Library of Congress maintains a print.[4]

Plot

Small-time criminals Caesar Enrico "Rico" Bandello and his friend Joe Massara move to Chicago to seek their fortunes. Rico joins the gang of Sam Vettori, while Joe wants to be a dancer. Olga becomes his dance partner and girlfriend.

Joe tries to drift away from the gang and its activities, but Rico makes him participate in the robbery of the nightclub where he works. Despite orders from underworld overlord "Big Boy" to all his men to avoid bloodshed, Rico guns down crusading crime commissioner Alvin McClure during the robbery, with Joe as an aghast witness.

Rico accuses Sam of becoming soft and seizes control of his organization. Rival boss "Little Arnie" Lorch tries to have Rico killed, but Rico is only grazed. He and his gunmen pay Little Arnie a visit, after which Arnie hastily departs for Detroit. The Big Boy eventually gives Rico control of all of Chicago's Northside.

Rico becomes concerned that Joe knows too much about him. He warns Joe that he must forget about Olga and join him in a life of crime. Rico threatens to kill both Joe and Olga unless he accedes, but Joe refuses to give in. Olga calls Police Sergeant Flaherty and tells him Joe is ready to talk, just before Rico and his henchman Otero come calling. Rico finds, to his surprise, that he is unable to take his friend's life. When Otero tries to do the job himself, Rico wrestles the gun away from him, though not before Joe is wounded. Hearing the shot, Flaherty and another police officer give chase and injure and capture Otero. With information provided by Olga, Flaherty proceeds to crush Rico's organization.

Desperate and alone, Rico "retreats to the gutter from which he sprang." While hiding in a flophouse, he becomes enraged when he learns that Flaherty has called him a coward in the newspaper. He foolishly telephones the police to announce he is coming for him. The call is traced, and he is gunned down by Flaherty behind a billboard – an advertisement featuring dancers Joe and Olga – and, dying, utters his final words, "Mother of mercy, is this the end of Rico?"

Cast

• Edward G. Robinson as Caesar Enrico "Rico" Bandello / "Little Caesar"
• Douglas Fairbanks Jr. as Joe Massara
• Glenda Farrell as Olga Stassoff
• William Collier Jr. as Tony Passa
• Sidney Blackmer as Big Boy
• Ralph Ince as Pete Montana
• Thomas E. Jackson as Sergeant/Lieutenant Thomas Flaherty
• Stanley Fields as Sam Vettori
• Maurice Black as Little Arnie Lorch
• George E. Stone as Otero
• Landers Stevens as Alvin McClure - Crime Commissioner

Production

Clark Gable was sought out for a role in the film, albeit with conflicting perspectives in memoirs; Jack L. Warner said that LeRoy wanted Gable for the lead role, while LeRoy stated that he wanted Gable for the second lead role, but at any rate Warner turned Gable down. Robinson had already played a gangster in plays such as The Racket and The Widow from Chicago (1930), a First National Pictures production.

Reception

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On review aggregator Rotten Tomatoes, Little Caesar holds an approval rating of 92%, based on 25 reviews, and an average rating of 7.4/10. The website's critics consensus reads: "Little Caesar achieves epic stature thanks to Edward G. Robinson's volcanic charisma, forging a template for the big-screen mobster archetype that's yet to be surpassed."[5]

Award and honors

• 4th Academy Awards: Adapted Screenplay ‒ Nominated
• National Film Registry: Selected by the Library of Congress in 2000
• American Film Institute:
  • AFI's 100 Years...100 Movies: Nominated in both 1998 and 2007
  • AFI's 100 Years...100 Thrills: Nominated
  • AFI's 100 Years...100 Heroes and Villains: Rico – #38 villain
  • AFI's 100 Years...100 Movie Quotes: "Mother of mercy, is this the end of Rico?"– #73
  • AFI's 10 Top 10: #9 gangster film[6]

Legacy

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Together with The Public Enemy (1931) and Scarface (1932), Little Caesar proved to be influential in developing the gangster film genre, establishing many themes and conventions that have been used since then.[7]

The film's box office success also spawned the production of several successful gangster films, many of which were also made by Warner Brothers.[8] It is listed in the film reference book 1001 Movies You Must See Before You Die, which says "Mervyn LeRoy's Little Caesar helped to define the gangster movie while serving as an allegory of production circumstances because it was produced during the Great Depression— Leavening this theme alongside the demands of social conformity during the early 1930s means that LeRoy's screen classic is far more than the simple sum of its parts."[9]

See also

• Pre-Code crime films
• History of Pre-Code Hollywood: Crime films

References

External links

Wikiquote has quotations related to Little Caesar (film).

• Little Caeser 1931
• Little Caesar at the American Film Institute Catalog
• Little Caesar at AllMovie
• Little Caesar at IMDb
• Little Caesar at Rotten Tomatoes
• Little Caesar at the TCM Movie Database
• Little Caesar essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, Bloomsbury Academic, 2010 ISBN 0826429777, pages 176-178

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