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Mona Lisa Smile is a 2003 American drama film produced by Revolution Studios and Columbia Pictures in association with Red Om Films Productions, directed by Mike Newell, written by Lawrence Konner and Mark Rosenthal, and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal. The title is a reference to the Mona Lisa, the famous painting by Leonardo da Vinci, and to the song of the same name, originally performed by Nat King Cole, which was covered by Seal for the movie. Julia Roberts received a record $25 million for her performance, the highest ever earned by an actress at that time.[3]

Mona Lisa Smile
Theatrical release poster
Directed by	Mike Newell
Written by	Lawrence Konner Mark Rosenthal
Produced by	Elaine Goldsmith-Thomas Deborah Schindler Paul Schiff
Starring	Julia Roberts Kirsten Dunst Julia Stiles Maggie Gyllenhaal Dominic West Juliet Stevenson Marcia Gay Harden
Cinematography	Anastas Michos
Edited by	Mick Audsley
Music by	Rachel Portman
Production companies	Columbia Pictures Revolution Studios Red Om Films Productions
Distributed by	Sony Pictures Releasing
Release date	December 19, 2003 (2003-12-19)
Running time	119 minutes
Country	United States
Languages	English Italian
Budget	$72.3 million[1]
Box office	$141.3 million[2]

Plot

In 1953, Katherine Ann Watson, a 30-year-old graduate student in the Department of Art History at UCLA and Oakland State,[lower-alpha 1] takes a position teaching the history of art at Wellesley College.

At her first class, Katherine discovers her students have memorized the entire textbook and syllabus, so she introduces them to modern art and encourages discussion about what is good art. Katherine comes to know them, seeking to inspire them to achieve more than marriage.

Highly opinionated Elizabeth "Betty" Warren is outspokenly conservative. She does not understand why Katherine is not married and insists a universal standard exists for good art. She writes editorials for the college paper, exposing campus nurse Amanda Armstrong as a supplier of contraception, resulting in her termination.

Other editorials attack Katherine for advocating that women seek a career instead of being wives and mothers. Betty cannot wait to marry Spencer and expects the traditional exemptions from attending class as a married woman; however, Katherine insists she will be marked on merit.

Constance "Connie" Baker begins dating Betty's cousin, Charlie, but Betty tells her he is to marry Deb MacIntyre. Connie ends the relationship, believing Betty. However, some weeks later, Connie and Charlie reconnect, with him telling her he had stopped seeing Deb after the previous summer.

Joan Brandwyn dreams of being a lawyer and is enrolled as prelaw, so Katherine encourages her to apply to Yale Law School. Accepted, she still opts to play the traditional role of a housewife to Tom Donegal. She tells Katherine that choosing to be a wife and mother does not reduce her intelligence.

Giselle Levy has several lovers and liberal views about sex. She admires Katherine for encouraging the students to be independent. Giselle earns Betty's enmity, who is very conservative.

Katherine declines a marriage proposal from her California boyfriend, as she does not love him enough and begins seeing the Wellesley Italian professor, Bill Dunbar. He is charming and full of stories about Europe and his heroic actions in Italy during the war. He has also had affairs with students (including Giselle), and Katherine makes him promise he will stop.

The relationship progresses, but when Katherine learns that Bill spent the entire war at the Army Languages Center on Long Island, she breaks up with him. He responds that Katherine did not come to Wellesley to help the students find their way, but rather her way.

Betty's marriage falls apart after Spencer has an affair, and her mother orders her to return to her husband rather than offer support. She visits Giselle in her dorm, who comforts her. In turn, Betty regrets how she has treated Katherine with her poor behavior. Eventually, influenced by her, Betty files for divorce and looks for an apartment in Greenwich Village.

When Mrs. Warren confronts Betty for what she has done, she reveals her frustration with her mother for not supporting her when she asked for it. She says the only person who cared about her enough to help her out was Katherine. Therefore, Betty reveals she is going to have a life of her own, living with Giselle, and is considering applying to Yale Law School.

Katherine's course is highly popular, so she is invited to return, but under these conditions: she must follow the syllabus, submit lesson plans for approval, and keep a strictly professional relationship with all faculty members and students.

Katherine decides to leave to explore Europe. In the final scene, Betty dedicates her last editorial to Katherine, calling her "an extraordinary woman who lived by example and compelled us all to see the world through new eyes." As she leaves in a taxi, all her students follow on their bicycles, with Betty reaching to say goodbye until the taxi speeds away.

Cast

Soundtrack

Mona Lisa Smile
Soundtrack album by Various
Released	December 19, 2003
Genre	Jazz • easy listening • big band
Length	48:27
Label	Sony Music

Box office

In its first weekend, Mona Lisa Smile opened at number two at the U.S. box office, earning US$11,528,498 behind The Lord of the Rings: The Return of the King.[4] By the end of its run, while the film had grossed $141,337,989 worldwide, its U.S. domestic gross did not meet its $65 million budget, falling short at $63,860,942.

Reception

Mona Lisa Smile received mixed to negative reviews from film critics. On Rotten Tomatoes, it has a 34% approval rating based on 152 reviews, with an average score of 4.9/10 and a consensus: "Though Mona Lisa Smile espouses the value of breaking barriers, the movie itself is predictable." On Metacritic, the film has a weighted average score of 45 out of 100, based on 40 critics, indicating "mixed or average reviews".[5]

In a typical review, Claudia Puig of USA Today wrote, "it's Dead Poets Society as a chick flick, without the compelling drama and inspiration... even Roberts doesn't seem convinced. She gives a rather blah performance as if she's not fully committed to the role... Rather than being a fascinating exploration of a much more constrained time in our social history, the film simply feels anachronistic. The film deserves a solid 'C' for mediocrity and muted appeal."[6] Critic Elizabeth M. Tamny of the Chicago Reader shared this negative assessment, writing "Part of the problem is simply that Mona Lisa Smile is a Hollywood film, and Hollywood isn't good at depicting the life of the mind... And Julia Roberts is no help--you either like her or you don't, but either way it has little to do with talent. She's not so much an actor as a vessel for earnest reactions. The fact is... It's easier to take on an extremely black-and-white version of the most salient question from this film--can women bake their cake and eat it too?--than try to answer it in the present."[7]

David Ansen of Newsweek wrote, "What drew the usually astute Mike Newell ('Four Weddings and a Funeral', 'Donnie Brasco') to this project? There are hints that the script (credited to Mark Rosenthal and Lawrence Konner) may once have had more shadings--a suggestion that Katherine's idealism is a form of power-tripping; that she's afraid of intimacy--but any ambiguity is quickly brushed aside to make way for the Julia lovefest. Newell, no hack, tries not to milk the cliches shamelessly, and that may be the movie's final undoing. Lacking the courage of its own vulgarity, 'Mona Lisa Smile' is as tepid as old bathwater."[8]

Accolades

Association	Category	Recipient	Results
Critics Choice Movie Award	Best Song	Elton John Bernie Taupin	Nominated
Golden Globe Award	Best Original Song		Nominated
Phoenix Film Critics Society Award	Best Use of Previously Published or Recorded Music	—	Nominated
Satellite Award	Best Original Song	Elton John	Nominated
Teen Choice Award	Choice Movie Actress - Drama/Action-Adventure	Julia Stiles	Nominated
	Choice Movie - Sleazbag	Kirsten Dunst	Nominated

Reaction from Wellesley and Wellesley alumnae

The college issued an official statement explaining their decision to allow the film to shoot on campus.[9]

In a message to Wellesley alumnae concerning the film, Wellesley College president Diana Chapman Walsh expressed regret about some of the reactions it generated, given that many alumnae from the 1950s felt that the film's portrayal of Wellesley was inaccurate.[10]

References

External links

• Julia Roberts interview for Mona Lisa Smile
• Mona Lisa Smile at IMDb
• Mona Lisa Smile at the TCM Movie Database
• Mona Lisa Smile at AllMovie
• Mona Lisa Smile at Box Office Mojo
• Mona Lisa Smile at Rotten Tomatoes

На других языках

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[de] Mona Lisas Lächeln

Mona Lisas Lächeln (Originaltitel: Mona Lisa Smile) ist ein US-amerikanischer Film des Regisseurs Mike Newell aus dem Jahr 2003. Julia Roberts spielt darin die Rolle der Katherine Watson, die in den 1950er Jahren als Dozentin am Wellesley College versucht, ihren Studentinnen Eigenständigkeit beizubringen. Er ähnelt Peter Weirs Der Club der toten Dichter von 1989.

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- [en] Mona Lisa Smile

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[es] La sonrisa de Mona Lisa

La sonrisa de Mona Lisa (Mona Lisa Smile en inglés) es una película estadounidense de 2003 dirigida por Mike Newell. La película trata sobre una maestra de Historia del Arte, Katherine Watson (Julia Roberts), que durante su estadía en la Universidad de Wellesley en los años 50 procura enseñarles a las estudiantes que aspiren a algo más en la vida que casarse y formar una familia.

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[ru] Улыбка Моны Лизы

«Улыбка Моны Лизы» (англ. Mona Lisa Smile) — американский художественный фильм режиссёра Майка Ньюэлла 2003 года. В главных ролях — Джулия Робертс, Кирстен Данст и Джулия Стайлз.

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