Passengers is a 2016 American science-fiction romantic comedy-drama film directed by Morten Tyldum and written by Jon Spaihts. It stars Jennifer Lawrence and Chris Pratt, with Laurence Fishburne, Michael Sheen and Andy García in supporting roles. It follows two passengers on an immense interstellar spacecraft carrying thousands of people to a colony 60 light years from Earth, when the two are awakened 90 years early from their induced hibernation.

Passengers
Theatrical release poster
Directed by	Morten Tyldum
Written by	Jon Spaihts
Produced by	Stephen Hamel Michael Maher Neal H. Moritz Ori Marmur
Starring	Jennifer Lawrence Chris Pratt Michael Sheen Laurence Fishburne Andy García
Cinematography	Rodrigo Prieto
Edited by	Maryann Brandon
Music by	Thomas Newman
Production companies	Columbia Pictures[1] LStar Capital[1] Village Roadshow Pictures[1] Wanda Pictures[1] Original Film[1] Company Films[1] Start Motion Pictures[1]
Distributed by	Sony Pictures Releasing
Release dates	December 14, 2016 (2016-12-14) (Regency Village Theater) December 21, 2016 (2016-12-21) (United States)
Running time	116 minutes[2]
Country	United States
Language	English
Budget	$110–150 million[3][4]
Box office	$303.1 million[3]

The script was written in 2007 by Spaihts, but languished in development hell with multiple actors attached and detached from it over the years until Sony Pictures Entertainment acquired its rights in late 2014. Lawrence, Pratt and Tyldum quickly joined the project, and filming took place from September 2015 to February 2016 in Atlanta. [5]^{[failed verification]} It was produced by Village Roadshow Pictures, Start Motion Pictures, Original Film, LStar Capital, Wanda Pictures and Company Films, and was the last film from Columbia Pictures with the involvement of Village Roadshow Pictures.

Passengers premiered at the Regency Village Theater in Los Angeles on December 14, 2016, and was released theatrically in the United States by Columbia Pictures on December 21, 2016, in standard format and RealD 3D. It received mixed reviews, with praise for Lawrence and Pratt's performances, Newman's musical score, and its visual style and production values, but was criticized for its plot and characters.[6][7] It grossed $303 million worldwide and was nominated for Best Original Score and Best Production Design at the 89th Academy Awards.[8]

Plot

The Avalon, a sleeper ship transporting 5,000 colonists and 258 crew members in hibernation pods, is traveling from Earth to the planet Homestead II, a 120-year journey. After only 30 years, an asteroid collision damages the ship despite its defense systems, causing a malfunction that awakens mechanical engineer James "Jim" Preston 90 years too early.

After a year of isolation, with only an android barman named Arthur for company, Jim grows despondent and contemplates suicide until he notices Aurora Lane, a beautiful young woman inside her pod. He views her video interview file, and is smitten. He considers reviving her for companionship, but struggles with the morality of doing so, knowing it will rob her of her intended life on their destination planet. He eventually causes her pod to awaken her, letting her believe she was also the victim of a malfunction. He asks Arthur not to reveal what he has done. Aurora, devastated at having to live out her life on the ship, unsuccessfully tries to re-enter hibernation. Resigned to the situation, Aurora, a writer and journalist, resumes writing about her experience.

The two slowly grow closer over the next year, and eventually, fall in love. Jim intends to propose to her; but when Arthur hears Jim say there are "no secrets" between him and Aurora, the android reveals the truth of her awakening. Aurora berates, shuns, and even physically attacks Jim. She furiously rejects his apologies and avoids contact with him.

Sometime later, another pod failure awakens Gus Mancuso, a deck chief officer. Using his personal code to access the bridge (which Jim has repeatedly and unsuccessfully tried to force his way into), they discover multiple cascading failures throughout the ship's systems, but the computer doesn't reveal their origin. If the faults are not repaired, the ship will inevitably fail, causing the passengers and crew to perish. While Gus attempts repairs with Jim and Aurora's help, he uncovers the story of Jim awakening Aurora through examining their pods and discusses it with them separately; Gus does not condone Jim's actions but understands, and tells Aurora that a "drowning man" (the suicidal Jim) will grab onto any lifeline, even if it were to put their rescuer in danger. Having generally felt unwell since waking, Gus falls critically ill. The ship's automated medical suite, the Autodoc, reveals that Gus has suffered pansystemic necrosis and that he has only hours to live, which Gus realizes was caused by multiple failures of his hibernation pod. Before dying, Gus gives Jim and Aurora his officer's ID, allowing them to access crew-only areas and try to repair the ship.

Jim and Aurora find a series of hull breaches from the asteroid's penetration two years earlier. The computer module administering the ship's fusion reactor power plant has been critically damaged, causing the cascading malfunctions as the other systems' computing power was diverted to try to maintain it. They replace the damaged module, but when the computer attempts to vent the reactor to extinguish a runaway plasma reaction, the exterior vent fails. Jim is forced to spacewalk and vent the plasma from outside, using the manual controls in the vent tube.

Jim learns that he must remain in the tube, keeping the vent open, while Aurora initiates venting from inside the ship. Revealing her enduring feelings for him, she admits she is terrified of losing him and being left alone. Jim uses a door as an improvised heat shield and survives the venting but is blasted out into space as his tether snaps, and his damaged spacesuit begins losing oxygen. Aurora retrieves a clinically dead Jim from space and manages to resuscitate him in the Autodoc while the Avalon, its reactor repaired, returns to normal operations.

After burying Gus in space, Jim learns that with Gus' clearance the Autodoc can function as a hibernation pod for one person, and offers to put Aurora back in hibernation for the remainder of the voyage. Realizing she would never see him again, she chooses to remain awake with him. He presents her with the makeshift engagement ring he made earlier, which she accepts.

Eighty-eight years later, the ship's crew is awakened on schedule, shortly before their arrival at Homestead II. In the ship's grand concourse, they discover a huge tree with trailing vines, lush vegetation, flying birds, and a cabin. A recording of Aurora's story describes the wonderful life she and Jim had together on the Avalon.

Cast

• Jennifer Lawrence as Aurora Lane, a journalist and writer
• Chris Pratt as Jim Preston, a mechanical engineer
• Michael Sheen as Arthur, an android bartender on the Avalon
• Laurence Fishburne as Gus Mancuso, the chief deck officer
• Andy García (in a non-speaking role) as Captain Norris, commanding officer of the Avalon
• Julee Cerda and Nazanin Boniadi as hologram instructors
• Aurora Perrineau as Celeste, Aurora's best friend

Emma Clarke, Chris Edgerly, Matt Corboy, Fred Melamed, and screenwriter Jon Spaihts perform as the voices of the Avalon, InfoMat, video game, observatory, and Autodoc, respectively.

Production

Development

In Jon Spaihts's original 2007 script, Aurora's surname was Dunn.[9] At one point in the film's development, it was set to star Keanu Reeves and Emily Blunt.[10] Other actors temporarily attached to it included Reese Witherspoon and Rachel McAdams.[11] Brian Kirk was originally set to make his feature directorial debut with Reeves in the lead.[12][13] On December 5, 2014, it was announced that Sony Pictures Entertainment had won the rights to the film,[14] and in early 2015, Morten Tyldum was chosen to direct.[15] He had always wanted to do a big-scale sci-fi movie, but also stressed the importance of character development over effects.[16]

The final cast was announced between February 2015 and January 2016.[17][18][19][20] Lawrence was paid $20 million against 30% of the profit after the movie broke even. Pratt received $12 million.[11][21]

Filming

Principal photography began on September 15, 2015 at Pinewood Atlanta Studios in Atlanta,[22][23] with most of it involving the two leads only. Rodrigo Prieto was cinematographer, and Maryann Brandon was film editor.[24][25] Filming wrapped on February 12, 2016.[26]

Music

Thomas Newman composed the score for Passengers.[27] Spaihts said that he wrote Passengers while listening to Newman's previous scores.[28] Imagine Dragons also recorded the song "Levitate" for the soundtrack, which was released on November 29, 2016.[29] The Chinese theme song for the film is "Light Years Away", composed by G.E.M.; it became the first Chinese music video to surpass 200 million views in September 2019.[30]

Marketing

At the 2016 CinemaCon, Passengers was featured by Sony Pictures chairman Thomas Rothman with Lawrence and Pratt in attendance. A teaser trailer of unfinished footage was shown afterwards.[31] The first official images of the film were released on August 12, 2016.[32]

Release

Theatrical

In August 2015, Sony Pictures Entertainment set the film's release date for December 21, 2016, in the United Kingdom, United States and Canada. It was concurrently released in 3D and RealD 3D formats,[33] with the international rollout running from Christmas to January 12, 2017.[34]

Home media

Passengers was released on DVD, Blu-ray, and 4K Ultra HD Blu-ray on March 14, 2017, and made available on digital HD from Amazon Video and iTunes on March 7, 2017.[35] On March 14, 2017, Passengers: Awakening, a virtual-reality experience based on the film launched for Oculus Rift and HTC Vive.[36]

Reception

Box office

Passengers grossed $100 million in the United States and Canada and $203.1 million in other territories for a worldwide total of $303.1 million, against a net production budget of $110 million.[4][3] It was the second-highest grossing original live-action Hollywood release of 2016, after La La Land.[37]

Passengers opened alongside Sing and Assassin's Creed, and was initially expected to gross around $50 million from 3,478 theaters over its first six days, although the studio anticipated a more conservative $35 million debut.[38][39] After making $1.2 million from Tuesday night previews[40] and $4.1 million on its first day, projections for the six-day opening were lowered to $27 million.[41] It went on to gross $15.1 million in its opening weekend (a six-day total of $30 million), finishing third at the box office behind Rogue One and Sing.[42] It became the third-biggest original live-action domestic release of 2016 behind La La Land ($149 million) and Central Intelligence ($126 million).[37]

Critical response

On Rotten Tomatoes, the film has an approval rating of 30% based on reviews from 290 critics with an average rating of 5.00/10. The website's critical consensus reads: "Passengers proves Chris Pratt and Jennifer Lawrence work well together – and that even their chemistry isn't enough to overcome a fatally flawed story."[43] On Metacritic, the film has a weighted average score of 41 out of 100, based on 48 reviews, indicating "mixed or average reviews".[44] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while PostTrak reported filmgoers gave it a 77% overall positive score.[42]

Mick LaSalle of The San Francisco Chronicle gave the film 3 out of 4 stars, writing: "Despite the confinement and the limited cast, Passengers has moments of intense drama that take the actors to places of extreme feeling."[45] James Dyer of Empire gave the film 4 out of 5 stars, saying it was "as surprisingly traditional as it is undeniably effective", and describing it as "Titanic amongst the stars" and "a touching, heartfelt tale of loss and love for the Gravity generation".[46] Peter Keough of The Boston Globe gave it 2.5 out of 4 stars, stating: "Perhaps as a well-written play for a cast of three, Passengers might have been first class. Instead, it's just another mediocre thrill ride."[47] Peter Bradshaw of The Guardian called the film an "appealing sci-fi romance", but criticized its final act as an "anticlimax", giving it 3 out of 5 stars.[48] Sheri Linden of The Hollywood Reporter said it "concocts a sort of Titanic in outer space, with dollops of "Sleeping Beauty" and Gravity thrown into the high-concept mix." She praised the striking visual design and elegant costumes, but said that the "heavy-handed mix of life-or-death exigencies and feel-good bromides finally feels like a case of more being less."[1]

Rebecca Hawkes of The Telegraph described the film as not a romance, but "a creepy ode to manipulation", describing the action as a "central act of violence" that is softened and justified.[49] Andrew Pulver of The Guardian called it an "interstellar version of social-media stalking" with "a fantastically creepy start" that, contrary to romantic comedies that managed to "plane down" the nastiness of stalking tactics, presented them in a way where they were "gruesomely inescapable".[50] Alissa Wilkinson of Vox called it "a fantasy of Stockholm syndrome, in which the captured eventually identifies with and even loves the captor" and "a really disturbing wish fulfillment fantasy".[51]

Lawrence was initially proud of the film, but agreed with suggestions that it might have benefited from a different edit, starting with her character waking up.[7][52] However, she later regretted doing the movie,[53] confessing to The New York Times that Adele had advised her not to and that she should've listened.[54] Producer Neal Moritz said he loved the film and thought the script was one of the best he had ever read. He pointed out that it was well received at test screenings, but that shortly before its release the media picked up on one review and "it became a mantra". He "thought it was a really unfair thing because I think it's a beautiful film I couldn’t be more proud of."[7]

Accolades

References

External links

• Official website
• Passengers at IMDb
• Passengers at the TCM Movie Database
• Passengers at AllMovie
• Passengers at Box Office Mojo
• Passengers at Rotten Tomatoes
• Passengers at Metacritic

На других языках

[ru] Пассажиры (фильм, 2016)